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AI art "あったか〜い！猫耳彼女と寄せ鍋デート🐾"
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あったか〜い！猫耳彼女と寄せ鍋デート🐾

湯気が立つ美味しそうな寄せ鍋を前に、今にも飛びついてきそうな猫耳の彼女。このあどけない表情と、もふもふな猫耳につい癒やされてしまいます…！私も一緒にこの鍋を囲みたいな。思わず「おかわり！」って言いたくなるような一枚、気に入ってくれたら嬉しいです。いいね＆フォローお待ちしてます！

#Orecchie da animale#Orecchie da gatto#Cibo#vapore#Capelli grigi#maglione#coda di gatto#maniche oltre i polsi#1 ragazza#catgirl
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Su PixAI i prompt sono pubblici per impostazione predefinita, ma i creator possono nasconderli in qualsiasi opera pubblicano. Chi ha creato quest'opera ha scelto di farlo, quindi le parole usate per generare l'immagine restano private e può vederle solo lui. Nascondere il prompt non cambia nient'altro: l'opera resta pubblica e puoi metterle mi piace, commentarla e condividerla come sempre.
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Tsubaki.3 Flash
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1girl, solo, upper body, portrait composition, cream knit sweater, chunky knit, ribbed high neckline, sitting at a low table, large window, autumn maple leaves outside window, eating hot pot, chopsticks, lifting food, tangled noodles, steaming food, vegetables, wide-open mouth, cheeks puffed, closed eyes, closed-eye smile, happy, steam, vertical hanging scroll banner, hot pot, bubbling broth, tatami room, cozy, warm lighting, soft warm afternoon tones, looking at food, leaning forward slightly The shot is a portrait-framed upper-body view taken from slightly above table height, the girl centred but tilted a few degrees off square, her head thrown back and tipped towards her right shoulder as she lifts the bite. She sits cross-legged on the tatami at the low table, weight settled back on her left hip, torso leaned a touch forward over the pot, her right hand holding the chopsticks — first finger along the shaft, knuckles lifted — and the chopsticks pinch a tangled heap of noodles and sliced vegetables streaming with steam, lifted clear of the pot and angled into her open mouth; her left hand cups a small bowl at chest height, thumb over the rim. Her mouth is wide open and her cheeks are puffed out round, pushing her closed eyes into two soft downward crescents with a faint bloom of blush beneath them; strands of hair and her fringe stir slightly in the rising steam. The steam curls upward from the pot and from the lifted noodles, breaking around her face in soft thin spirals. In the foreground the black-and-rust hot pot sits centred on the low table, broth bubbling in fat orange-red beads that pop and spatter faint droplets on the lacquered rim, a lid and a small dish of greens off to the sides. Behind her, a large window fills the left of the frame, and beyond the glass the autumn maples crowd close — red and amber leaves against a pale hazy afternoon sky — their leaves pressed near enough to cast mottled shadow patterns onto the tatami in the lower right of the frame. On the wall behind her right shoulder hangs a vertical hanging scroll banner with a dark silk border and an off-white paper field, and it reads "今年的美味" in vertical brush calligraphy, black ink with dry-brush streaks and one heavier wet stroke, the characters stacked top to bottom and clearly legible. The room is a tatami room — woven mat seams running towards the window, a low wooden table edge, plain plaster wall. Light comes as a single soft source from the window at upper left, warm and low-contrast; it rims the left of her hair and the cream knit's shoulder, leaves the right side of her face and the scroll in gentler shadow, and the hot pot's steam glows where it crosses the light. Palette: cream and oatmeal wool, warm skin, rusty red and deep amber from the pot and the maple leaves, dark brown table, off-white scroll paper. Anime illustration with clean linework, soft cel shading and gentle warm gradients. Cozy, contented.
KAMIDA
#Autumn Food

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#L'attacco dei giganti#Mikasa Ackerman
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