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누누렁이

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누누렁이

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A wide-angle full body shot captures a petite young adult woman standing centrally in an early-2000s Korean corporate office. She has (sky blue hair:1.3) with a purple gradient, styled in long twin braids tied with blue ribbons and adorned with blue starfish hairpins and dangling pearl beads. Her (deep blue eyes:1.3) are doughnut-shaped with star highlights and heavily downturned, paired with a slightly pissed-off, irritated expression. She is wearing a cheap brown fleece jacket under a sleeveless gray vest, worn-out distressed blue jeans, and scuffed old sneakers. With thick cotton work gloves on both hands, she holds an MP5 submachine gun with a firm two-handed grip, aiming it forward. The background is a spacious open-plan office filled with rows of beige CRT monitors and vintage desktop computers. Several startled office workers stand nearby with shocked expressions. On a desk, an open, completely empty metal Chinese takeout delivery carrier for jajangmyeon is visible. The scene is rendered in an anime style with flat cel shading and clean lineart, utilizing soft ambient lighting to evoke a nostalgic Y2K workplace atmosphere.
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Immissione richiesta originale
1girl, solo, masterpiece, best quality, ultra-detailed, highres, anime style, flat cel shading, clean lineart, natural peach skin, (sky blue hair:1.3), purple gradient hair, long hair, twin braids, blue ribbon hair tie, blue starfish hairpin, pearl decorations, dangling pearl beads, medium-length bangs, parted bangs, (deep blue eyes:1.3), dark navy blue pupils, saturated blue eye color, circular eyes, doughnut-shaped eyes, sparkling eyes, star-shaped eye highlights, heavily downturned eyes, drooping outer eye corners, sad puppy eyes, young adult woman, petite, slender body, small breasts, flat chest, A-cup, 156cm, slightly pissed-off expression, mildly irritated face, annoyed eyebrows, subtle angry look, slight frown, tense facial expression, visibly annoyed but not furiously angry, facing forward, focused gaze, confident and tense posture, wearing a cheap brown fleece jacket, a cheap sleeveless gray vest layered over the fleece jacket, clearly sleeveless vest, no sleeves on the vest, inexpensive low-quality fabric, plain utilitarian clothing, modest low-cost materials, slightly worn everyday workwear, wearing worn-out distressed blue jeans with frayed edges, faded denim, visibly worn and shabby jeans, old beat-up sneakers, scuffed sneaker surfaces, worn soles, aged and dirty footwear, wearing thick cotton work gloves on both hands, practical fabric work gloves, visible glove fabric texture, holding an MP5 submachine gun with both hands, aiming the MP5 forward, firm two-handed grip, realistic firearm proportions, detailed MP5 design, focused aiming stance, weapon pointed toward an off-screen target, tense shoulders, determined posture, inside a spacious early-2000s Korean corporate office building, authentic 2000–2004 office interior, early-2000s building architecture, period-accurate office design, nostalgic Y2K-era workplace atmosphere, wide open-plan office floor, long shared desks, multiple computer workstations arranged side by side in orderly rows, numerous old desktop computers, bulky CRT monitors, beige computer towers, vintage keyboards, wired computer mice, old office equipment, early-2000s office desks and furniture, authentic early-2000s corporate environment, several office workers standing nearby between the rows of computers, a few employees looking shocked and startled, wide-eyed expressions, mouths slightly open in surprise, tense body language, frozen in place, watching the scene nervously, startled employees standing beside the shared desks, visibly surprised by the situation, an open metal Chinese takeout delivery carrier for jajangmyeon on a desk, traditional metal Chinese food delivery box, the carrier lid fully open, completely empty interior, no food, no noodles, no containers, no utensils inside, clearly visible empty metal interior, wide-angle composition, full-body shot, character clearly visible in the foreground, extensive office environment visible in the background, rows of computers extending across the wide frame, surprised office workers visible behind the main character, detailed environmental storytelling, clear separation between foreground and background, detailed fabric textures, realistic worn clothing details, period-accurate props, consistent character design, soft ambient lighting, high-quality composition
Modalità
lite
Dimensione
768 x 1280

