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AI art "fern" featuring #Frieren - Oltre la fine del viaggio, #Fern and #Stark
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fern

#Frieren - Oltre la fine del viaggio#Fern#Stark
s

sorlot

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Commenti

1girl, fern\(sousou no frieren\), stark\(sousou no frieren\), sousou no frieren, tickling, ticklish, tickle, hands tied behind the back, laughing, blushing, best soles, armpit tickling, foot tickling, no feathers, pointy ears, elf, earrings, twintails, parted bangs, grey hair, thick eyebrows
Mostra parametri
Tag qualità
﹝Prompt﹞
Dimensione
608 x 1024
Passaggi di campionamento
25
Metodo di campionamento
Euler a
Scala CFG
6
Negativo
nsfw, naked, nude, NSFW, worst quality, bad quality, low quality, lowres, scan artifacts, jpeg artifacts, sketch, (worst quality, bad quality:1.1), lowres, jpeg, artifacts, signature, username, text, logo, bad anatomy, artist name, artist logo, extra limbs, extra digit, extra legs, extra legs and arms, disfigured, missing arms, too many fingers, fused fingers, missing fingers, unclear eyes, blur, film grain, noise,

Modello e LoRA utilizzati

Hoshino - AI Model cover image

PixAI XL

Hoshino
15.59k
Frieren (Sousou no Frieren) [XL] || Leti - AI Model cover image

LoRA utente

Frieren (Sousou no Frieren) [XL] || Leti
465

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AI artwork
Avatar image of AI-san
1girl, solo, barefoot, soles, soles facing viewer, foot focus, foreshortening, displaying soles, big toes tied together, purple toenails, five toes, big feet, sitting, black hair, long hair, waist-length hair, hime cut, sidelocks, sideswiped bangs, purple highlights, purple beret, golden eyes, sleeveless turtleneck, black sweater, violet miniskirt, miniskirt, frustrated, puffy cheeks, pouting, blush, looking at viewer, low angle, extreme foreshortening, depth of field A low-angle, foot-focused shot with extreme foreshortening from directly in front of the seated figure. The camera rests level with the floor, placing her prominent, large bare feet in the immediate foreground, soles turned completely flush toward the lens to dominate the frame. Each foot displays five distinct, clearly articulated toes tipped with glossy purple nail polish, showing smooth skin textures, defined arches, and softly creased heels. A slender, taut cord is tied firmly around both of her big toes, binding them together at the knuckles and pulling the inner edges of her feet tightly inward while the remaining toes fan outward slightly. Behind her extended feet in the midground, the woman sits back on the polished hardwood floor, her weight supported by both palms pressed flat against the planks beside her hips. She wears a snug, sleeveless black ribbed turtleneck that leaves her shoulders and arms bare, paired with a matching violet miniskirt resting high on her thighs. Long, straight jet-black hair woven with vivid purple highlights spills down her back and flanks her sides, reaching all the way to her waist, framed in a neat hime cut with level, blunt cheek-length sidelocks and cleanly sideswiped bangs. A soft purple beret sits angled across the crown of her head. Her golden eyes glare directly down over her bound toes toward the viewer, her eyebrows pinched downward while her cheeks are puffed out in an exaggerated, flustered pout of utter frustration. Crisp, diffuse studio key light shines from the upper front, casting shallow cast shadows underneath her heels and highlighting the tension on the binding loop around her toes. Comically indignant.
AI-san

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#L'attacco dei giganti#Mikasa Ackerman
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