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AI art "秋と言えばアップルパイんご！！(シンデレラガールズ・辻野あかり＆工藤忍＆高峯のあ)"
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秋と言えばアップルパイんご！！(シンデレラガールズ・辻野あかり＆工藤忍＆高峯のあ)

「アタシのアパートで撮影とは…。」 「美味しいわよ…この秋の味覚。」 秋のグルメと言えばりんご！…という事で、真っ先に思いついたのが、辻野あかりでした。 前に辻野あかりと工藤忍のりんごコンビで語らっていたシーンをAIに生成して貰っていたのを思い出しましたね。 そこで、グルメなアイドルの1人である高峯のあも交えて(工藤忍のアパートで)アップルパイを作ってみようかと。 料理番組風に仕立てる事で、割とそれらしくはなりました。 皆様は、秋の味覚は何を思い浮かびますか？ 今回はデザートで攻めてみましたが…色々とありますよね！

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Taste of Autumn — Sink Your Teeth In This Year
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character: tsujino_akari, takamine_noa, kudo_shinobu tky_chatgpt_anime_boost_color_detail_line_anime_quality, there are only those three people, Tsujino Akari, Kudo Shinobu, and Takamine Ano, in the image. The placement is Tsujino Akari in the center foreground, Kudo Shinobu slightly behind on the left side of the screen, and Takamine Ano slightly behind on the right side of the screen. Kudo Shinobu and Takamine Ano are cooperating in the back to hold up a board that says 『アップルパイ完成！』. Tsujino Akari. The background is a stylish cafeteria in a girls' dormitory. Tsujino Akari. Tsujino Akari's outfit is the default uniform with a red and white checkered apron and white mittens on both hands. Tsujino Akari in the center foreground is looking toward the front of the screen and is boasting about a freshly baked apple pie on a pie dish. Tsujino Akari is showing the apple pie to the front of the screen with a full-faced shiitake-eye smile. Kudo Shinobu. Kudo Shinobu's outfit is the default uniform with a red and white horizontal striped apron. Kudo Shinobu, slightly behind on the left side of the screen, is looking toward the front of the screen, with her right arm raised above her head, holding up the board in cooperation with Takamine Ano. Kudo Shinobu has a beaming smile. Takamine Ano. Takamine Ano's outfit is her default casual clothes with a light blue and white vertical striped apron. Takamine Ano, slightly behind on the right side of the screen, is looking toward the front of the screen while taking a bite of a slice of apple pie with her right hand. Takamine Ano has her left arm raised, holding up the board in cooperation with Kudo Shinobu. Takamine Ano is relatively expressionless, but is eating the apple pie while looking slightly satisfied. The background is a kitchen in an apartment where girls live, decorated somewhat stylishly. In the background, in addition to cooking utensils and apples, a microwave must be placed. The perspective should show Tsujino Akari from the bust up, the apple pie, Kudo Shinobu, Takamine Ano, and the board that says 『アップルパイ完成！』. Concentric lines should be drawn centered on Tsujino Akari to emphasize the apple pie. tky_chatgpt_anime_boost_color_detail_line_anime_quality
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画面には辻野あかりと工藤忍と高峯のあの３人しかいない　配置は辻野あかりが画面中央手前　工藤忍が画面左側少し奥　高峯のあが画面右側少し奥　工藤忍と高峯のあは協力して後ろで『アップルパイ完成！』と書かれたボードを掲げている　辻野あかり　背景は女子寮のオシャレな食堂　辻野あかり　辻野あかりの衣装はデフォルトの制服に赤と白のチェックのエプロンに白のミトンを両手に付けている　画面中央手前の辻野あかりは画面正面を見ておりパイ皿の上に乗っている焼きたてのアップルパイを自慢している　辻野あかりは満面のしいたけ目の笑顔でアップルパイを画面正面に見せつけている　工藤忍　工藤忍の衣装はデフォルトの制服に赤と白の横のストライプ柄のエプロンを付けている　画面左側少し奥の工藤忍は画面正面を見ており頭の上で右腕を上げて右手でボードを高峯のあと協力する形で掲げている　工藤忍はニコニコの笑顔である　高峯のあ　高峯のあの衣装はデフォルトの私服に水色と白の縦のストライプ柄のエプロンを付けている　画面右少し奥の高峯のあは画面正面を見ながらアップルパイを右手でひと切れかじっている　高峯のあは左腕を上げて左手でボードを工藤忍と協力する形で掲げている　高峯のあは比較的無表情だが少しだけ満足そうにアップルパイを頬張っている　背景は女の子が住むアパートのキッチンで少しオシャレに飾られている　背景には調理器具やりんごの他、電子レンジは必ず置かれていて欲しい　視点は辻野あかりのバストアップとアップルパイと工藤忍と高峯のあと掲げている『アップルパイ完成！』と書かれたボードを映して欲しい　辻野あかりを中心に集中線が書かれていてアップルパイを強調して欲しいtky_chatgpt_anime_boost_color_detail_line_anime_quality
Modalità
pro
Dimensione
1408 x 1408
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#L'attacco dei giganti#Mikasa Ackerman
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