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AI art "まるで女子会！？ｗ" featuring #Uniforme militare, #fucile d'assalto and #più ragazze
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まるで女子会！？ｗ

もしかしてメカ系のマテリアルは苦手？＾＾；

#Uniforme militare#fucile d'assalto#più ragazze
久

久保庄次郎

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1950年代風アニメの戦闘部隊のフルショット、5人の女の子グループが散らかった格納庫でブリーフィングをしている。クラシックな50年代の軍用ジャケットとハイウエストのズボンを組み合わせたレトロフューチャーなデザインの衣装、黒光りするマシンガンを手にしている。 (((まるでプロの画家が描いたかのような傑作の絵)))+++, (無邪気で美しく自然な少女),黄金比を取り入れた構図,アニメ風のリアルなキャラクター, 自然な顔のプロポーション,表情豊かでつややかな目,繊細で半透明の肌,とても柔らかい肌, 自然なサブサーフェススキャッタリング,髪の一本一本が詳細で自然,半透明の髪,輝く髪, 写実的なライティング,柔らかいシネマティックライティング, グローバルイルミネーション,夢のような日光,柔らかいプラチナリムライト, ミルク色のハイライト,柔らかいオーバー露光,低コントラストの影, 自然な影の移行, スフマート, 最小限のラインアート,柔らかいエッジ,スムーズな色の移行,浅い被写界深度,優しい大気のかすみ, 解剖学的にリアルな体の部位,弾むようで豊かな柔らかい胸, (高解像度で詳細,洗練された衣服,リアルな素材感,自然なしわ), 現実の場所や風景,息をのむほど美しい風景,表情豊かな環境, 建築学に基づいたリアルで複雑な建造物,リアルで濃密な植物,風化した質感,PBRマテリアル,(前景,中景,背景,重なった奥行き), 非常に詳細な前景と背景,環境を語るストーリーテリング,没入感のある雰囲気,
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1950年代風アニメの戦闘部隊のフルショット、5人の女の子グループが散らかった格納庫でブリーフィングをしている。クラシックな50年代の軍用ジャケットとハイウエストのズボンを組み合わせたレトロフューチャーなデザインの衣装、黒光りするマシンガンを手にしている。 (((まるでプロの画家が描いたかのような傑作の絵)))+++, (無邪気で美しく自然な少女),黄金比を取り入れた構図,アニメ風のリアルなキャラクター, 自然な顔のプロポーション,表情豊かでつややかな目,繊細で半透明の肌,とても柔らかい肌, 自然なサブサーフェススキャッタリング,髪の一本一本が詳細で自然,半透明の髪,輝く髪, 写実的なライティング,柔らかいシネマティックライティング, グローバルイルミネーション,夢のような日光,柔らかいプラチナリムライト, ミルク色のハイライト,柔らかいオーバー露光,低コントラストの影, 自然な影の移行, スフマート, 最小限のラインアート,柔らかいエッジ,スムーズな色の移行,浅い被写界深度,優しい大気のかすみ, 解剖学的にリアルな体の部位,弾むようで豊かな柔らかい胸, (高解像度で詳細,洗練された衣服,リアルな素材感,自然なしわ), 現実の場所や風景,息をのむほど美しい風景,表情豊かな環境, 建築学に基づいたリアルで複雑な建造物,リアルで濃密な植物,風化した質感,PBRマテリアル,(前景,中景,背景,重なった奥行き), 非常に詳細な前景と背景,環境を語るストーリーテリング,没入感のある雰囲気,
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pro
Dimensione
768 x 1280
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#L'attacco dei giganti#Mikasa Ackerman
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