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AI art "遠い道のり" featuring #Arma da fuoco, #Sera, #Battaglia, #sciarpa rossa, #strada, #terra desolata, #Zenless Zone Zero, #Billy Kid and #Lighter
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遠い道のり

すごく勉強になった。 プロンプトが滅茶苦茶だし、奥側の腕がどっかいっちゃったけど、ひとまず落着ということにしておく。

#Arma da fuoco#Sera#Battaglia#sciarpa rossa#strada#terra desolata#Zenless Zone Zero#Billy Kid#Lighter
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落ち葉

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character: billy_kid, lighter_(zenless_zone_zero), copyright: zenless_zone_zero wide shot, distant view, side view, profile, 2men, mock combat, duel, confrontation, 1.5 meters apart, dynamic pose, action pose, hardboiled, running, closing distance, dodging, boxing slip, ducking, leaning forward, weaving past bullet, sunglasses, short green hair, red scarf, black jacket, gloves, backstep, jumping backward, stepping back quickly, tilted torso, dual wielding, handguns, firing, outstretched arms, muzzle flash, flying shell casings, realistic smoke, sparks, bullet trail, mechanical android, spiked white hair, glowing yellow eyes, red jacket, black pants, asphalt highway, cracked road, desert wilderness, setting sun, horizon, sunset, cinematic lighting, warm orange light, deep blue zenith, twilight sky, long shadows Captured from a distant side view in a wide framing, two combatants engage in high-intensity mock combat across an asphalt highway stretching through a desolate wilderness, locked in a dynamic profile view separated by a critical distance of precisely one and a half meters. On the left side of the frame, a young man with short green hair and dark sunglasses charges aggressively to the right, leaning sharply forward at the waist in a low boxing duck to slip beneath incoming fire. His knees are bent mid-sprint, one shoulder dipped low, his red scarf streaming straight back with his forward acceleration, and his gloved hands raised in a tight guard as a supersonic bullet trail streaks through the air just above his lowered head. On the right side of the frame, facing left, a mechanical android with spiky white hair and glowing yellow optics leaps backward in a sudden evasive backstep to preserve distance, his boots clearing the road surface with his torso tilted sharply back. Both of his arms are locked straight ahead, leveling dual handguns that continuously discharge bursts toward the charging opponent, producing bright muzzle flashes, realistic plumes of expanding grey smoke, glowing embers, and a scattering cloud of hot brass shell casings tumbling in mid-air. The coarse, cracked surface of the roadway bears the scuffed friction of their footing, with a faint puff of kicked-up road dust trailing the runner's back heel. Behind the duel, a giant setting sun sinks along the distant horizon, casting a warm nostalgic orange glow and low-angle rim lighting across both full-body silhouettes, while the sky above gradients from vibrant horizon amber into an encroaching, silent deep cobalt blue at the zenith. The tumble of ejected brass catches gleaming golden glints as elongated shadows stretch across the empty road, framed in hardboiled cinematic tension.
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ゼンゼロのビリー・キッドとライトが模擬戦闘中, intense confrontation, critical distance, 1.5 meters apart.　二人の戦闘を離れた場所から捉える、側面図、両者とも横向きの全身イラスト、遠景,dynamic pose. 画面右にビリー、左に向かって二丁拳銃を連射、バックステップでライトとの距離を保とうとしている,stepping backward quickly, stepping back, jumping backward, tilted torso, maintaining distance from an enemy, both arms extended straight, flying shells, realistic smoke and sparks. 画面左にライト、銃撃をボクシングのダッキングの要領で避けつつ、ビリーへ向かって走る, dodging and weaving, leaning forward, closing the distance, weaving past a bullet. 躍動感重視。荒野のハイウェイで二人は戦っている、画面奥には沈みゆく夕陽、夕陽によるオレンジ色の光がノスタルジーを漂わせ、空の頂点から忍び寄る夜の蒼さが静寂を運んでくる。全体にハードボイルドな雰囲気。cinematic lighting, action pose.
Modalità
pro
Dimensione
1888 x 1056
Negativo
lowres, worst quality, low quality, bad anatomy, explicit, bad hands, extra fingers, deformed hands, bad weapon
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#L'attacco dei giganti#Mikasa Ackerman
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