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AI artwork
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user-3924

u3

user-3924

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A wide horizontal panoramic shot depicting a vast, empty expanse of sky during a warm sunset dusk, captured from a distant, eye-level perspective. The scene is devoid of characters, buildings, and foreground objects, focusing entirely on the atmospheric transition of the heavens. The sky is a soft gradient of orange and pink, filled with thin, wispy clouds that stretch across the horizon. Soft sunlight filters through the haze, creating a strong sense of atmospheric perspective and depth. The visual style is a clean 2D painting reminiscent of Studio Ghibli's watercolor backgrounds, featuring strong line art softened by delicate watercolor washes. Colors blend seamlessly into one another, resulting in a soft-colored, ethereal atmosphere with a gentle haze that evokes a serene and tranquil mood, designed for a seamless horizontal tiling game background.
Mostra parametri
Immissione richiesta originale
masterpiece, best quality, Studio Ghibli watercolor background, Hayao Miyazaki art style, wide horizontal panoramic sky, warm sunset dusk, soft orange and pink gradient sky, thin wispy clouds, soft sunlight, atmospheric perspective, no characters, no buildings, seamless horizontal tiling, soft color, clean painting, 2D game background, no foreground objects
Modalità
pro
Stile
Luminous Wash
Dimensione
1280 x 768
Negativo
worst quality, photorealistic, bad anatomy, blur, low resolution
Stile: Luminous Wash

Modello e LoRA utilizzati

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.25k

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AI artwork
u3
A wide horizontal panoramic shot depicting a vast, empty expanse of sky during a warm sunset dusk, captured from a distant, eye-level perspective. The scene is devoid of characters, buildings, and foreground objects, focusing entirely on the atmospheric transition of the heavens. The sky is a soft gradient of orange and pink, filled with thin, wispy clouds that stretch across the horizon. Soft sunlight filters through the haze, creating a strong sense of atmospheric perspective and depth. The visual style is a clean 2D painting reminiscent of Studio Ghibli's watercolor backgrounds, featuring strong line art softened by delicate watercolor washes. Colors blend seamlessly into one another, resulting in a soft-colored, ethereal atmosphere with a gentle haze that evokes a serene and tranquil mood, designed for a seamless horizontal tiling game background.
user-3924
AI artwork
bc
sky only, no landscape, no characters, sunset, cloudy sky, gradient sky, yellow orange and pink gradient sunset, sunlight showing between clouds, after rain, after storm, dramatic sky, backlit clouds, sunbeams, crepuscular rays, wide shot, from below, anime screencap, anime coloring, detailed lineart A pure sky fills the entire frame edge to edge, no horizon line, no land, no figures — the camera tilted slightly upward as if standing in open air after a storm has just broken, so the whole image is atmosphere and nothing else. The composition is stacked in layers of depth: low in the frame a dense bank of rain-dark storm clouds recedes, their undersides deep slate-violet where the storm has not yet finished, their edges torn and ragged; above and behind them a second, looser layer of clouds breaks apart, and through those gaps the setting sun pours out in long shafts of light — crepuscular rays fanning downward and to the right, the beams visibly hazing the wet air between the cloud masses, brightest at each aperture and dissolving into soft gold as they spread. The sun itself sits just behind a mid-frame cloud shelf near the right third, so it is never a bare disc but a hot core bleeding through the cloud edge, the clouds directly around it rimmed in molten white-gold while their far sides drop to shadow. The sky is a full vertical gradient: warm yolk-yellow and pale gold at the lower where the light concentrates, rising through apricot and vivid orange, into a wide band of rose and coral pink through the middle, cooling at the very top edge into soft violet-magenta and a last trace of after-storm blue. Cloud color follows the light: every surface facing the sun glows yellow-orange and every surface turned away holds pink-violet shadow, so the same cloud carries both a lit rim and a cool belly. The rain has just stopped, and the evidence is in the air — a faint luminous mist clings in the gaps between cloud banks, the beams have soft volumetric edges rather than hard shafts, and a thin translucent veil of falling rain still trails from one distant cloud at the upper left, catching the light as fine luminous streaks. The lowest cloud layer is soft, wet, and slightly blurred with atmospheric haze, while the high broken clouds have crisper, finely drawn edges. Palette is exactly yellow, orange and pink with violet only in the storm shadows — nothing else admitted. Anime screencap rendering: clean cel-flat color planes inside crisply drawn cloud contours, detailed lineart defining each cloud's curl and edge, gradient banding handled in smooth painted steps as a background artist would paint it, no photographic texture and no grain. Quiet, luminous, cleansed.
Batlancas C
AI artwork
bc
sky only, no humans, no ground, no horizon line, from below, looking up, sunset, after rain, after storm, sunlight breaking through clouds, cloudy sky, gradient sky, yellow orange and pink gradient sunset, detailed lineart, anime coloring, anime screencap, wide shot, cloudscape, cumulonimbus, stratocumulus, backlighting, rim light, god rays, crepuscular rays, sunbeams, sun low behind cloud bank, broken cloud cover, wet air haze, luminous gradient, warm light, cool shadow, pink clouds, orange clouds, yellow glow, violet underside, high detail clouds, atmospheric perspective, The whole frame is sky and nothing else: the camera lies on its back and looks straight up, so no ground, no rooftop, no treeline and no figure ever enters the rectangle — only cloud from edge to edge, tilted so the deepest part of the storm recedes toward the upper left and the clearing opens toward the lower right. A heavy bank of cumulonimbus still occupies the upper half, its body a bruised violet-grey with a warm dusty rose along the tops where the last light grazes it; the underbellies are dark, and the rain has only just stopped, so their edges are soft and smeared rather than crisp. Below and across the middle, torn stratocumulus is breaking apart into separate ragged sheets with clear air showing between them, and those gaps are where the sunset lives: a graded wash running yellow at the low warm edge through orange into pink, deepening to a cooler lilac where the cloud thins. The low sun sits behind the thickest remaining mass at the lower right; distinct shafts of light push through the ragged holes above it and fan upward and outward in slanted cones, brightest and narrowest at the gaps and dissolving into haze as they travel, and each shaft is visibly three-dimensional, with a lit near face and a shadowed far side. Where a shaft crosses a cloud edge it lights that edge in gold and leaves the cloud's body in shade; the light never comes from nowhere and every bright patch has a hole above it to explain it. Thin veils of leftover rain-haze still drift in the middle distance, so the far cloud tops are paler and lower in contrast than the near torn edges, and one small detached cloud fragment glows far brighter than anything around it because it is thin enough to be lit from behind — the whole sky turning on that one translucency. Colour is disciplined to three notes and their shadow versions: yellow, orange, pink, with violet-grey reserved strictly for shadowed cloud bodies; no green, no blue sky, no black. Lineart is fine and detailed, drawing thousands of small scalloped cloud contours and curling edge fronds, and colour sits under that linework in clean anime screencap shading — flat cel planes for the shadowed masses, soft gradients inside the lit ones, crisp highlight bands along the sun-facing rims. Quiet, lifting after-storm calm.
Batlancas C

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