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AI art "クレジット用"
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クレジット用

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@シャム猫

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character: iino_miko. A medium shot from a side-angle view shows iino_miko riding on the back of a large white fox as they ascend a stone staircase that leads from the bottom left toward the top right of the frame. iino_miko is a slim, petite young woman with ash-white semi-long bob hair tied into two small bunches at collarbone length, featuring very short bangs that reveal her distinct oval eyebrows and large, shimmering golden eyes. She wears a traditional miko shrine maiden outfit, with a katana tucked into her left waist by a red cord; the sword features a white scabbard, gold guard, and white grip. On her feet, she wears white tabi socks and zori sandals with red straps. She is happily hugging two small white fox cubs in her arms, who look joyful in her embrace. The large white parent fox carries her on its back, steadily climbing the weathered stone steps. In the distance at the top right, a vibrant red torii gate stands against the horizon. The scene is a high-quality anime illustration with soft, natural lighting and a serene atmosphere, emphasizing the clean textures of the stone and the fluffiness of the foxes' fur.
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髪色はアッシュホワイトでセミロングボブの髪を鎖骨あたりで二つに結ぶスリムで小柄な人間、前髪はかなり短く楕円形眉毛がはっきり見える、パッチリ二重の金眼、巫女服の左腰に赤い帯刀紐を巻いた白木の鞘に収まった金鍔・白柄巻・赤の刀が収まった刀を差す、赤い鼻緒の草履に白の足袋ソックスを履くミコちゃん、白い子狐2匹を抱っこして白く大きな親狐の背中に跨る。 白い子狐2匹、ミコちゃんに抱っこされて喜ぶ。 白く大きな親狐、ミコちゃんを背に乗せて石造りの階段を登る。 画面左手前から画面右奥に向かって石造りの階段がある。画面右奥、赤い鳥居。
Modalità
lite
Dimensione
768 x 1280

Modello e LoRA utilizzati

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#L'attacco dei giganti#Mikasa Ackerman
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