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AI art "バーガー盛りだくさんな猫耳ガール🍔"
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バーガー盛りだくさんな猫耳ガール🍔

ふわふわの髪に猫耳がたまらない、とびきり可愛い女の子のイラストです！ポップなイエローの背景にハンバーガーやポテトが散りばめられていて、見ているだけでお腹も心も満たされるような、そんな温かい気持ちになります。気に入っていただけたら、いいねとフォローよろしくお願いします！次回作もお楽しみに〜、コメントで感想も聞かせてね。

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Commenti

1girl, stylized anime illustration, alt-kawaii fashion, oversized accessories, expressive eyes, glossy shading, bold graphic symbols, pastel pop palette, doll-like proportions, clean lineart, decorative background motifs, modern J-fashion vibe, overaccessorized, best quality, shiny hair, attractive eyes, pink undertone, petite, cute, moe, hamburger-themed couture, waist up, brioche hamburger hat, cat ears on hat, lettuce detail, patty detail, cheese detail, embroidered "mew" text, miniature fries logo, small red fabric flag, voluminous platinum-blonde wavy curls, large eyes, detailed irises, long lashes, subtle freckles, porcelain skin, gentle smile, orange cropped cashmere sweater, hamburger-inspired dress, lettuce embroidery, tomato embroidery, organza frills, satin frills, green silk ribbons, red silk ribbons, hamburger-shaped shoulder bag, green leather strap, embroidered "YUM" text, detailed burger artwork, natural proportions, detailed clothing textures, intricate embroidery, soft lighting, pastel yellow background, slightly angled toward viewer, hand on shoulder bag, raised hand, looking at viewer
Mostra parametri
Dimensione
768 x 1280
Passaggi di campionamento
12
Metodo di campionamento
Euler a
Scala CFG
2.5
Seme
4880937685264686
Negativo
lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose, woman inside coffin, sitting inside coffin, lying inside coffin, entering coffin, coffin bed, coffin as seat, woman merged with coffin, body inside coffin, open coffin

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#L'attacco dei giganti#Mikasa Ackerman
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