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AI art "窗邊的橘髮少女" featuring #solo, #capelli arancioni, #sfocato, #1 ragazza, #Controluce, #capelli fluttuanti, #aberrazione cromatica and #capelli ricci
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窗邊的橘髮少女

Arte IA «窗邊的橘髮少女» di arthur jou su PixAI. Tag: Controluce, capelli fluttuanti, aberrazione cromatica. Creato con K I O K I S - Lightning.

很喜歡這張作品中光影交錯的氛圍，女孩靜靜地坐在窗邊，那抹橘色長髮在背光下顯得格外迷人，讓我不自覺地沉浸在那種略帶孤獨卻又唯美的感覺裡。希望大家也會喜歡這種充滿故事感的畫面，如果覺得不錯的話，請幫我按個讚並關注我，也歡迎在評論區分享你们的想法喔！

#solo#capelli arancioni#sfocato#1 ragazza#Controluce#capelli fluttuanti#aberrazione cromatica#capelli ricci
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arthur jou

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Commenti

1girl, masterpiece, goddess, lazing around in room, lazy exercise day, fairy, weekend, staying at home, doing light exercise at home, comfortable, casual wear, indoor, relaxed expression, lying on floor, soft lighting
Mostra parametri
Dimensione
768 x 1280
Passaggi di campionamento
16
Metodo di campionamento
Euler a
Scala CFG
11
Negativo
nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry

Modello e LoRA utilizzati

K I O K I S - Lightning - AI Model cover image

SDXL

K I O K I S - Lightning
3

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1girl, solo, adult woman, kneeling, on carpet, shoulder-width knees, knees apart, upper body tilted forward, leaning forward, arched back, pronounced back arch, lower back dip, abdomen hanging, hips raised high, all fours, hands on floor, palms flat on floor, straight arms, outstretched arms, supporting weight, thighs at acute angle to torso, from side, profile, full body, looking down, closed mouth, faint smile, long hair, hair falling forward, loose hair, off-shoulder sweater, long sleeves, bare legs, bare feet, soft carpet, domestic interior, warm lamp light, low camera, side view. A single adult woman is seen in sharp side profile, her body spanning the frame from her raised hips at the left to her bowed head at the right. She kneels on a deep-pile wool carpet, both knees planted shoulder-width apart, the carpet fibres pressed into visible dents beneath each kneecap and spreading in a ring where her shins bear down. Her upper body tips forward until her chest hangs above the floor, and both palms are set flat against the carpet, fingers splayed and slightly bent, wrists aligned under her shoulders and elbows locked just short of hyperextension — the arms are straight, the muscle in her forearms only gently engaged, not strained. Her back describes a deep, continuous arch: the lumbar curve dips low so that her abdomen hangs free and slack above the floor, and from that dip the spine rises steeply to hips carried clearly higher than her shoulders and higher still than her head, which is lowered between her upper arms. The thighs run at a sharp acute angle to her torso, nearly vertical from hip to knee, so the whole silhouette reads as a single cantilever of weight carried forward on straight arms. Her head hangs down and slightly turned, chin near the collarbone, eyes lowered to the carpet in front of her rather than out toward the viewer; her lips are closed around a small, quiet smile, one brow faintly lifted. Long loose hair slips over her shoulders and falls straight down toward the floor, the tips just grazing the pile and gathering a faint static halo where it meets the wool. She wears a soft, worn off-shoulder knit sweater whose hem rides up with the arch of her back, exposing the small of her back, and long sleeves pushed to the wrists; her bare legs and bare feet are tucked behind her, toes curled into the carpet. The only light is a low warm lamp off-frame to the left; it rakes across the long line of her back from hip to shoulder, catching the fine hairs on her forearms and leaving the underside of her torso and the space beneath her chest in shadow. Her cast shadow stretches away to the right across the carpet, broken into a soft mass beneath her hips and a second smaller shadow pooling under her downturned head and hands. The camera sits low, almost level with the carpet, in a tight three-quarter side view that keeps the full arch within frame. The palette is confined to warm oat and cream carpet, the woman's muted terracotta knit, the warm amber of the lamp, and the deep brown shadow — nothing else admitted. The carpet's fibre direction and the compressed divots under her palms and knees are the single jammed physical detail: the pressure tells the story of where her weight actually goes. Quiet, absorbed, tense as a held breath.
cat794798
#capelli lunghi#1 ragazza

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