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AI art "Noh actor 能楽師(Tsubaki.3)"
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Noh actor 能楽師(Tsubaki.3)

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PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
#tabi#Fuoco maschile#Abbigliamento tradizionale giapponese#in piedi#Cappello#capelli corti#Seiza#differenza di corporatura#Sorriso#occhi chiusi#Tate-eboshi#ventaglio pieghevole#Maniche lunghe#kariginu#tenere#Figura intera#architettura#ciotola#tavolo#bocca chiusa#Pavimento in legno#bruciaincenso#pantaloni hakama
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(masterpiece:1.2), (best quality:1.2), (Black border:1), 1boy, solo focus, male focus, noh performer, dancing, covered face, noh mask, short hair, black hair, tate eboshi, eboshi, japanese clothes, kariginu, hakama, wide sleeves, ribbon trim, ribbon-trimmed sleeves, folding fan, holding fan, sensu, noh stage, wooden floorboards, kagami-ita, pine tree painting, five musicians, gonin bayashi, fue, flute, tsuzumi, drums, playing instrument, traditional music ensemble, full shot, from below, low angle, stage lighting, sharp focus, wood grain, reflection From a low-angle full shot looking upward, a solitary male Noh performer commands the foreground in a ceremonial dance, his entire presence framed neatly inside a solid (Black border:1). At his temples and nape, short black hair is neatly tucked under a tall, upright black-lacquered tate eboshi court cap secured tightly under his chin with cords. A carved wooden Noh mask covers his face completely, its pale lacquered surface and stylized slit apertures catching the warm theatrical key light. He is dressed in voluminous traditional attire consisting of an ivory and gold-embroidered kariginu robe with unsewn, wide-draping sleeves edged in braided ribbon trim, worn over rigid, deeply pleated hakama trousers. His right hand firmly grips the ribbing of an open Japanese folding fan raised at head height, while his left arm extends outward to display the massive drape of his ribbon-trimmed sleeve. His feet, clad in immaculate white tabi socks, execute a formal gliding suriashi step across the stage, the braided sleeve ribbons lifting and lagging slightly behind the abrupt angular momentum of his pivot. In the midground behind him, seated in a disciplined seiza row along the back of the stage, the five hayashi musicians perform in secondary focus: one holds a bamboo flute horizontally to his lips, while others raise and strike shoulder-mounted and hip-mounted tsuzumi drums. The setting is an authentic timber Noh stage with polished, honey-toned cypress wooden floorboards displaying continuous straight grain and mirror-like floor reflections under directional stage lanterns. Behind the musicians, the stage's rear wooden wall is dominated by a majestic, gnarled ancient pine tree painted in verdigris mineral pigments. Reverent theatrical intensity.
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(masterpiece:1.2), (best quality:1.2), (Black border:1), 1boy, solo focus, male focus, noh performer, dancing, covered face, noh mask, short hair, black hair, tate eboshi, eboshi, japanese clothes, kariginu, hakama, wide sleeves, ribbon trim, ribbon-trimmed sleeves, folding fan, holding fan, sensu, noh stage, wooden floorboards, kagami-ita, pine tree painting, five musicians, gonin bayashi, fue, flute, tsuzumi, drums, playing instrument, traditional music ensemble, full shot, from below, low angle, stage lighting, sharp focus, wood grain, reflection From a low-angle full shot looking upward, a solitary male Noh performer commands the foreground in a ceremonial dance, his entire presence framed neatly inside a solid (Black border:1). At his temples and nape, short black hair is neatly tucked under a tall, upright black-lacquered tate eboshi court cap secured tightly under his chin with cords. A carved wooden Noh mask covers his face completely, its pale lacquered surface and stylized slit apertures catching the warm theatrical key light. He is dressed in voluminous traditional attire consisting of an ivory and gold-embroidered kariginu robe with unsewn, wide-draping sleeves edged in braided ribbon trim, worn over rigid, deeply pleated hakama trousers. His right hand firmly grips the ribbing of an open Japanese folding fan raised at head height, while his left arm extends outward to display the massive drape of his ribbon-trimmed sleeve. His feet, clad in immaculate white tabi socks, execute a formal gliding suriashi step across the stage, the braided sleeve ribbons lifting and lagging slightly behind the abrupt angular momentum of his pivot. In the midground behind him, seated in a disciplined seiza row along the back of the stage, the five hayashi musicians perform in secondary focus: one holds a bamboo flute horizontally to his lips, while others raise and strike shoulder-mounted and hip-mounted tsuzumi drums. The setting is an authentic timber Noh stage with polished, honey-toned cypress wooden floorboards displaying continuous straight grain and mirror-like floor reflections under directional stage lanterns. Behind the musicians, the stage's rear wooden wall is dominated by a majestic, gnarled ancient pine tree painted in verdigris mineral pigments. Reverent theatrical intensity.
Modalità
ultra
Tag qualità
﹝Prompt﹞
Dimensione
1632 x 1232
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#L'attacco dei giganti#Mikasa Ackerman
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