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Sirin Ely

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artist: ratatatat74 solo, 1girl, full body, long hair, white hair, bangs, blue eyes, large breasts, jewelry, gold filigree jewelry, silk, chiffon, translucent white silk, ancient style fairy clothing, floating drapery, ribbon sash, risque, bare shoulders, bare arms, from below, dutch angle, standing on one leg, tiptoes, arms up, outstretched arm, head tilt, looking down, looking at viewer, half-closed eyes, light smile, parted lips, blush, floating hair, wind, wide shot, dynamic angle, backlighting, rim lighting, high contrast, sharp cel-shading, vibrant accent color, moody atmosphere, sharp eyes, wide angle lens Shot from below at a steep dutch angle on a wide lens, the single fairy fills the frame from the soles of her bare feet to the crown of her head, the camera almost at ankle height so her long white hair and the trailing silk stream upward and outward against a dark, wind-torn sky. She balances on the ball of her right foot with her left leg bent back and lifted, toes pointed, the whole body arcing in a long S from the planted heel through her lifted hip to the tilted shoulder line. Both arms are flung up and out, the right one extended high with the fingers loosely spread, the left bent at the elbow so the hand hovers near her temple; her chin tips down and her blue eyes look straight down the lens through half-lowered lashes, one brow slightly arched, lips parted on a small breath, a faint blush across the cheeks. Her bangs cut straight across her forehead, and the rest of her white hair is caught by the updraft, strands crossing in front of the dark background. She wears ancient-style fairy drapery: layered translucent white chiffon over a close-fitting silk bodice that clings across her large breasts, the chiffon panels hanging loose from the shoulders and flaring away from her hips so the light passes through them and the dark sky reads as a dim grey silhouette through the fabric. A long silk ribbon sash is knotted at her waist and whips out to the left, its edge curling. Delicate gold filigree jewelry — a fine chain collar, thin arm bands at both upper arms, and a matched set of dangling pieces at the ears — catches the light in small hard glints; nothing else adorns her, skin bare at the shoulders, arms and feet. The only light source is a hard cold backlight low behind her right shoulder: it rims her hair, the raised arm, the shoulder line and every drifting edge of chiffon in a bright cold line, streaks a thin specular highlight along the silk where it stretches over her chest, and leaves her face, the underside of the drapery and the front of her body in cool shadow, lifted just enough by bounced light from below to keep her eyes and mouth legible. The palette is restricted to white, cold silver-blue and one saturated gold accent living only in the jewelry, against a near-black sky. Thin chiffon bellies away from her body in the wind while the heavier silk stays pinned to her skin — the revealer that makes the updraft visible. High contrast, sharp cel-shaded edges, wide-angle exaggeration at the feet and hands. Moody, risque, quietly electric.
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Immissione richiesta originale
full body, 1girl ,1girl, long hair, white hair, large breasts, blue eyes, bangs ,Ratatatat74, , ratatat74, artist style, risque,peiyuhan, 1girl, breasts, solo, long hair, jewelry, large breasts, white hair, blue eyes, silk, chiffon, Ancient style fairy
Modalità
pro
Tag qualità
﹝Prompt﹞
Dimensione
1104 x 1824
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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artist: ratatatat74 1girl, solo, full body, long hair, white hair, blue eyes, bangs, large breasts, jewelry, silk, chiffon, chinese clothes, hanfu, fairy, risque, revealing, bare shoulders, off shoulder, bare arms, wide sleeves, sash, hair ornament, tassel, hairpin, standing, tiptoes, leaning forward, arms behind back, head tilt, looking at viewer, smirk, one eye closed, blush, from below, dutch angle, foreshortening, wide angle, wind, floating hair, flowing robes, sheer fabric, translucent, backlighting, rim lighting, volumetric light, sharp cel shading, high contrast, cinematic, high quality, sharp eyes, ornate, intricate detail The camera sits low and close to the floor, tilted a few degrees off level and pushed up into a wide-angle view, so the young woman rises toward the lens in strong foreshortening: the hem of her layered robes looms large in the near foreground, and her head, tilted to one