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AI art "実験" featuring #tentacoli, #Finestra, #mostro, #solo, #Horror, #Senza umani, #Bocca aperta, #all'interno and #Edificio
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実験

#tentacoli#Finestra#mostro#solo#Horror#Senza umani#Bocca aperta#all'interno#Edificio
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jyagainu

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Detailed creature design, a surreal and grotesque non-human creature, featuring impossible and uncanny anatomy. Its classification is unclassifiable and it has an extremely elongated torso. In the center of its face is a massive organ, and its eyes open and close like mouths. Each of its teeth varies in size from one another. The number of fingers differs between its left and right hands, and thin hairs grow irregularly across its body. Countless small organs protrude from its form, creating an intentionally unbalanced and asymmetrical body structure. The creature is immense, as large as a building, and it contorts its limbs in unnatural directions. Its overall appearance is so disturbing that one instinctively recoils from recognizing it as a living being. The creature is situated within an abandoned research facility, illuminated by diffused light filtering through fog. The composition creates a feeling of being trapped within a narrow, confined space. The style is hyper-detailed and nightmarish, focusing on biological horror and anatomical distortion.
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Tag qualità
high quality, year_2025, year_2024, ﹝Prompt﹞
Dimensione
768 x 1280
Passaggi di campionamento
16
Metodo di campionamento
Euler
Scala CFG
6.199999809265137
Negativo
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

Modello e LoRA utilizzati

Tsubaki - AI Model cover image

PixAI DiT.1

Tsubaki
8.75k

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#L'attacco dei giganti#Mikasa Ackerman
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