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AI art "アンダーテール・メタトン" featuring #Ghigno, #robot, #Senza umani, #occhi rosa, #1 ragazza, #testa inclinata, #Undertale and #Testa a oggetto
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アンダーテール・メタトン

『Undertale』のメタトンを描きました。彼の圧倒的な存在感と、どこか愛嬌を感じさせる笑顔がとても好きです。気に入っていただけたら、いいねやフォローをお願いします！コメントもお待ちしています。

#Ghigno#robot#Senza umani#occhi rosa#1 ragazza#testa inclinata#Undertale#Testa a oggetto
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バゴラ

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character: flowey_(undertale), omega-f 1boy, solo, omega flowey, giant grotesque plant-machine fusion, television head, CRT monitor face, cracked glass screen, grinning pixelated face on screen, thick metal cables and vines, six mechanical tendrils, saw-blade edges, jet engine intakes, heavy riveted plating, glowing red eye on screen, mouth full of jagged metal teeth, from below, low angle, foreshortening, worm's-eye view, towering scale, dutch angle, dark underground hall, cold blue-grey stone columns, only light from the monitor glow, bare shoulders, long white hair, ponytail, blunt bangs, red and purple eyes, grey skin, black bodysuit, black elbow gloves The camera sits almost on the floor and tilts up into the dark, so the creature fills the frame from the bottom edge to beyond the top of the crop: a colossal fusion of machinery and plant matter, its bulk raised on a knot of thick metal cables and writhing vines that grip the cracked stone floor in the foreground, each tendril pressing dents and split seams into the tiles where its tip bears weight. At the top of the mass the television head tilts down toward the lens on a segmented metal neck, glass screen angled so it catches the room's darkness, and inside that curved glass a grin stretches too wide across a pixel-mosaic face, its single lit eye burning a hard red; the screen's glow spills onto the nearest tendril and the rim of each riveted plate, leaving their undersides black. Saw-blade discs hang still along the outer tendrils on their shafts, and two engine intakes sit like open mouths at the creature's flanks, their interiors unlit. The light source is that screen alone: cold red-white from the glass, everything beyond its reach dissolved in absolute dark, the stone columns behind the bulk reduced to faint grey silhouettes with no detail. The palette holds to red, white screen-glow, cold grey stone, dull green plant tissue and blackened steel, nothing else admitted. Dust drifts in the glow cone between lens and subject, and one thin vine has pushed up through a floor crack at the very bottom corner, its new leaf turned toward the screen like a witness. Ominous, theatrical.
Mostra parametri
Immissione richiesta originale
アンダーテールオメガ フラウィー
Modalità
flash
Dimensione
1104 x 1824
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.29k

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1girl, solo, android girl, shadowy character, darkness elemental, black messy hair (miasma shaped), dark purple skin, intertwined with black, tattoos, black crawling patterns, living tattoos, emitting tendrils of darkness (from face, torso, limbs), red sclera, obsessed facial features, score_9, score_8_up, score_7_up, source_anime, (((masterpiece, intricate details, ultra hires, illustration, detailed, 4k, highest quality, ultra hd, high resolution, absurdres, 8k, official visual, sharp lines, vivid contrast, glossy texture, aesthetic))), ultra-detailed illustration, dark fantasy style concept art, horror, intricate details, detailed line drawings resembling copperplate engravings or pen drawings, watercolor-like uneven brushwork, no humans, monster, dark fantasy, high contrast lighting, deep shadows, beautiful lighting, low exposure, high definition, tint, multiple spiral eyes, black tentacles, slit pupils, glowing red, (glowing red eyes:1.5), android, robot, robot joints, joints, screw, mechanical parts.
らり
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#L'attacco dei giganti#Mikasa Ackerman
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