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AI artwork featuring #Touhou Project and #Koakuma
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Koakuma, Touhou Project

#Touhou Project#Koakuma
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character: koakuma, maria_renard 2girls, koakuma, maria_renard, kiss, kissing, lip contact, draining energy, energy drain, dying, death, game over, bad end, from side, profile, close-up, upper body, head tilt, eyes half closed, one eye closed, open mouth, blonde hair, very long hair, hair bow, hair ribbon, blue eyes, red hair, long hair, red eyes, pointy ears, head wings, bat wings, demon wings, tail, white shirt, long sleeves, black skirt, gloves, arms around neck, hand on cheek, collapsed knees, kneeling, supporting partner, dark background, vignette, high contrast, desaturated, cold light, panting, trembling, tears, sweat, pale skin Side-profile close-up, camera at chest height with the two figures filling the frame edge to edge, heads tilted toward each other so their lips meet in the exact center of the composition. On the left, a blonde girl with very long hair falling in a heavy pale sheet down her back and a ribbon bow at the crown, blue eyes heavy-lidded and half closing, gloves on both hands: her right palm is pressed flat to the other girl's cheek, fingers spread along the jaw, lifting her weight slightly as her knees give way, and her left arm has slipped down to the other girl's shoulder, gripping a fold of the white shirt. On the right, the red-haired demon girl with pointy ears, small bat-like head wings swept back alongside her temples and a thin tail curling behind her hip, leans in with her chin tipped down and her eyes fully open, red irises fixed on the blonde's closing face from a distance of inches; both her hands are cupped behind the blonde's head, fingers buried in the hair at the nape. Their lips stay sealed together, one point of contact, and everything drains from that point: the blonde's complexion has gone chalk pale, her lips whiteless, a single thread of faint pale light bleeding out of the seam of their mouths and curling toward the demon girl's throat, while the demon girl's cheeks hold a faint warm flush, her chest rising in a slow deep breath. Fine strands of blonde hair lift and drift toward the demon girl as if drawn by a draft that touches nothing else; the ribbon at the crown has come half undone and its end floats. The blonde's legs have folded beneath her, one knee down, her skirt pooling on the unseen floor, her gloved hand sliding an inch down the cheek as the strength goes out of it. Cold single-source light from the upper left rim-lights the blonde's hair and shoulder in pale blue-white, leaves the demon's back in shadow, and drops the entire background into a flat unlit void of near-black with only a faint grain; the light on the blonde's skin is already losing its warmth, while the demon's face keeps the only slight amber in the frame. Deep blue shadows, chalk whites, one muted red in the hair and eyes, desaturated everywhere else. Quiet dread, terminal.
Mostra parametri
Immissione richiesta originale
2girls, maria renard, koakuma, bad end, kiss, draining energy, death, game over,
Modalità
flash
Dimensione
1104 x 1824
Helper di Prompt

