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AI artwork featuring #Genshin Impact, #Nahida and #PixAI Nasu
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Nahida, Genshin Impact

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Nasu's Tokyo Journey
#Genshin Impact#Nahida
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character: nahida_(genshin_impact), klee_(genshin_impact), copyright: genshin_impact 2girls, statue, marble, medium shot, museum, classical sculpture, chiton, laurel wreath, holding amphora, raised hand, blessing, pointed ears, low twintails, ahoge, side ponytail, serene, calm, closed eyes, fluted columns, vaulted ceiling, polished stone floor, floor reflection, skylight, subtle green veining, gold veining, anime style, painterly shading, cool neutral lighting, warm light beam Medium shot from eye level. Two petite elf-eared anime girls are rendered entirely as classical Greek marble statues standing atop smooth stone pedestals within a grand museum gallery. The statue on the left, sculpted with pointed elf ears, low twin pigtails, and a distinct upright curved ahoge cowlick, wears a carved leafy laurel wreath upon her head and a sleeveless chiton robe of draped white stone; her hands gently cradle a small carved marble amphora against her torso, her smooth carved face set in a peaceful, serene downward gaze. Beside her, the second marble statue features pointed elf ears and a side ponytail sweeping forward over her collarbone, similarly crowned with a carved laurel wreath and draped in a classical pinned chiton; her right hand is raised at chest level with fingers softly parted in a tranquil gesture of blessing, her sculpted eyelids slightly lowered in quiet contemplation. Both figures are hewn from luminous white marble laced with hairline fractures of soft sage-green and faint gilded veining that subtly traverse the stone folds and polished limbs. Behind them, colossal fluted columns rise in ordered perspective beneath a grand coffered vaulted ceiling, framing the deep gallery space. From high glass skylights directly overhead, cool diffused neutral light floods downward, casting soft ambient illumination across the statues' shoulders and drapery, while a single warm amber beam from an arched lateral window slants across the midground to graze their profiles with a warm golden rim. Below, the polished flagstone floor mirrors the statues and pedestal bases in blurred vertical reflections, the stone cool and luminous beneath the gentle light. Serene timelessness.
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AI artwork
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character: alice_margatroid, kirisame_marisa two girls, golden statue, full body, entire body made of gold, gold skin, golden hair, gold face, hollow empty golden eye sockets, eyeballs removed, missing eyeballs, blank unseeing empty sockets, no pupils, no irises, solid gold eyelids, panicked expression, flustered face, frozen mid-transformation, unconscious, lifeless, no awareness, huge breasts, O-cup, chest visible through clothing, clothes not golden, non-gold fabric, blonde hair, long hair, side braid, single braid, white hair bow, witch hat, black hat, hat bow, apron, black and white outfit, gold hands, gold fingers, gold feet, gold arms, gold legs, gold mouth, gold lips, standing statue, sculpted drapery, from below, wide shot, two-shot, museum interior, plinth, raking light, gold leaf sheen, cold marble The camera looks up from knee height at a slight upward tilt across a bare marble museum floor, and two life-size female statues stand side by side on one low pale plinth, both caught in the same instant of a transformation that has run to completion. Everything about their bodies is gold: skin, face, arms, hands, fingers, feet, legs, torso and hair, cast in dense yellow gold with the soft satin sheen of polished leaf over cast metal, every eyelash, lip line, knuckle and toenail sculpted in the same metal down to the faint dimples at the base of each finger. Neither figure has a single living surface left. On the left stands the shorter-haired one: chin-length wavy blonde gold bangs and a short gold bob sculpted into stiff waves around her jaw, a gold hairband fused into the hair, a gold capelet spreading in rigid fluted folds over the shoulders, gold frilled dress hem and gold ribbon ends, all of it gold and only the garment fabric below the capelet kept in its own colour. On the right stands the long-haired one: a long gold braid swings forward over her shoulder, a white cloth hair bow knotted at its end, a black witch hat with a white cloth bow sitting tilted on her head, both hat and bow non-golden and matte against the shining metal beneath. Below the hat she wears her black-and-white blouse, an apron, and the dark skirt, all of it ordinary dyed cloth, not gold, with the folds of the fabric creased hard where the gold caught it mid-motion. Both faces are entirely gold, and both wear the identical panicked expression frozen into the metal: brows drawn up and pinched inward, mouth open on a caught breath, cheeks pulled tight, a flinch that never resolved. In each face, where the eyes should be, the gold has closed inward into two hollow empty sockets, the eyeballs entirely absent, the gold rims of the lids peeled back and the cavities beneath left as scooped, shadowless hollows with nothing set inside them. At both chests the fabric has been pulled taut and translucent, the enormous O-cup breasts swelling through the cloth so the shape, curve and weight of each is fully visible through the cloth while the cloth itself stays its own non-gold colour, the thin fabric lifted and dimpled at each point of pressure. The gold skin beneath shows through this thin, semi-transparent cloth in warm patches. Both figures are limp and lifeless: no tension in the fingers, no focus in the empty sockets, heads lolled just slightly off axis, the gold holding the same arrested pose from the moment the transformation took them, no awareness left in either body. The only light is a single raking source from the upper left, grazing the gold so the highlight runs in a thin bright line along the top of each shoulder, the ridge of each brow and the curve of each breast, and so the empty eye sockets catch no light at all and stay flat and dead. A soft secondary fill lifts the first few inches above the plinth base, where the marble is polished enough to hold a dim, blurred, inverted reflection of both gold bodies that is softer and darker than the figures themselves. Deep shadow pools behind them and along the floor where the light falls away. Palette limited to yellow gold, the off-white of the marble, and the two non-gold garments' black, white and blue. A museum's worth of cold quiet around two warm corpses.
