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AI art "10/22 パラシュートの日 ♪ ～無事に着陸！どこまでも広がる青空の下で～"
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10/22 パラシュートの日 ♪ ～無事に着陸！どこまでも広がる青空の下で～

10/22は「パラシュートの日」！1797年のこの日、フランスのナト・ガルネランが気球からパラシュートで舞い降りて、世界で初めて着陸に成功させた記念日なんだよ♪ ​空の旅を楽しんだミオは、無事に青々とした草原へ着陸成功！腰に手を当てて「ふぅ〜っ、大成功っ！」って、どこまでも広がる青空を見上げながら満面の笑顔。後ろでふんわり広がったカラフルなパラシュートと爽やかな風が、冒険の達成感をいっそう引き立ててくれるよね！ ​みんなも少し立ち止まったときは、ぐーんと胸を張って晴れやかな空を見上げてみてね。きっと元気が沸いてくるはず！ ​※PixAI公式マスコット・ミオの二次創作であり、特定の団体やキャラクターとは一切関係ありません。AI生成による非公式なイラストです。

#in piedi#Cielo#All'aperto#Ghigno#Sorriso#mani sui fianchi#Erba#paracadute#anniversario#cielo blu#Mio
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character: mio_(pixai), A medium full-shot from a low angle depicts Mio standing triumphantly in the center of a wide green meadow. Mio is a cat girl with short, voluminous white hair featuring a purple gradient on the underside and a heart-shaped ahoge. She has purple eyes with white highlights and white cat ears, her expression cheerful and exhilarated with a triumphant smile as she looks up at the sky. Her hands are placed firmly on her hips. She is dressed in a vintage khaki aviation flight suit detailed with brown leather straps and buckles, paired with sturdy aviation boots and leather gloves. Behind her, a large, colorful vintage parachute is softly draped and partially inflated on the grass, its suspension lines spreading across the field. The background is a vast open meadow under a clear, bright blue sky with fluffy white clouds and distant rolling hills. The lighting is bright, sunny daytime, casting soft natural shadows and creating an adventurous, liberating atmosphere.
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lite
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1152 x 1536

Modello e LoRA utilizzati

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.89k

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Mio.2
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Mio.2

Minimal input, professional output

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#L'attacco dei giganti#Mikasa Ackerman
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