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AI art "Friday Night Funkin', Paper Mario, Boy, Black eyes"
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Friday Night Funkin', Paper Mario, Boy, Black eyes

the destron has is aquamarifiered hehe individualed of the not ocean the great what in name oc starr has been obscureasy wow is new words

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Nasu's Tokyo Journey
#calze#rossore#Dente a zanna#in ginocchio#Vestito#Cappello#Testo in inglese#capelli lunghi#Natale#Capelli biondi#capelli castani#capelli multicolore#capelli sfumati#Sorriso#stella#Pantaloncini#regalo#scatola#Bocca aperta#occhi neri#occhi chiusi#più ragazze#Paper Mario#Vestito rosso#1 ragazzo#all'interno#Albero di Natale#legato#scatola regalo#Friday Night Funkin'#Tsubaki.3#PixAI Recipe
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Su PixAI i prompt sono pubblici per impostazione predefinita, ma i creator possono nasconderli in qualsiasi opera pubblicano. Chi ha creato quest'opera ha scelto di farlo, quindi le parole usate per generare l'immagine restano private e può vederle solo lui. Nascondere il prompt non cambia nient'altro: l'opera resta pubblica e puoi metterle mi piace, commentarla e condividerla come sempre.
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2people, full body, wide shot, opulent living room, luxury interior, plush carpet, marble fireplace, crystal chandelier, character 1: full body wrapping, mummified in red ribbon, red gift ribbon, bound, arms behind back, legs tied together, sitting on floor, legs bent, gagged, mouth covered, face covered, only eyes visible, wide eyes, tearful eyes, heavy blush, shame, desperate, trembling pupils, looking at another, gift bow on chest, character 2: rich boy, short hair, spoiled, kneeling, hugging from side, joyful, :D, open mouth, closed eyes, cheerful, casual clothes, light-colored clothes, ivory sweater, beige trousers, warm lighting, polished wood floor, depth of field In a wide, full-body three-quarters composition set inside an opulent, high-ceilinged mansion living room, the scene unfolds upon a plush, intricately woven cream carpet backed by dark mahogany wainscoting, gilded wall sconces, and the soft amber glow of a lit marble fireplace. Character 1 is seated helplessly on the floor with knees bent and drawn upward, their entire body from crown to ankle completely bound and mummified in countless overlapping layers of wide, glossy crimson gift ribbon. Their arms are pinned rigidly behind their back and their legs are pressed tightly together, bound securely beneath taut bands of scarlet satin. The crimson ribbon wraps continuously across their chin, cheeks, and mouth in a tight ribbon gag, leaving strictly only their wide, moisture-rimmed eyes exposed between the red bands; a large, ornate multi-looped red gift bow is mounted prominently at the center of their chest. Their trembling pupils and heavily flushed brow communicate intense shame, submissiveness, and humiliation as their desperate gaze fixes directly onto the boy beside them. Kneeling on both knees directly adjacent on the carpet, Character 2—a pampered, well-groomed rich boy with neatly parted caramel hair—gleefully wraps both arms around Character 1’s ribbon-wrapped torso in an enthusiastic, possessive hug. Character 2’s eyes are squeezed shut in delighted crescent arcs and his mouth is wide open in an exuberant, carefree laugh. He is dressed in relaxed luxury loungewear comprising an oversized cream-white cashmere knit sweater, loose beige linen trousers, and clean white house socks. Character 2's embrace firmly compresses the slick layers of satin against Character 1's stiffened torso, his cheek squished happily against Character 1's bound shoulder, while Character 1 leans back slightly under the weight, unable to shift away. Overhead illumination from a grand crystal chandelier casts crisp specular glints across the taut, glossy curves of the red ribbons, throwing distinct warm cast shadows across the dense rug pile. Surreal dramatic contrast, opulent playful tension.
