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AI art "October 19 is Amatsukaze's birthday (3)"
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October 19 is Amatsukaze's birthday (3)

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#Bikini#Seno#a piedi nudi#sedere#rossore#>_<#spalle nude#Bikini nero#bikini blu#Kantai Collection#Shimakaze#Rensouhou-chan#Amatsukaze#Rensouhou-kun#cielo blu
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blurry background, depth of field, cowboy shot, upper body, high detail, balanced composition, detailed shading, character: amatsukaze_(kancolle), character: shimakaze_(kancolle) Two destroyer girls from Kantai Collection racing side by side, gliding swiftly across the sea surface like hydrofoils, competing for speed. Both with wet hair, wet skin, soaking wet swimsuits with wet fabric reflections, barefoot skimming the water. In the lead, Shimakaze with platinum blonde long hair and grey-yellow eyes, wearing a black halter-neck triangle bikini top with blue trim and a black low-rise bikini bottom with a blue thong strap visible. Her two small sentient twin-gun turret companions, Rensouhou-chan, float alongside her. She twists her waist to look back over her shoulder, v-shape eyebrows, confident grin, looking back, making playful eye contact with Amatsukaze behind her. Right behind, Amatsukaze with grey long hair in two side up twintails, hair tubes, a black tiny cap and a choker, brown eyes, wearing a white demi-cup o-ring bikini top with black frill trim and black shoulder straps, and a white low-rise bikini bottom with black side panels. She leans far forward in a sprinting glide, beaming smile, excited expression, open mouth, fiercely trying to catch up with Shimakaze. Behind them a long white wake rises from the sea surface, water spray kicking up and glittering at their feet. Low camera angle from water level looking up, from side, dutch angle, dynamic angle, dynamic perspective conveying full speed. Bright summer midday sunlight, circular bokeh, Tyndall effects, lens flare, luminous particles and sparkling water spray. Clean modern anime art style, exhilarating summer race mood.,<lora:outline_xl_end:-2>, <lora:outline_xl_end:0>, <lora:outline_xl_end:2>,cinematic lighting , cinematic angle, soft light , color detail, backlighting, Depth of field, long exposure, light steps, intricate colors, vibrant colors,
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Dimensione
944 x 1584
Passaggi di campionamento
20
Metodo di campionamento
Euler a
Scala CFG
2.1
Negativo
nsfw, worst quality, low quality, too many fingers, fused fingers, missing arms, missing fingers, bad anatomy, bad hands, text, signature, artist name, watermark, nsfw, username, error, missing fingers, extra digit, fewer digits, disfigured, jpeg artifacts, cropped, blurry, mutation, deformed, dehydrated, bad proportions, disfigured, gross proportions, nsfw, malformed limbs, long neck, duplicate, ugly
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HiRes

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#L'attacco dei giganti#Mikasa Ackerman
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