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AI artwork
Avatar image of 如月楓
character: shirogane_noel, shiranui_flare 2girls, yuri, kiss, lip-to-lip kiss, hugging, embrace, holding hands, interlocked fingers, blushing, full-face blush, flushed cheeks, closed eyes, shiranui_flare, blonde hair, very long hair, multicolored hair, orange hair, streaked hair, red streaks, sidelocks, high ponytail, red eyes, pointy ears, black hair bow, white gloves, white dress, long sleeves, detached sleeves, shirogane_noel, grey hair, wavy hair, short hair, braid, green eyes, silver-grey braid over shoulder, black and white dress, long sleeves, fingerless gloves, upper body, cowboy shot, from above, slight dutch angle, close-up on joined hands, studio backdrop, seamless dark navy gradient, rim light, soft key light, intimate, tender Seen from above and slightly off-axis, the frame tilts a few degrees as two women lean into each other in the middle of a seamless dark navy studio sweep that fades to near-black at the edges. The blonde woman with the very long multicolored hair — orange-gold through the length and shot with red streaks, gathered into a high ponytail whose tail falls forward over her right shoulder, her long sidelocks framing a face with red eyes and small pointed ears — is the taller, her weight on her back left foot, hips turned a quarter away, her chin tipped down to meet the kiss. Her black-and-white gloved hands slide up the other woman's back, one palm flat between the shoulder blades, the long white detached sleeves slipping down her forearms so the bare wrist shows at the cuff. The shorter woman with the wavy silver-grey hair, its short length braided into a single braid that lies over her right shoulder, meets her with her head tilted the opposite way, her green eyes closed, one fingerless-gloved hand spread at the blonde woman's waist, the other lifted to cup her jaw — and it is that lifted hand, its fingers laced with the blonde's free hand, that catches the light: their joined hands sit between them at chest height, knuckles pressed together, gloved fingertips overlapping, lifted just high enough to be the brightest thing in the frame. Their lips are pressed together, both mouths sealed, both faces flooded with a hot flush that runs from cheekbones to the tips of their ears and down their throats; a fine sheen along the blonde woman's cheekbone catches the key light, and a single strand of the ponytail has come loose and sticks to her damp temple. Their eyes are closed; only the blonde's left brow lifts faintly, and the grey-haired woman's lips curve at one corner against the kiss. A soft key light from the upper left, cool and diffused, rakes across the top of their heads and the blonde woman's shoulder, throwing the arm and back of the near shoulder into shadow; a thin warm rim light from behind and to the right outlines both silhouettes and the crown of the braid, and beyond that rim the dark navy ground is absolutely unlit. The palette holds to orange-gold, red, silver-grey, deep navy and the flush of skin. Intimate, charged.
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hh
character: akemi_homura, kaname_madoka_(magical_girl) 1girl, 2girls, pink hair, short twintails, hair ribbon, red eyes, magical girl outfit, vampire fangs, blood on face, blood around mouth, kissing, blushing, gasping, pale skin, shaking legs, long black hair, red eyes, vampire fangs, blood on mouth, close-up, from side, profile, A side-view close-up focusing on the two figures from the chest up. A girl with short pink hair tied into short twintails with ribbons, wearing a frilled white and pink magical girl dress, leans in to kiss another girl. The pink-haired girl has sharp vampire fangs and streaks of crimson blood smeared around her mouth and across her cheek; her red eyes are half-closed in a focused gaze. The second girl, with long black hair and red eyes, is being kissed; her face is a ghostly, bloodless pale, contrasting sharply with a deep, feverish blush across her cheeks. Her mouth is slightly open in a gasp, revealing her own vampire fangs, and blood stains her lips. The black-haired girl's body is tense, her legs visibly trembling and shaking from weakness. The lighting is dim and moody, with a cold moonlight filtering in from the side, casting deep shadows and making the wet blood on their mouths glisten. The palette is dominated by muted blacks and pale skin, punctuated by the vivid, saturated pink of the hair and the deep red of the blood. The two figures are locked in a desperate, hungry embrace. Gothic romance.
Hải Hoàng
AI artwork
Avatar image of 如月楓
character: shirogane_noel, shiranui_flare 2girls, yuri, kiss, lip-to-lip kiss, hugging, embrace, holding hands, interlocked fingers, blushing, full-face blush, flushed cheeks, closed eyes, shiranui_flare, blonde hair, very long hair, multicolored hair, orange hair, streaked hair, red streaks, sidelocks, high ponytail, red eyes, pointy ears, black hair bow, white gloves, white dress, long sleeves, detached sleeves, shirogane_noel, grey hair, wavy hair, short hair, braid, green eyes, silver-grey braid over shoulder, black and white dress, long sleeves, fingerless gloves, upper body, cowboy shot, from above, slight dutch angle, close-up on joined hands, studio backdrop, seamless dark navy gradient, rim light, soft key light, intimate, tender Seen from above and slightly off-axis, the frame tilts a few degrees as two women lean into each other in the middle of a seamless dark navy studio sweep that fades to near-black at the edges. The blonde woman with the very long multicolored hair — orange-gold through the length and shot with red streaks, gathered into a high ponytail whose tail falls forward over her right shoulder, her long sidelocks framing a face with red eyes and small pointed ears — is the taller, her weight on her back left foot, hips turned a quarter away, her chin tipped down to meet the kiss. Her black-and-white gloved hands slide up the other woman's back, one palm flat between the shoulder blades, the long white detached sleeves slipping down her forearms so the bare wrist shows at the cuff. The shorter woman with the wavy silver-grey hair, its short length braided into a single braid that lies over her right shoulder, meets her with her head tilted the opposite way, her green eyes closed, one fingerless-gloved hand spread at the blonde woman's waist, the other lifted to cup her jaw — and it is that lifted hand, its fingers laced with the blonde's free hand, that catches the light: their joined hands sit between them at chest height, knuckles pressed together, gloved fingertips overlapping, lifted just high enough to be the brightest thing in the frame. Their lips are pressed together, both mouths sealed, both faces flooded with a hot flush that runs from cheekbones to the tips of their ears and down their throats; a fine sheen along the blonde woman's cheekbone catches the key light, and a single strand of the ponytail has come loose and sticks to her damp temple. Their eyes are closed; only the blonde's left brow lifts faintly, and the grey-haired woman's lips curve at one corner against the kiss. A soft key light from the upper left, cool and diffused, rakes across the top of their heads and the blonde woman's shoulder, throwing the arm and back of the near shoulder into shadow; a thin warm rim light from behind and to the right outlines both silhouettes and the crown of the braid, and beyond that rim the dark navy ground is absolutely unlit. The palette holds to orange-gold, red, silver-grey, deep navy and the flush of skin. Intimate, charged.
如月楓

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Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
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character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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