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Mostra parametri
- Immissione richiesta originale
- Keep the exact original character pose, silhouette, proportions, hairstyle, clothing shapes, and accessories from the reference image. Convert the entire character into a completely solid pure black silhouette. Remove all colors, facial features, shading, textures, clothing details, logos, skin tones, highlights, and internal linework. The character must appear as one unified flat black shape with crisp, recognizable outer contours. Preserve the original dynamic jumping pose and all important external shapes, including the hair, tail, clothing, boots, staff, and other accessories, but render every part as solid black. Plain clean white background. High-contrast minimalist silhouette, no gradients, no gray areas, no internal details, no shadows, no glow, no texture.
- Modalità
- flash
- Dimensione
- 512 x 800
Helper di Prompt
Modello e LoRA utilizzati
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goku 1
Megamaxi
ds
1boy, goten, black hair, spiked hair, black eyes, young, muscular male, male focus, masterpiece, looking at viewer, martial arts gi, dragon ball, solo, son goten, child boy, kid, orange GI black belt, black shoes with white detail
DC Spidey
goten 1
Megamaxi
character: vegetto, artist: fenyon
1boy, solo, muscular male, (spiky black hair:1.2), (defined muscular build:1.1), medium hair, high-contrast greyscale, pure monochrome, floating upright, full body, viewed from behind, three-quarter view from behind, head turned slightly left, crossed arms, arms folded across chest, legs apart, feet angled outward, sleeveless dark gi, wide tied sash, cropped martial-arts trousers, loose trousers, wrapped shin guards, simple boots, potara earrings, earrings, jewelry, open mouth, blank white background, seamless white ground, no scenery, minimal composition, sharp inked contours, expressive fabric folds, hand-drawn manga line art, cel-shaded monochrome, hard-edged shadows, pure black and pure white only, no text, borderless, blank field to all four edges,
The camera sits behind and slightly to his right, at hip height, close enough to fill the frame vertically: his whole body fits head to boot sole, centered, with wide empty white above his hair and below his heels, roughly a third of the page empty on each side. His back is to the viewer; the three-quarter turn carries his right shoulder nearer the lens while his left shoulder recedes, and his head rotates further left so that the cheekbone, jaw contour and the corner of an open shouting mouth break the silhouette on the left side of his skull — the eyes themselves stay beyond the profile, their direction thrown leftward out of frame past his own shoulder. Sharp black spikes off the crown and occiput read as a hard jagged edge against the white, a few tips kinked sideways by the drift of his floating. Both upper arms cross his chest, the forearms buried against the far side of his torso from this angle; only the near forearm's outer edge and a clenched knuckle-line clear the ribs, hands tucked in and out of sight, the crossed weight of them drawing the gi taut across his shoulder blades. The sleeveless dark gi hangs open at the back, its hem flaring outward in three crisp angular folds caught by the slow rise of the float, the shoulder seams creased where the arms cross. The wide sash is tied at the small of his back and the knot sits squarely in view — two heavy tails swinging out to the right under their own momentum, one edge folded over the other — cinching the waist so the loose cropped martial-arts trousers below can balloon and pleat. His legs hang apart with the boots turned out at the toes, knees soft and unclamped, weight carried nowhere because there is no ground; the shin guards' layered wrap lines band both calves in tight parallel strokes, and the plain boots' soles read as narrow dark wedges at the very bottom edge. A single potara earring hangs from the visible left earlobe, its oval face turned three-quarters to the lens and rendered in fine white hatching inside a hard black rim; the right ear and its matching earring sit behind the turned head, partly eclipsed by the jaw. Light comes from high and slightly front-left of him — he is backlit only in the sense that his own body casts a soft grey occlusion onto the inward edges of his arms and the inside of the trouser pleats, while every outward-facing plane of hair, shoulder and sash stays paper white with black ink accents; the shadow shapes are hard-edged and graphic, no soft gradients anywhere. Palette: pure black, mid-grey hatching, and untouched white paper — nothing else admitted, no colour, no props, no ground shadow, no lettering, no frame. Ink-weight concentrated on the face and hands region, thinning toward the boots so the eye travels up. Quiet power, suspended calm.
Son Goku
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