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AI art "In-flight Entertainment 3" featuring #più ragazze, #Ipnosi and #Controllo mentale
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In-flight Entertainment 3

#più ragazze#Ipnosi#Controllo mentale
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Harin

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Su PixAI i prompt sono pubblici per impostazione predefinita, ma i creator possono nasconderli in qualsiasi opera pubblicano. Chi ha creato quest'opera ha scelto di farlo, quindi le parole usate per generare l'immagine restano private e può vederle solo lui. Nascondere il prompt non cambia nient'altro: l'opera resta pubblica e puoi metterle mi piace, commentarla e condividerla come sempre.
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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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催眠虚ろ目表情 / hypnosis / blank eye / empty eye / mind control - AI Model cover image

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催眠虚ろ目表情 / hypnosis / blank eye / empty eye / mind control
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Avatar image of cipp
3girls, three high school girls, korean, tall female, tall idol-like figure, long legs, extremely long legs, slender, standing, towering over viewer, looking down, looking down at viewer, from below, extreme low angle, chibi viewer perspective, tiny viewer, giantess perspective, foreshortening, close-up on legs, girls looming, in front of viewer, inside train, train interior, subway car, mockery, mocking smile, scornful, contemptuous, smug, looking at viewer, platform shoes, thick soles, white platform sneakers, black leather platform loafers, white platform slip-on shoes, pleated skirt, grey skirt, white button-down shirt, navy blazer, beige knit cardigan, three different outfits, depth of field, dramatic perspective, harsh overhead light. The camera sits at knee height in the aisle of a moving subway car, tilted steeply up, so the three girls at the near end of the car fill the frame from their thick-soled shoes at the bottom edge to their chins near the top, their heads cropped by the upper border and the ceiling strip lights behind them. The girl nearest the lens stands almost on top of it: white button-down tucked into a short pleated grey skirt, white platform sneakers planted wide, right hip cocked and left leg straight, her skirt hem hanging in a shallow diagonal above the knee line; one hand hooks a finger into the knot of her loosened collar and the other hangs at her side with the knuckles just brushing the fabric of her skirt. She tips her chin down toward the lens, one brow lifted higher than the other, a lopsided smirk pulling one lip corner up, eyes half-lidded and aimed straight down the barrel of the camera. A pace behind her right shoulder, the second girl in a navy blazer over a white shirt and black leather platform loafers leans her weight onto her left foot and crosses her ankles slightly, one hand sliding into her blazer pocket, her head tilted to the side, the same flat scorn in a colder key, her glance travelling down past the viewer and one lip curled; her blazer edge swings a little forward over her hip from the sway of the train. Further back and to the left, the third girl in a beige knit cardigan over a white shirt lifts the toe of one white platform slip-on to balance on the other, arms folded loosely across her chest, chin raised an inch so she can look down her nose along the aisle, a slow snort narrowing her eyes. All three are tall and long-legged, their legs drawn out by the low foreshortening into the dominant vertical of the picture, and none of them smiles with any kindness. Behind them a row of grey seats and a curved metal grab pole recede toward the far door, and a hanging strap is flung out toward the car's end by the train's acceleration, its webbing stretched taut against the direction of travel. The light comes from the cold white ceiling strips overhead and just behind their heads, throwing rim highlights along the tops of their hair and shoulders while their faces drop into soft shadow, their bodies casting long veiled shadows down the aisle toward the lens; the floor's rubber matting carries a faint scuff where a platform sole has gripped. Beyond them the car dims and the distant passengers narrow to vague grey silhouettes. The palette is the train's own cool grey-white with the skirt grey, navy, and beige, and one blunt red warning stripe running along the top wall. No text anywhere in frame, the ad placards above the windows blank and illegible. Effortlessly cruel, small and in the way.
cipp

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