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AI art "ニニちゃん、ラーメンを食べる"
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ニニちゃん、ラーメンを食べる

ニニちゃんに二郎系ラーメンを食べさせてみたかった。

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I Want to See Cute Kemomimi Characters! 🐾#Kemomimi Characters
#Orecchie da animale#Orecchie da gatto#mangiare#capelli blu#Cibo#coda di gatto#Yu-Gi-Oh!#1 ragazza#all'interno#Ramen#catgirl#uovo alla coque#Ni-Ni lo Specchio Mikanko
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character: ni-ni_the_mirror_mikanko. A cheerful anime illustration in great quality, best quality, showing ni-ni_the_mirror_mikanko at a Japanese ramen shop counter, captured in an upper-body shot from a slightly angled front view. The girl has short blue hair decorated with a food-themed hair ornament, bright blue eyes, fluffy cat ears on her head, and a playful cat tail visible behind her. She is smiling brightly with her cheeks puffed as she slurps a big mouthful of noodles from a spoon, her eyes narrowed with delight. She wears an outfit with detached sleeves and a miniskirt, a thigh strap on one leg, and subtle nail polish on her fingers. In front of her sits a massive bowl of Jiro-inspired ramen: an enormous heap of thick noodles piled high, topped with fatty pork slices, cabbage, bean sprouts, garlic chips, and a raw egg, with steam rising and broth glistening. The background shows the cozy ramen shop interior with a wooden counter, a ticket machine, and warm hanging lamps. The atmosphere is lively and appetizing, with warm lighting and a light steam haze around the giant bowl.
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Immissione richiesta originale
鏡の御巫ニニ、ラーメン屋で大盛りラーメンを食べる、笑顔で食べている、二郎インスパイア系、麺を啜っている
Modalità
pro
Dimensione
768 x 1280
Negativo
worst quality, photorealistic, bad anatomy, blur, low resolution

Modello e LoRA utilizzati

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.98k

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#L'attacco dei giganti#Mikasa Ackerman
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