Soul of determination sans
AI artwork
so
character: alice_margatroid, kirisame_marisa two girls, golden statue, full body, entire body made of gold, gold skin, golden hair, gold face, hollow empty golden eye sockets, eyeballs removed, missing eyeballs, blank unseeing empty sockets, no pupils, no irises, solid gold eyelids, panicked expression, flustered face, frozen mid-transformation, unconscious, lifeless, no awareness, huge breasts, O-cup, chest visible through clothing, clothes not golden, non-gold fabric, blonde hair, long hair, side braid, single braid, white hair bow, witch hat, black hat, hat bow, apron, black and white outfit, gold hands, gold fingers, gold feet, gold arms, gold legs, gold mouth, gold lips, standing statue, sculpted drapery, from below, wide shot, two-shot, museum interior, plinth, raking light, gold leaf sheen, cold marble The camera looks up from knee height at a slight upward tilt across a bare marble museum floor, and two life-size female statues stand side by side on one low pale plinth, both caught in the same instant of a transformation that has run to completion. Everything about their bodies is gold: skin, face, arms, hands, fingers, feet, legs, torso and hair, cast in dense yellow gold with the soft satin sheen of polished leaf over cast metal, every eyelash, lip line, knuckle and toenail sculpted in the same metal down to the faint dimples at the base of each finger. Neither figure has a single living surface left. On the left stands the shorter-haired one: chin-length wavy blonde gold bangs and a short gold bob sculpted into stiff waves around her jaw, a gold hairband fused into the hair, a gold capelet spreading in rigid fluted folds over the shoulders, gold frilled dress hem and gold ribbon ends, all of it gold and only the garment fabric below the capelet kept in its own colour. On the right stands the long-haired one: a long gold braid swings forward over her shoulder, a white cloth hair bow knotted at its end, a black witch hat with a white cloth bow sitting tilted on her head, both hat and bow non-golden and matte against the shining metal beneath. Below the hat she wears her black-and-white blouse, an apron, and the dark skirt, all of it ordinary dyed cloth, not gold, with the folds of the fabric creased hard where the gold caught it mid-motion. Both faces are entirely gold, and both wear the identical panicked expression frozen into the metal: brows drawn up and pinched inward, mouth open on a caught breath, cheeks pulled tight, a flinch that never resolved. In each face, where the eyes should be, the gold has closed inward into two hollow empty sockets, the eyeballs entirely absent, the gold rims of the lids peeled back and the cavities beneath left as scooped, shadowless hollows with nothing set inside them. At both chests the fabric has been pulled taut and translucent, the enormous O-cup breasts swelling through the cloth so the shape, curve and weight of each is fully visible through the cloth while the cloth itself stays its own non-gold colour, the thin fabric lifted and dimpled at each point of pressure. The gold skin beneath shows through this thin, semi-transparent cloth in warm patches. Both figures are limp and lifeless: no tension in the fingers, no focus in the empty sockets, heads lolled just slightly off axis, the gold holding the same arrested pose from the moment the transformation took them, no awareness left in either body. The only light is a single raking source from the upper left, grazing the gold so the highlight runs in a thin bright line along the top of each shoulder, the ridge of each brow and the curve of each breast, and so the empty eye sockets catch no light at all and stay flat and dead. A soft secondary fill lifts the first few inches above the plinth base, where the marble is polished enough to hold a dim, blurred, inverted reflection of both gold bodies that is softer and darker than the figures themselves. Deep shadow pools behind them and along the floor where the light falls away. Palette limited to yellow gold, the off-white of the marble, and the two non-gold garments' black, white and blue. A museum's worth of cold quiet around two warm corpses.