side, sits small and high against a bright vault of sky. She is alone. Long white hair falls well past her waist in wind-lifted strands, straight bangs cut level across her forehead; her blue eyes look straight down the lens, one eye shut in a sly half-wink, one corner of her mouth pulled up in a lopsided smirk, a soft blush warming her cheeks. She leans far forward toward the viewer, both hands clasped behind her back so her shoulders draw in and her chest presses against the sheer front panel of the robe, weight carried on her toes with the near heel lifted off the pale stone; the wide chiffon sleeves slide back from her wrists, and the sash at her waist pulls taut. Her robes are white silk with sheer chiffon overlays, an ancient Chinese fairy silhouette — crossed collar, wide drifting sleeves, a long trailing hem and ribbon sashes streaming sideways off her hips — and the chiffon reads transparent where the light passes through it, the silk holding a soft sheen. Gold jewelry only: a winged gold hairpin with swinging beads, a fine gold chain across her collarbone, a broad gold bangle at one wrist and rings of small gold discs at the sash. The ground is a seamless pale grey stone platform dissolving into mist; beyond it nothing but empty luminous haze, so the whole figure stands clear against light. A strong backlight sits behind and to the left of her, rimming the ends of her hair and the chiffon edges in white fire, and the near faces of her robes fall into cool violet shadow while the veil thins to glowing translucence where it crosses the light; her soft cast shadow spills toward the camera along the stone. Palette limited to white, silver-grey, deep violet shadow and warm gold accents on skin and jewelry. Sharp cel-shaded linework, hard-edged shadow shapes and a saturated high-contrast finish, airy and teasing.
Sirin Ely
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Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, very long wavy silver ponytail, impossibly long hair, red eyes, vertical slit pupils, slit-pupil, beautiful makeup, eyeshadow, eyeliner, glossy lips, large breasts, curvy figure, wide hips, thick thighs, slim waist, one-shoulder gown, asymmetric dress, bare one shoulder, dissolving, body turning into sparkling dust, dust particles, sparkles, glittering motes, soft smile, sad expression, sorrowful eyes, farewell, from side, profile, from below, dutch angle, looking at viewer, half-closed eyes, grief, quiet sorrow, no text, From a low dutch angle she is seen in three-quarter profile, chin turned back over her near shoulder so her red slit-pupiled eyes meet the viewer from under lowered lids, one small sad smile on her lips. She stands alone at a slight weight shift, hips canted away from the camera, her far hand closed gently at her chest and her near arm slack at her side, every contact point closed: bare toes on the dark ground, the one gown strap over the far shoulder only so the near shoulder, collarbone and one full curve of her large chest are open to the light while the fabric clings downward over her waist, hips and thigh. Her impossibly long wavy silver ponytail lifts and unspools sideways as if a wind is taking it, the ends thinning to nothing. The dissolution begins at the hem and her near forearm and rises: the gown's edge, then her skirt, then the outer edge of one thigh break apart into a drifting cloud of fine shining dust, and the dust does not fall -- it rises, so the motes climb away from her and hang in the air in a slow spiral around her body, brightest where they peel off her, dim and far between where they scatter. Small sparks pop and glint inside the cloud, each a pinprick highlight on nothing, and the upward drift is the only evidence of the force taking her. A single warm white key light stands low and in front of her, raking up the front of her gown and throat, striking the wet shine of her lips and the tears held at the lower lash; a faint red bounce from her own eyes catches the inner corner of each socket. Behind her and above, the light fails entirely, and the darkness there is absolute except where the floating motes catch their own glints, thicker and brighter the closer they are to her skin, sparse in the deep background. Palette: cold silver hair, smoke-grey and pearl gown with faint lilac in its shadows, and against all of it the one saturated red of her irises, echoed in the pupils' thin black vertical line. Deep shadow swallows the ground beneath her feet so she seems to stand on the dark itself. Tender, aching farewell.
Kylee Violette (Kiy Chan)

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