男の城を壊す女
男の城をいろんな武器で壊す女
Mostra parametri
- Immissione richiesta originale
- 世界のいろんな石場で、世界のいろんな服を着たいろんな年齢の男性が1人で目を発光させて世界のいろんな武器を持って、流血しない、乳首を露出しない、胸の脂肪が少ない、顔に印が無い、石を切断して端から端へ走り回る場面と、 大きなコマ割で世界のいろんな上達の動きで木をいろんな世界の可愛い大きな石造の建造物に加工して男が1人で笑顔になった場面と 散歩で着た いろんな髪型のいろんな服の女1人がいろんな最強の武器を持っていろんな方法で石造を破損して 男が泣く 場面に分割。 斧以外を使用する。 男女の着ている服の名前と髪型の名前 の注釈を頭の2倍の大きさで一番手前に表示して崩れない日本語で教えて。 服の名前と髪型の名前を日本語で一番強調して表示する。 「服の名前」以外の服の名前を日本語で表示する。 「髪型の名前」以外の髪型の名前を日本語で表示する。 男女の目を強調する窓を表示。 激しい掛け声と効果音を英語で一番背景に表示。全体を着色する。
- Modalità
- pro
- Dimensione
- 768 x 1280
- Metodo di campionamento
- Euler
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit
Helper di Prompt
Modello e LoRA utilizzati
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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