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ぃまわぅんえぃどんなことおかんがぇてぃるんだだぃ (※以下は古い人個人の推測です) 考えは知らんが、サービス業にはいくつか変遷パータンあるんで、そこから紐解いていこう。 代表的な変遷パターンはこうだ 開始→拡大→過渡期→停滞→縮小 だいたい過渡期までは客増やしたいから気前よく色々やるし、安売りもやる。 で、ある時、客の増加が止まる。 そしたら次は今いる客(特に良客)に逃げて欲しくないから、満足度を上げようとする。 でも全部の客の満足度を上げることは出来ないから、良客(ここの場合は課金ユーザー?)の優遇を推進して良客の率を上げようとする。 多分良客化(課金)したら良いことありますよー?的な差を見せて良客を増やす感じ? つまりかきんすれば せぃかぃなんだね 短絡的に話を切るのやめなさい。 えーっと、pixaiで言うと、俺みたいに断固無課金民も相当数いる。 課金していないヒト達の中には課金したくなる人も居ると思うが、逆に無課金民への冷遇と思う人も居るだろうなぁ それが「誰でも楽しく」だったハズのモノを変遷させてしまうわけだ。 その差が収益率を上げる一方、新規参入のハードルとなる。 『無課金を謳っているがいるけど、結局課金しないと大部分のサービスが受けられない』 なんて拡散されたら、新規はますます減る。 ほぉほぉ そこでかきん と 違うっちゅーねん!

#:3#Orecchie da animale#rossore#seduto#Gonna#chibi#capelli corti#solo#tatami#capelli rosa#occhi a fessura#occhi chiusi#Disegno da bambino#Camicia#maniche corte#1 ragazza#tenere#all'interno#Orecchie da coniglio#camicia rosa#camicia bianca#tavolo#bocca chiusa
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Commenti15

1girl, japanese style room, japanese inspired living room, tatami room, sitting at low table, pretty, cute, (chibi:1.2), drawing, simple background, holding pencil, rabbit ears, animal ears, masterpiece, comical, simple, lonely, unhappy, no expression, :3, short hair, pink hair, half-closed eyes, spoken ellipsis
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Immissione richiesta originale
1girl, japanese style room,japanese inspired living room, tatami room, sitting at low table, pretty, cute, (chibi:1.2), drawing, simple background, holding pencil, rabbit ears, animal ears, masterpiece, comical, simple, lonely, unhappy, no expression, :3, short hair, pink hair, half-closed eyes, spoken ellipsis,
Dimensione
1024 x 1024
Passaggi di campionamento
5
Metodo di campionamento
DPM++ SDE Karras
Scala CFG
3.5
Negativo
(bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), (bad hands, bad feet, bad hand, bad finger, bad fingers, extra finger, extra fingers, split finger, split fingers, extra digits, fused arms, fused hands:1.2)

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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