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AI art "RIE SAMURAI 10/14" featuring #Capelli neri, #1 ragazza and #Spadaccino
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RIE SAMURAI 10/14

りえ侍

#Capelli neri#1 ragazza#Spadaccino
Avatar image of 近藤佳久

近藤佳久

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Su PixAI i prompt sono pubblici per impostazione predefinita, ma i creator possono nasconderli in qualsiasi opera pubblicano. Chi ha creato quest'opera ha scelto di farlo, quindi le parole usate per generare l'immagine restano private e può vederle solo lui. Nascondere il prompt non cambia nient'altro: l'opera resta pubblica e puoi metterle mi piace, commentarla e condividerla come sempre.
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PixAI Real Asian Style
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character: sparkle_(honkai:_star_rail), copyright: honkai:_star_rail 1girl, solo, cowboy shot, upper body, sitting on floor, posing for photoshoot, holding round paper fan, tuanshan, open oil-paper umbrella on floor behind her back, grey seamless background, balanced daylight studio lighting, gentle shadows, depth of field, 85mm lens, f/1.8, photorealistic, hyperrealism, ultra-high-detail, sharp focus, petite, small body, small face, red lips, very smooth glossy pale skin, breasts, fine hair, long hair, twintails, shuangyaji, blunt bangs, hair intakes, hairclip, hair ornament, multicolored gradient hair, brown hair to black hair, pink eyes, chinese clothes, hanfu beizi, qixiong ruqun, long dress, two-tone gradient dress, robe, sheer see-through wide long sleeves, red criss-cross strings, neck bell, tassel, black single glove, looking at viewer, slight head tilt, one knee up, soft smile, A vertical cowboy shot from a level camera at chest height, framed from just above the head to mid-thigh, shot on an 85mm lens wide open at f/1.8 so the seamless grey sweep behind her falls into a smooth, even blur while her face, her hands and the fan stay tack-sharp. She sits on the studio floor with her weight settled onto her left hip, right leg folded with the knee lifted and the skirt pooling in a soft ring around her, left arm braced lightly against the floor beside her hip, torso angled a quarter turn from square-on so her shoulder nearest the lens comes forward. Her right hand grips the bamboo handle of the round silk tuanshan, holding the disc upright beside her cheek at chin height, its silk surface tilted just enough to catch the key light, and her chin dips a touch toward that shoulder while her pink eyes look straight down the lens with a faint closed-lip smile parting over the red lips. Long hair splits into two twintails, brown at the crown shading into black through the lengths, blunt bangs cut straight across the brow with the hair intakes falling cleanly along both cheeks; small looped buns sit high at either side of the head, pinned with a hairclip and a dangling ornament whose tassel hangs past her jaw. The hanfu beizi robe sits over the qixiong ruqun, its high waist bound under the chest with red criss-cross strings pulled taut, the long dress thinning from a pale upper tone into a deep dark hem, and the wide sleeves are sheer enough to show the arm inside them as a paler shape behind the gauze. The black single glove covers her right hand where it closes on the fan handle; her left hand, bare, rests fingertip-down on the floor. A small bell hangs at her throat on a cord, its tassel resting against the collarbone. Behind her back, laid flat on the floor and opened, the oil-paper umbrella spreads its painted canopy across the lower background, its rim rising just past her far shoulder so the ribs curve away in the blur. The daylight is a large soft source from the upper left front: it lays an even sheen along the glossy pale skin of her cheek and shoulder, leaves only gentle, low-contrast shadow under the jaw and beneath the lifted knee, and throws a soft short shadow of the umbrella rim and of her seated body onto the grey floor to her right; nowhere in the frame is there a second light or a hard edge. Grey, warm skin tones and the two-tone dress carry the palette, with the red lips and red criss-cross strings as the only saturated accents. A single detail to fix the physics: the sheer sleeve over her braced left forearm darkens where the fabric doubles against itself at the elbow, while the gauze away from the fold stays nearly transparent. Calm, polished, quietly poised.
cylic2025

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#L'attacco dei giganti#Mikasa Ackerman
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