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Kaguya Shinomiya, Kaguya-sama: Love Is War
Su PixAI i prompt sono pubblici per impostazione predefinita, ma i creator possono nasconderli in qualsiasi opera pubblicano. Chi ha creato quest'opera ha scelto di farlo, quindi le parole usate per generare l'immagine restano private e puรฒ vederle solo lui. Nascondere il prompt non cambia nient'altro: l'opera resta pubblica e puoi metterle mi piace, commentarla e condividerla come sempre.
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1girl, solo, japanese high school girl, shoulder-length straight black hair, neat bangs, navy blazer, white collared shirt, red plaid pleated skirt, sleeping, dozing, eyes closed, head resting on arms, cheek on arms, crossed arms on desk, leaning forward onto desk, open textbook, pencil case, translucent plastic pencil case, wooden desk, classroom, sunlit classroom, window, afternoon, sunlight, backlighting, dust motes, floating particles, light rays, close-up, from side, profile, side angle, soft shading, warm palette, tranquil, slice-of-life, indoors,
A close side-angle shot at desktop height, the camera three-quarters of a metre from her cheek, so the frame holds her head, shoulders and forearms and cuts away just past the waist: she sits at a wooden school desk pushed against the window wall, slumped forward with her cheek flattened against her crossed forearms, her face turned in profile toward the lens. Her weight has slid off her spine entirely โ right shoulder dropped lower than the left, torso tilted across the desk edge, the crown of her head tipped toward the window glass. Shoulder-length straight black hair with blunt neat bangs falls forward over her brow and spills across the sleeve of her navy blazer; a few strands lie pressed flat between her cheek and the fabric of her forearm. Her eyes are shut, lashes low and still, lips slightly parted with one slow breath, one brow faintly relaxed โ no smile, only the slack quiet of real sleep. Her left hand curls loosely around her right forearm near the elbow; her right hand lies open and empty on the desktop beside her temple. An open textbook lies flat on the desk just beyond her elbows, pages splayed and softly curled at the gutter, a block of printed columns and a diagram catching the light; beside it, nearer the front edge of the desk, sits a translucent plastic pencil case with a faint cloudy sheen, its zipper pull resting against the wood and a couple of pencils visible as blurred shapes inside. The late afternoon sun comes low through the window at her back-left and is the only light source: a hard-edged parallelogram of warm light falls across the desktop, the open pages, the pencil case and the outer edge of her forearm, while the side of her face toward the lens sits in soft cool shadow with a thin rim of brightness along her hair and the blazer's shoulder seam. Dust motes drift in the shaft above the desk, each visible only where it crosses the beam, brightest against the dark of the corridor beyond the classroom door; the light throws a faint skewed shadow of the window frame across the far bookshelf and the empty desks behind her, which fall away into shadow out of focus. Palette: warm honey and pale gold in the sunlit wood and paper, cool grey-blue in the shaded blazer and the shadowed wall, a single low note of red in the plaid skirt bunched at the frame's lower edge, and the white of the shirt collar and page margins. Rendering: soft cel shading with gentle gradients across the cheek and sleeve, fine clean linework, no harsh black, quiet warm light bloom only inside the beam. Tranquil, drowsy afternoon.
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ใคใ
1girl, solo, japanese high school girl, long straight black hair, black hair, hair falling forward, navy blue sailor uniform, serif collar, white collar, red ribbon tie, sitting, leaning forward, leaning over book, reading, holding open novel, both hands on book, looking down at page, closed mouth, calm expression, peaceful, relaxed brow, half-closed eyes, from above, close-up, three-quarter view from her front-left, school library, tall wooden bookshelves, bookshelves receding into soft-focus depth, bokeh background, library table, wooden table, green-shaded reading lamp, brass lamp, warm lamp light, cool window light, window off-frame right, dust motes, floating dust, after school, late afternoon, backlit, warm and cool palette
The camera looks down from slightly above and a little to her front-left, close and intimate, so her shoulders and the crown of her head are the nearest large forms and the table edge runs out of the bottom-left corner of the frame. She sits at the near side of a long dark-oak library table, torso angled three-quarters toward the camera and tipped forward from the waist over an open hardback novel that lies flat on the table directly in front of her. Her long straight black hair slides off both shoulders and hangs forward, a heavy lock on the left falling across her cheek and the far page, the rest swinging free of her back and catching a warm rim along its outer edge; the curtain of it partly hides the near side of her face. Both elbows rest on the table, her left forearm flat along the wood, her right hand cupped at the outer edge of the right-hand page with the thumb just lifting its corner a few millimetres; her fingertips press the page down, and the lifted corner curls, casting a thin soft shadow onto the page beneath. Her chin is lowered, her eyelids half down, her lips closed and at rest, one brow faintly drawn in concentration, her gaze fixed on the upper left of the spread and travelling line by line. She does not look at the camera.
The green-shaded reading lamp stands on the table beyond her right forearm, its enamel shade tilted down over the book so it lights the pages, the undersides of her forearms and the lower half of her face in warm amber, while the top of her head and the tops of her shoulders stay cool. Its stem and shade cross in front of the blurred shelves. That lamp is the only warm source: a tall window out of frame at the right spills pale blue-grey late-afternoon light across her right shoulder, the collar of her sailor uniform and the far end of the table, so the two temperatures meet and divide along the ridge of her forearm. Beyond her, three ranks of tall wooden bookshelves recede to the top of the frame, their spines dissolving into soft-focus browns and muted greens; the shelves directly behind her are dimmest, and the warm pool of the lamp does not reach them. Dust motes hang in the lamp's cone and in the window's shaft, bright pinpricks where they cut the light and nearly invisible in the shadow between. Palette limited to warm amber, deep oak brown, navy and clean white of the uniform, one red ribbon, and cool blue-grey window light. Fine clean linework with soft cel shading, quiet, tender, studious.
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detective anya and bond (หถ>โฉ<หถ)
^( aricat )^
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(mai)
Love live! School idol maid - Hanayo koizumi
AMnatsu
character: tenma_tsukasa
"", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
yoimiya!
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
character: kagamine_rin, copyright: vocaloid
lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
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เป๊ฑยท ๏พโผ๏ธ
็้ญ2(Raw Fish 2)
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(mai)
๐ตSurtur
helanx
โฆ โ ๐ช ๐๏ธ ๐ซง โ โฆ
(mai)
์์
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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Mine / ็งใฎใใฎ
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โ๐ ๐ ๐ซ ๐ โง
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![AI art "Ceres [41]"](https://images-ng.pixai.art/ji/thumb/0654320c-4126-41e2-b133-d4998b21982f)
Ceres [41]
snow
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๐ฉต๐ชฝ.โ๐๐
็้ญ2(Raw Fish 2)
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๐ฉ๏ธโ๐พ(โ โธโธโ แตโ แดโ แตโ โธโธโ )โ โณ๏ธ
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แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
dz
Midnight Aesthetic: Monochrome Vibe
DxZ
The Empress of the Violet Abyss ๐๐
wisely
๐ป ๐ฌ ๐
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The Enchantress of the Violet Blossomsใผใทใฃใณใใผ
moon221B
๐๏ธโ๐จ๏ธ๐ฆ๐๏ธ๐ฏ๏ธ
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Halloween
็้ญ2(Raw Fish 2)
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