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AI art "ラピュタの機械兵風" featuring #uccello, #annaffiatoio and #robot umanoide
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ラピュタの機械兵風

#uccello#annaffiatoio#robot umanoide
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tky_chatgpt_anime_boost_color_detail_line_anime_quality, 8K resolution. Background detailed to the limit, 1970s cel anime. solo, 1mechanical creature. A guardian protecting an island floating in the sky. A giant autonomous machine left behind by an ancient civilization. Humanoid, but with a slender structure reminiscent of tin toys rather than human muscles. A large mono-eye camera eye in the head. It has cylindrical joints and thin limbs, conveying the weathering of many long years. Lustreless, rusted reddish-copper. While hiding overwhelming power, it evokes a sense of stillness rather than intimidation. The guardian of a forgotten garden. A figure that suits coexistence with flowers and birds. In the desolate garden, there are collapsed gazebos and fountains. In its hand, it holds a crude tin watering can that does not suit its appearance, and is steadily watering. A small bird is perched on its shoulder. No one else is there. It is a combat weapon, but at the same time possesses a mysticism like a divine statue or a guardian deity.
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8K解像度。限界まで書き込まれた背景, ,1970代のセル画アニメ。solo, 1mechanical creature. 空中に浮かぶ島を守る番人。 古代文明が残した巨大な自律機械。 人型だが人体の筋肉ではなくブリキ製のおもちゃを思わせる細長い構造。 頭部には大きなモノアイのカメラアイ。 円筒形の関節と細い四肢を持ち、長い年月の風化を感じさせる。光沢を失った錆びついた赤銅。 圧倒的な力を秘めながらも威圧感より静けさを感じさせる。 忘れられた庭園の番人。 花や鳥と共存する姿が似合う。荒れ果てた庭園には崩れたあずまやと噴水がある。手に、その姿と似合わない粗末なブリキのジョウロを持ち、もくもくと散水している。肩には小鳥がとまっている。誰もいない。 戦闘兵器であると同時に神像や守護神のような神秘性を持つ。
Modalità
pro
Tag qualità
masterpiece, ﹝Prompt﹞
Dimensione
1632 x 1232
Negativo
(((((copyright, text, logo, sign))))), pubic hair, lowres, worst quality, low quality, bad anatomy,
Helper di Prompt

Modello e LoRA utilizzati

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#L'attacco dei giganti#Mikasa Ackerman
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