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AI art "雨夜中的時光" featuring #Orecchie da animale, #Capelli neri, #capelli bianchi, #coppia, #occhi azzurri, #Notte and #condivisione degli auricolari
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雨夜中的時光

最喜歡這種靜謐又溫馨的氛圍了，看著她們靠在一起分享耳機，感覺整個雨夜都變得溫柔起來。這種細膩的百合情感總能觸動我的心弦。如果我也能加入這份寧靜就好了～喜歡這張圖的話請點個讚，追蹤我獲得更多心動瞬間，也歡迎在評論區分享你的感受！

#Orecchie da animale#Capelli neri#capelli bianchi#coppia#occhi azzurri#Notte#condivisione degli auricolari
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Aria星月

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Change the facial expressions of the two characters in image1. Make the white-haired girl on the right look drowsy but awake, with light blue, unfocused, half-open eyes, drooping eyelids, and a relaxed, faintly comforted mouth. Direct the gaze of the black-haired girl on the left so her blue-purple eyes look affectionately down at the white-haired girl's face. Keep their snuggling pose, outfits, hair accessories, the purple train seats, the rainy night city window view, and the overall lighting unchanged. The rest of the image remains the same as the input image1.
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@image1 以参考图为基础，严格保留两名角色的外形、发型、服装、配饰、人物位置、依偎姿势、横版构图、车厢环境、夜景和整体光影。 重点微调小水母的面部表情，使她呈现迷迷糊糊、困倦但仍然清醒的状态。浅蓝色眼睛自然半睁，上眼睑轻轻下垂，露出清晰但不夸张的少量虹膜。视线略微失焦，眼神朦胧、迟钝而柔和，像是坐车时有些犯困，意识仍然清醒，却懒得集中注意力。不要刻意看向镜头，不要瞪大眼睛，也不要完全闭眼睡着。 她的嘴角自然放松，带有极轻微的安心感，不要夸张微笑。头部继续轻轻靠在电竞少女的肩膀上，保持原有的自然依偎姿势。 电竞少女维持现在的头部角度与温柔神情，蓝紫色眼睛明确注视着小水母的脸，目光落在她的眼睛与脸颊附近，而不是看向前方或地面。保留电竞少女现有的半扎发结构、蓝紫色发梢、发夹和耳机，不改变发型。 仅微调面部表情与眼神，不重新设计人物，不改变头部相对位置、肢体动作、服装细节、车窗反光、夜景、灯光和画面构图。保持细腻的日系二次元绘画质感，柔和自然的面部细节。
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flash
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1888 x 1056
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Tsubaki.3 Flash
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#L'attacco dei giganti#Mikasa Ackerman
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