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AI art "秋色の散歩道と透明傘の少女"
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秋色の散歩道と透明傘の少女

紅葉が舞う秋の並木道を、透明な傘を差して歩く彼女の姿があまりに美しくて、思わず見惚れてしまいました。雨に濡れた地面に映る景色や、風に揺れる髪の毛の描写がお気に入りです。この穏やかな秋の雰囲気が好きな方は、ぜひいいねとフォローをお願いします！

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マ

マリルリさん

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A full body shot from a 3/4 view depicts a young girl walking along a scenic path lined with vibrant autumn maple trees. She has long, flowing brown hair and a gentle expression, holding a wide open umbrella to protect herself from a light rain. She is dressed in a milk-colored knit sweater, a ruffled red mini-skirt, short white lace socks, and polished brown leather shoes. The surrounding environment is a picturesque lane where bright red and orange autumn leaves blanket the ground and canopy, with wet pavement reflecting the colorful foliage. The lighting is soft and diffused, typical of a rainy autumn day, creating a warm and serene atmosphere with a rich color palette of crimson and gold.
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Immissione richiesta originale
紅葉が綺麗な通り道で雨で傘をさしている茶髪でロングヘアーの女の子がミルク色のニットに赤いひらひらのミニスカートに白の短いレースの靴下履いて茶色の革靴を履いて全身の絵
Modalità
lite
Dimensione
768 x 1280

Modello e LoRA utilizzati

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.05k

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#L'attacco dei giganti#Mikasa Ackerman
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