Soul of determination sans
AI artwork
so
character: alice_margatroid, kirisame_marisa two girls, golden statue, full body, entire body made of gold, gold skin, golden hair, gold face, hollow empty golden eye sockets, eyeballs removed, missing eyeballs, blank unseeing empty sockets, no pupils, no irises, solid gold eyelids, panicked expression, flustered face, frozen mid-transformation, unconscious, lifeless, no awareness, huge breasts, O-cup, chest visible through clothing, clothes not golden, non-gold fabric, blonde hair, long hair, side braid, single braid, white hair bow, witch hat, black hat, hat bow, apron, black and white outfit, gold hands, gold fingers, gold feet, gold arms, gold legs, gold mouth, gold lips, standing statue, sculpted drapery, from below, wide shot, two-shot, museum interior, plinth, raking light, gold leaf sheen, cold marble The camera looks up from knee height at a slight upward tilt across a bare marble museum floor, and two life-size female statues stand side by side on one low pale plinth, both caught in the same instant of a transformation that has run to completion. Everything about their bodies is gold: skin, face, arms, hands, fingers, feet, legs, torso and hair, cast in dense yellow gold with the soft satin sheen of polished leaf over cast metal, every eyelash, lip line, knuckle and toenail sculpted in the same metal down to the faint dimples at the base of each finger. Neither figure has a single living surface left. On the left stands the shorter-haired one: chin-length wavy blonde gold bangs and a short gold bob sculpted into stiff waves around her jaw, a gold hairband fused into the hair, a gold capelet spreading in rigid fluted folds over the shoulders, gold frilled dress hem and gold ribbon ends, all of it gold and only the garment fabric below the capelet kept in its own colour. On the right stands the long-haired one: a long gold braid swings forward over her shoulder, a white cloth hair bow knotted at its end, a black witch hat with a white cloth bow sitting tilted on her head, both hat and bow non-golden and matte against the shining metal beneath. Below the hat she wears her black-and-white blouse, an apron, and the dark skirt, all of it ordinary dyed cloth, not gold, with the folds of the fabric creased hard where the gold caught it mid-motion. Both faces are entirely gold, and both wear the identical panicked expression frozen into the metal: brows drawn up and pinched inward, mouth open on a caught breath, cheeks pulled tight, a flinch that never resolved. In each face, where the eyes should be, the gold has closed inward into two hollow empty sockets, the eyeballs entirely absent, the gold rims of the lids peeled back and the cavities beneath left as scooped, shadowless hollows with nothing set inside them. At both chests the fabric has been pulled taut and translucent, the enormous O-cup breasts swelling through the cloth so the shape, curve and weight of each is fully visible through the cloth while the cloth itself stays its own non-gold colour, the thin fabric lifted and dimpled at each point of pressure. The gold skin beneath shows through this thin, semi-transparent cloth in warm patches. Both figures are limp and lifeless: no tension in the fingers, no focus in the empty sockets, heads lolled just slightly off axis, the gold holding the same arrested pose from the moment the transformation took them, no awareness left in either body. The only light is a single raking source from the upper left, grazing the gold so the highlight runs in a thin bright line along the top of each shoulder, the ridge of each brow and the curve of each breast, and so the empty eye sockets catch no light at all and stay flat and dead. A soft secondary fill lifts the first few inches above the plinth base, where the marble is polished enough to hold a dim, blurred, inverted reflection of both gold bodies that is softer and darker than the figures themselves. Deep shadow pools behind them and along the floor where the light falls away. Palette limited to yellow gold, the off-white of the marble, and the two non-gold garments' black, white and blue. A museum's worth of cold quiet around two warm corpses.
Soul of determination sans
AI artwork
m
character: persephone_(mythology), copyright: honkai:_star_rail, honkai_(series) honkai star rail art, honkai star rail game cg, detail enhancement: goddessebodyex, 1girl, plump, huge breasts, large big chest, masterpiece, ultra-detailed, masterpiece, impossible body, perfect body, perfect face, perfect anatomy, narrow waist, ultra detail, best quality, ultra detailed, honkaiimpact3rd art, honkaiimpact3rd game cg, kindly help to create a female character using the art style of the Honkai Star Rail splash art, wearing a white to metallic midnight black gradient colored traditional greek dress fit for a goddess, with the theme of flowers, gigantic-sized boobs, divine white to silver white hair gradient color, with the hairstyle being upper back-length gathered and tied back into a sleek, low ponytail at the nape of the neck, accompanied by soft, face-framing side bangs, with Side Boho Braid, emerald to light emerald gradient, and eyelashes being as white to metallic blue gradient, and fair peach complexion for the skin, and make the aspect ratio of the image 1:1, and kindly make her wear a champagne gold colored laurel, make the art line be more visible, her pose: She should assume a majestic, regal stance inspired by the underworld queen Persephone. Have her gracefully sitting on the throne, with her whole body facing towards the viewers, with her hair and the drapery of her Greek dress flowing smoothly as if swayed by an underworld breeze. Kindly make a background that fits the theme of Persephone, which is a palace throne room of the Underworld, which is made of marble quartz; then add the symbol of Persephone directly behind the character in the background, making it translucent and have a divine glow, and ensure that the character is visible, with a motherly smile, and make her have an extremely slim waistline, whereas she is seen from the thigh up to her upper body, and that she is tightly framed within the image; and ensure that the art lines are perfectly visible
Michael

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