Modello e LoRA utilizzati

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.42k

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AI artwork
누
A wide-angle full body shot captures a petite young adult woman standing centrally in an early-2000s Korean corporate office. She has (sky blue hair:1.3) with a purple gradient, styled in long twin braids tied with blue ribbons and adorned with blue starfish hairpins and dangling pearl beads. Her (deep blue eyes:1.3) are doughnut-shaped with star highlights and heavily downturned, paired with a slightly pissed-off, irritated expression. She is wearing a cheap brown fleece jacket under a sleeveless gray vest, worn-out distressed blue jeans, and scuffed old sneakers. With thick cotton work gloves on both hands, she holds an MP5 submachine gun with a firm two-handed grip, aiming it forward. The background is a spacious open-plan office filled with rows of beige CRT monitors and vintage desktop computers. Several startled office workers stand nearby with shocked expressions. On a desk, an open, completely empty metal Chinese takeout delivery carrier for jajangmyeon is visible. The scene is rendered in an anime style with flat cel shading and clean lineart, utilizing soft ambient lighting to evoke a nostalgic Y2K workplace atmosphere.
누누렁이
AI artwork
누
A wide-angle full body shot captures a petite young adult woman standing centrally in an early-2000s Korean corporate office. She has (sky blue hair:1.3) with a purple gradient, styled in long twin braids tied with blue ribbons and adorned with blue starfish hairpins and dangling pearl beads. Her (deep blue eyes:1.3) are doughnut-shaped with star highlights and heavily downturned, paired with a slightly pissed-off, irritated expression. She is wearing a cheap brown fleece jacket under a sleeveless gray vest, worn-out distressed blue jeans, and scuffed old sneakers. With thick cotton work gloves on both hands, she holds an MP5 submachine gun with a firm two-handed grip, aiming it forward. The background is a spacious open-plan office filled with rows of beige CRT monitors and vintage desktop computers. Several startled office workers stand nearby with shocked expressions. On a desk, an open, completely empty metal Chinese takeout delivery carrier for jajangmyeon is visible. The scene is rendered in an anime style with flat cel shading and clean lineart, utilizing soft ambient lighting to evoke a nostalgic Y2K workplace atmosphere.
누누렁이
AI artwork
Avatar image of S.K膠神
character: general_student_council_president_(blue_archive), copyright: blue_archive 1girl, long hair, blue hair, pink hair, multicolored hair, single braid, hair over one eye, hair bow, cold expression, emotionless, staring at viewer, pointing gun at viewer, handgun, bloodstains, tactical coat, tactical vest, tactical cargo pants, tall tactical boots, tactical belt, tactical backpack, fingerless gloves, ammo pouch, dark background, vivid colors, from below, foreshortening, cowboy shot A foreshortened cowboy shot from a low angle, looking up at a girl with very long, multicolored blue and pink hair, a single braid trailing down her back and a bow atop her head. She is dressed in heavy tactical gear: a dark tactical coat draped over a tactical vest, paired with tactical cargo pants and tall tactical boots. A tactical belt cinches her waist, supporting multiple ammo pouches, while a tactical backpack is strapped to her shoulders. Her hands are clad in fingerless gloves. She holds a handgun with a steady, lethal grip, the barrel pointed directly at the lens, creating a strong sense of depth. Her face is cold and devoid of emotion, her gaze locked onto the viewer with a ruthless intensity. Splatters of vivid red blood stain her coat and the surrounding darkness. The scene is cast in deep shadow, with a single, harsh light source from the side that creates high-contrast highlights on the metallic surface of the gun and the fabric of her gear, leaving the background in absolute black. The stark contrast between the dark environment and the vivid red of the blood emphasizes a mood of cold brutality. Effortlessly ruthless.
S.K膠神
#Blue Archive#Tsubaki.3
AI artwork
Avatar image of Ichika
A medium shot, 3/4 view anime illustration of a calm young woman standing in a poised, combat-ready stance. She has long blue hair with a contrasting black underlayer and gentle heterochromatic eyes in shades of blue and grey. She is dressed in a black high-necked undershirt with a thick, scarf-like collar, layered under an oversized, dark blue streetwear jacket with a high collar and structured yet soft fabric. The wide, slightly puffed sleeves feature thin white trim at the edges, revealing a dark black lining at the open cuffs. She holds an electric gun in each hand; one is aimed directly forward toward the viewer, while the other is held to the side, mirroring the focused posture of a professional assassin. The background is a neutral, minimalist space that emphasizes her presence. The visual style is characterized by clean anime line art, high-quality rendering, and a cool-toned color palette, creating a sharp and disciplined atmosphere.
Ichika

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character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
6#L'attacco dei giganti#Mikasa Ackerman
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