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Tamagotchi, Zenless Zone Zero
Arte IA di Ayesha su PixAI. Tag: borsa, Figura intera, Bangboo, Moda Y2K. Creato con Tsubaki.2.
Su PixAI i prompt sono pubblici per impostazione predefinita, ma i creator possono nasconderli in qualsiasi opera pubblicano. Chi ha creato quest'opera ha scelto di farlo, quindi le parole usate per generare l'immagine restano private e può vederle solo lui. Nascondere il prompt non cambia nient'altro: l'opera resta pubblica e puoi metterle mi piace, commentarla e condividerla come sempre.
Nascosto dall'autore
Stile: anime illustration. great quality, best quality
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character: yumemi_riamu, mayuzumi_fuyuko, copyright: subarashiki_kono_sekai
2girls, yumemi riamu, mayuzumi fuyuko, mask, mask pulled aside, black mask, white gothic lolita dress, frilled gothic lolita dress, long black hair, blunt bangs, hair bow, brown eyes, pink hair, two-tone hair, multicolored hair, blue hair, ahoge, pink eyes, fang, short hair, hair intakes, latest fashion, cute design, accessories, badges, backpack, smartphone, different brands, mixed brand outfit, gyaru makeup, smile, open mouth smile, :d, talking, walking, walking together, full body, life-size scale, cowboy shot, from side, dutch angle, akihabara, townscape, realistic background, illustration style characters, autumn afternoon, pop, looking at another, outstretched arm, arm support
A low dutch-angle three-quarter side view along an Akihabara street, the two girls seen almost in profile walking toward the right edge of the frame past a shop façade of stacked layered signboards and vending-machine glow; the camera is dropped near hip height on a wide lens so the near curb and a fallen paper flyer sit huge and soft in the lower foreground while the girls stand at full body life-size scale in the sharp midground, rendered as flat-edged pop illustration, and everything behind them — the criss-crossing tangle of signboard lettering, the overhead looping cables, the plastered flyers, the mesh of the electrical-shop grid — is rendered with photographic density and real ambient bounce light so the two registers meet at their silhouettes.
Riamu walks nearer the camera on the curb side. Her pink-and-blue two-tone hair is short and chopped with busy hair intakes at the temples, one long ahoge swinging back across the signboards with her stride; a frilled white surgical mask hangs by one loop from her right ear, pulled down and aside so her whole open-mouth grin is out in the daylight, a small fang catching on her lower lip as she talks. Her eyes are wide pink, creased bright at the corners, and they are turned fully on Fuyuko's face. Her outfit is the latest thing out of the boutiques, mismatched on purpose: a cropped bomber of one brand over a ruffle-hemmed tee and a pleated mini of another, pin-and-badge clustered across the chest and the bag strap, enamel badges of different makes and colours biting into the canvas of a compact backpack she carries slung high with both straps on, a bright rubber-charm keychain ticking against it; her smartphone is gripped upright in her left hand at shoulder height, the case a different brand again, thumb paused mid-stride on the screen, the glass catching a thin vertical streak of signboard light. One sneaker in a chunked pastel-soled cut of a different maker to the rest of it, laces double-knotted, sole meeting the paving with its own shadow.
Fuyuko walks half a step behind on the far side, on the inner lane. Her long black hair falls straight past her shoulder blades, blunt bangs cut dead level above her brown eyes; a black mask covers the lower half of her face and its loops run taut behind her ears. She is bent toward Riamu, head and shoulder drawn in, one hand lifted to press the mask's upper edge just below the bridge of her nose; with the other she has angled the mask's corner slightly loose so her mouth is visible in a narrow crescent past the black cloth, and it is smiling — a small, controlled, pleased curve, lashes lowered a little toward Riamu, a red-stained lower lip just showing where the mask edge clips the corner. Her white gothic lolita dress is a different brand from anything on Riamu: high frilled collar, tight long sleeves ending in cuffs, a deep-frilled bell skirt over a heavy petticoat, an oversized ribbon at the throat, earrings bright at the jaw, lace gloves, and she wears the dress itself with a straightened, formal carriage, one arm held in close to keep the frills off the pavement as she steps over a curb seam; her brand-different boots have a chunky heel that lands with a small compressed scuff of grit, skirt swaying to the left of her line of travel.
Riamu's right shoulder leans in toward Fuyuko's as she talks, chin tipped up and mouth moving around a word; Fuyuko's eyes come up over the mask's edge to meet her, and the two faces are close enough that the warm afternoon light bridges them. Behind the pair a shop speaker softens a chiptune song, an office worker passes out of focus, and the flat-white and signboard colours of the illustration cutouts hold hard edges against the grey of the real street, palette tightened to the pop of Riamu's hair and the dress's clean white and black against the street's muted greys and warm neon accents. Sunlight comes from upper right, casting both girls' crisp compact shadows leftward across the paving stones in one direction and glinting off the phone screen and the badge metal. Bright, breezy, effortlessly charming.
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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2
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the ballerina
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