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AI art "見上げる女性" featuring #Seno, #Scollatura, #capelli castani, #volant, #abito a balze and #1 ragazza
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見上げる女性

#Seno#Scollatura#capelli castani#volant#abito a balze#1 ragazza
し

しょりしょりまん

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1girl, solo, medium shot, from slightly above, slim, mature female, pale skin, translucent skin, short bob hair, dark brown hair, bright blue eyes, ephemeral expression, dreamy expression, idol costume, white satin blouse, pale pink organdy overlay, puff sleeves, triple frills on chest and hem, large ribbon on chest, small pearl buttons, above-knee pleated skirt, tiered skirt, lace details, ribbon details, white socks with ribbon at ankles, glossy satin, sheer tulle, sweet and gorgeous impression, dressing room, soft morning light, highlights on fabric, shallow depth of field, blurred background, light transparency, refined dreamlike atmosphere, medium breasts, dynamic pose, white breath, Aes_stylemix, hadasitukan
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Immissione richiesta originale
やや高い位置からのミディアムショット。透き通るような白い肌を持つスリムな大人の女性が机の上に上半身を押し付けてお尻を後ろに突き出す。ダークブラウンのショートボブに、鮮やかな青い瞳。どこか儚げで幻想的な表情。身にまとっているのはアイドル衣装、真っ白なサテン地に淡いピンクのオーガンジーを重ねたパフスリーブのブラウス。胸元と裾にふわふわの三重フリル、中央に大きなリボンと小さなパールボタンが並ぶ。スカートは膝上のふんわりプリーツで、同色のレースとリボンを散りばめたティアード仕立て。足首にリボン付きの白ソックス、全体に光沢のあるサテンと透け感のあるチュールを多用し、甘く華やかな印象に。、舞台は更衣室。柔らかな朝の光が差し込み、衣装の生地に優美なハイライトを生み出している。背景は浅い被写界深度によって柔らかくぼかされており、光の透明感と、洗練された夢のような雰囲気が際立っている。普通サイズの胸、ダイナミックなポーズ、白い吐息、
Dimensione
768 x 1280
Passaggi di campionamento
6
Metodo di campionamento
DPM++ SDE Karras
Scala CFG
2.4
Negativo
(bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), ( polydactyly, extra digits, extra legs, bad hands, bad hand, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.5),

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#L'attacco dei giganti#Mikasa Ackerman
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