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AI art "キリングバイツ 中西 獲座"
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キリングバイツ 中西 獲座

最終回なんて嘘だよな。続編がすぐにやるんだよな?

#Orecchie da animale#coda#occhi rossi#chibi#capelli corti#Capelli biondi#Sorriso#carne da manga#1 ragazza#Cuscinetti#Zampe animali#Generatore di adesivi chibi
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Create an adorable chibi sticker collection based on the uploaded reference image [image1]. Faithfully preserve the OC's hairstyle, hair color, eye color, outfit, accessories, distinctive features, and original color palette. Keep the character recognizable in every illustration. Generate a collection of 20–25 stickers: - 8–10 chibi character illustrations with different poses and expressions: happy, sleeping, running, waving, surprised, shy, eating, playful, etc. - 5–7 miniature stickers extracted from the OC's design, such as signature accessories, hair ornaments, clothing details, symbols, or personal items. - 7–10 decorative stickers inspired by the OC's personality, outfit, colors, and aesthetic theme, such as matching animals, flowers, sweets, or fantasy objects. Automatically identify the OC's unique theme and create personalized decorative elements rather than generic decorations. Arrange everything into a charming sticker sheet. Place one larger chibi character near the center, surrounded by smaller characters, expressive portraits, and decorative objects. Use varied sticker sizes, balanced spacing, and a playful, organic composition. Keep all illustrations separate and clearly visible. Art style: ultra-cute Japanese chibi, 2–3 head proportions, soft watercolor and colored-pencil textures, delicate brown outlines, pastel colors, rosy cheeks, cozy hand-drawn storybook aesthetic. Clean warm ivory background with subtle paper texture. Consistent character identity and illustration style throughout. No text, no panels, no watermark.
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512 x 512

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solo, 1girl, character reference sheet, character design sheet, multiple views, kemonomimi, tiger ears, tiger tail, animal ears only, no fur on body, human skin, very many scars, scars all over body, scars instead of stripes, tiger color palette, orange and black, pale skin, blond hair, slightly blonde hair, short hair, messy hair, amber eyes, curvy, wide hips, narrow waist, slim stomach, concave stomach, bare midriff, navel, revealing clothes, torn top, ragged crop top, jagged hem, bare shoulders, very short miniskirt, torn miniskirt, ragged hem, thigh bandage, bandage on one thigh, thighs together, panties not visible, no panties visible, sweet expression, cute, light smile, blush, princess, desert, not wanting to be a princess, reluctant, ears down, looking at viewer, standing, contrapposto, hand on own hip, other hand tugging skirt hem, full body, from front, three-quarter view, from side, from behind, cowboy shot, close-up inset, white background, reference sheet layout A white reference-sheet layout showing one girl in four views of the same body, no grid lines, no extra people. Leftmost is a full-body three-quarter front view, then a full-body side view, then a full-body back view, and at the upper right a bust close-up inset. She is a slender, curvy young woman with wide hips, a narrow waist and a stomach so lean it dips concave under the ribs; her skin is bare human skin, pale warm ivory, with no fur and no pelt anywhere — the only animal features on her whole body are a pair of rounded tiger ears rising from the top of her head and a long striped tiger tail. Her hair is short, slightly blonde, tousled wheat-blond with darker roots, cut ragged around her jaw. Her eyes are amber with a dark slit-thin pupil, and in every view the ears are flattened back and tilted outward, the tail hangs low with its tip curled down. Across her arms, shoulders, ribs, waist, hip, both thighs and one cheek run dozens of pale raised scars, crosshatched and old, clustered in loose banded rows along her sides and back exactly where a tiger's stripes would sit — that banding is the only stripe pattern on her, and it is made of scar tissue, not fur. A wide orange-and-black tiger palette holds the whole sheet: orange in her ears, tail and the scars' warm undercast, black in the stripes, the torn fabric and the scar shadows, and the paper-white ground carries everything else. She wears a ragged crop top of torn black-orange cloth, its hem cut into sharp jagged points that ride high above her bare belly, the shoulders torn open so the straps sit loose on her collarbones; below it a very short torn miniskirt, its hem slashed and fraying, sitting low on her hips. On her right thigh a strip of off-white bandage is wound over the skirt hem in two passes, and the skirt plus that bandage close the space between her legs completely — the crotch is fully covered and nothing beneath the skirt is visible from any angle. In the front view her weight rests on her left leg with her right knee slightly bent, one hand planted on her hip and the other pinching the skirt hem down at her thigh, ears pinned back, a small closed-lip smile with a faint blush — sweet, but her brows are drawn up in the middle, so the smile reads as not wanting the crown she has been given. In the side view the same tug of the hem, tail curling behind her calf. In the back view her scarred shoulder blades and the banded scars down her spine, ears still low. The close-up inset at upper right frames her face and shoulders in soft even light, a tiny gold circlet half-slipped down over one ear — the only royal thing on her — with the same sweet, reluctant, ears-back expression. Lighting is flat, even, neutral studio light from the front-left in all views so the scars read cleanly; the only shadow is a soft short one under her feet on the seamless white. A single palm-frond shadow falls across the upper-left corner of the sheet, the one desert cue on the empty ground. Softly sad, very sweet.
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