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AI art "Lamia Girl Enjoying Autumn Treats"
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Lamia Girl Enjoying Autumn Treats

#Orecchie da animale#seduto#alla marinara#capelli lunghi#Monster girl#Torta#Cibo#Cuore#uniforme scolastica#lamia#Caffè#occhi azzurri#1 ragazza#all'interno#forchetta
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ゆっき

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A full body shot from a front view depicts a (((young child))) lamia girl sitting in a bright cafe during the day. The character has long white hair, large anime-style blue eyes, and cat ears on her head, with no human or pointed ears. She wears a traditional sailor uniform. Instead of legs, she has a single, very thick and long light-blue snake body that coils around her chair and extends across the floor, with the tip of the tail visible and no fur. She has a joyful smile and is holding a fork, eating a slice of shortcake. On the table before her sit a piece of shortcake and a cup of coffee. The scene is rendered in an anime style with (((flat color))), cell shading, (((minimal gradients))), and vibrant colors, creating a clean and cheerful atmosphere.
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Immissione richiesta originale
一人のラミアの幼い少女は喫茶店の中にいます。そのラミアはセーラー服を着ています。ラミアは長い白色の髪の毛をしています。頭には猫耳がついています。人間の耳は描かないでください。とがった耳は描かないでください。ラミアの蛇部分は水色をしています。蛇部分はとても太いです。蛇部分は長いです。彼女以外の尻尾は描かないでください。下半身は人間の足を描かずに蛇の身体のみを描いてください。彼女は笑顔で美味しそうにショートケーキを食べています。時刻は昼です。ラミアの目はアニメのような青色の大きな瞳をしています。蛇の尻尾を含む全身が収まるように描いてください。尻尾の先が見えるように描いてください。尻尾の先の毛は描かないでください。蛇部分は分岐せずに一本の蛇の身体を描いてください。ラミアは椅子に座っています。ラミアの目の前の机には、ショートケーキとコーヒーが置かれています。ラミアはフォークを持っています。正面を描いてください。
Modalità
standard
Stile
(((young children))), anime, anime style, (((flat color))), cell shading, (((minimal gradients))), vibrant color
Dimensione
768 x 1280

Modello e LoRA utilizzati

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.06k

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#L'attacco dei giganti#Mikasa Ackerman
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