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ultra glossy liquid chrome bodysuit, mirror-like reflective surface, seamless appearance, flawless mirror-polished liquid-chrome platinum silver with extreme glossy shine, Cozy festive Christmas morning in a decorated living room with a lit Christmas tree and presents. and 2 persons, a femboy and a woman looking at each other, left: Kneeling, femboy, wearing the red and white candy cane costume with big stripes, horizontal striped corset, horizontal striped tutu, faux fur, and striped stockings, with bronze blonde twindrills hairstyle and hairbows, shiny latex, covered face, red latex covered face, no eyes, no mouth, smooth glossy latex, magical girl dress, decorated with a large red satin gift ribbon tied around their waist like a present, sweet, shy body language. right: Standing in the doorway, their mistress, an athletic young woman with natural light blonde hair in a ponytail wearing glossy pink latex pajamas, shiny latex, covered face, pink latex covered face, no eyes, no mouth, smooth glossy latex, and holding a long plush pink stuffed cat. harmonious lighting
Karilys
AI artwork
Avatar image of Karilys
2girls, 1boy, femboy, kneeling, standing, doorway, looking at each other, christmas, christmas tree, lit christmas tree, christmas ornaments, christmas presents, gift boxes, cozy, living room, decorated living room, indoor, red and white candy cane costume, big stripes, horizontal striped corset, horizontal striped tutu, faux fur trim, striped stockings, twin drills, bronze blonde hair, blunt bangs, hairbows, shiny latex, red latex covered face, face fully covered, smooth glossy latex, no eyes, no mouth, blank face, magical girl dress, large red satin gift ribbon, ribbon around waist, sweet shy body language, athletic, young woman, natural light blonde hair, ponytail, glossy pink latex pajamas, shiny pink latex, pink latex covered face, holding plush, long plush pink stuffed cat, harmonious lighting, warm light, full body, from side, wide shot, dutch angle, A wide shot from a low, slightly tilted angle looks across a decorated living room on a cozy festive Christmas morning: the kneeling candy-cane figure sits in the left third of the frame, in full profile toward the right, while the woman stands in the doorway at the right edge, turned in three-quarter view back toward the left, so the two face each other across the breadth of the room. On the left, the femboy kneels upright on a soft cream rug, weight settled back onto both heels, knees together, spine gently curved forward, shoulders drawn in and chin dipped low in sweet, shy body language; one hand rests palm-down on the thigh, fingertips curled, and the other plucks nervously at the edge of the skirt. The costume is the red and white candy cane set: a magical girl dress bodice striped in big horizontal red and white bands with faux fur trim at the hem and cuffs, a horizontal striped corset cinching the waist over it, a horizontal striped tutu flaring stiffly out around the hips, striped stockings running down to the ankles, and a large red satin gift ribbon tied around the waist in a big bow whose tails hang over the tutu like a present waiting to be opened. Bronze blonde twin drills coil down past the shoulders, blunt bangs cut straight across the forehead, hairbows pinned at the base of each drill. The face is entirely enclosed in smooth glossy red latex, a blank seamless surface where eyes and mouth would be, catching one long curved highlight that rides the dome of the forehead and slides down the cheek. On the right, the athletic young woman stands in the doorframe, one hip leaned against the jamb, one foot forward on the threshold, her long plush pink stuffed cat held against her chest in the crook of one arm, its body draped slack and dangling down past her hip, her other hand curled loosely around its middle. She wears glossy pink latex pajamas, the soft top and loose pants gleaming along every fold; her natural light blonde ponytail falls over one shoulder. Her face is fully encased in smooth pink latex, blank and glossy, no eyes and no mouth, tilted slightly down toward the kneeling figure in a quiet, appraising lean. Between them, the lit Christmas tree fills the midground behind the kneeling figure, its warm bulbs glowing through the branches and throwing soft colored pools onto the floor, and wrapped presents in red, gold and white sit stacked under its lower boughs and trail toward the rug; the room's mantel and garlands sit in the background behind the tree, softened by depth. The tree's lights and a low winter window light from the left are the only sources: warm bulbs rim the latex masks and dance along the satin ribbon, a soft highlight stands on every glossy surface facing the tree, and the darker side of both figures falls away into the room's warm shadow, cast shadows stretching toward the right. The palette is red, white, pink and warm gold against dark green and cream, nothing else admitted. The latex masks are the revealers of the light -- each one mirrors the tree's bulbs as a cluster of tiny warm points, brighter at the crown of the head and dimming toward the chin as the surface curves away. The mood is tender, hushed anticipation.
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