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AI art "何があった?" featuring #polpo, #Albero, #animale, #Notte, #fumetto, #Lanterna di carta, #Cane procione and #zetaCollab
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何があった?

「あの狸は何で蛸と喧嘩してるんですかね…」「………関わるな」 で生成したらこうなりました(^_^;) …なかなかいい絵面です(⁠≧⁠▽⁠≦⁠) 実際に喧嘩したら多分タコが圧勝するのでしょうけど、子供のケンカ見てるみたいでちょっと面白いΣ(笑) きっと… タコ「コノヤロー!! 俺をイカと間違えんじゃねぇ!!」 タヌキ「どっちも軟体だから似たようなもんだろ!!」 みたなしょうもない理由でケンカしてるのでしょうね(⁠≧⁠▽⁠≦⁠)

Contest Entry
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
#polpo#Albero#animale#Notte#fumetto#Lanterna di carta#Cane procione
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Commenti8

2boys, tanuki, octopus, tanuki and octopus fighting each other, animal fight, quarrel, speech bubble, two speech bubbles, vibrant colors, intricate details, sharp focus, highres, ultra detailed, from above, from below, dutch angle, medium shot, looking at another, open mouth, half-closed eyes, jitome, exasperated, tree branch, night, festival lanterns, from side, depth of field A low, tilted camera looks up from below the railing of a shrine path at night, the ground tipping a few degrees so the two shapes in the air read as a diagonal clash. High in the frame, on a thick cedar branch that crosses the upper left, a plump tanuki — round-bellied, masked face with dark fur rings around both eyes, short ears, a bushy tail banded in broad dark stripes — is caught mid-swing, hind feet planted wide on the bark, both forepaws clamped on a rubbery tentacle and hauling it toward itself, teeth bared, one eye squinted shut with effort. Below and to the right, a large reddish-purple octopus has wrapped three of its other tentacles around the branch itself, mantle flattened and flushed a deeper crimson with exertion, one great eye rolled up at the tanuki, its suckers puckered where they grip the bark and one arm curled back ready to slap. Where the tentacle crosses the branch, the bark is dented and a strip of moss has been scraped loose and hangs; the tanuki's claws have left four pale gouges in the wood. A single paper festival lantern hangs on a cord at the right edge, the only light source — warm amber from above right, so the lantern side of the octopus's mantle glistens wet and every sucker rim glows, while the undersides of both animals and the far side of the branch fall into a deep blue-black, and the lantern cord's shadow lies straight across the tanuki's striped back. Behind them the night is a soft indigo haze of shrine roofs and one distant red gate, everything beyond the branch simplified to silhouettes and bokeh so the eye stays on the fight. Palette: hot vermilion and amber on the lit surfaces, deep indigo in the shadow, mossy green on the branch, and the tanuki's brown-and-cream fur as the only mid-tone. Two speech bubbles float in the empty upper right, both with tails pointing down to the branch where a small figure of a person stands half in shadow at the bottom edge — the first bubble rounded and open, the second smaller, flat and tight: a speech bubble reads "あの狸は何で蛸と喧嘩してるんですかね…" and a second speech bubble reads "………関わるな". The words sit crisp on the bubbles' white, undistorted at the top of the frame where the night is empty. Rowdy, brightly lit and absurd.
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「あの狸は何で蛸と喧嘩してるんですかね…」「………関わるな」, vibrant colors, intricate details, sharp focus on all elements, masterpiece, best quality, highres, ultra detailed,
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pro
Stile
Classic Anime
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﹝Prompt﹞
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1232 x 1232
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Euler
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nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Stile: Classic Anime
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AI artwork
Avatar image of 榊原久就
2 animals, tiger, tanuki (raccoon dog), furry, orange fur with black stripes, white muzzle and belly, brown fur, dark eye mask, round ears, plump body, performing cossack dance, squatting kicks, one leg kicked out low and straight, arms crossed at chest, kneeling pose, heels together kick, both facing each other, wide shot, from side, dutch angle, urban street, Nagoya city setting, background buildings, billboard, telephone poles, road, daytime, overcast sky, motion lines, dynamic pose, open mouth, :d, energetic, no humans A low, tilted wide shot from the side, the dutch angle raking the whole street so the tram wires and building cornices slant across the top of the frame. On a broad asphalt crossing in the middle of a Japanese city street, a big tiger and a plump tanuki are caught mid-pose of the squatting cossack kick, facing each other about two body-lengths apart. The tiger, orange with black stripes, white muzzle and white belly, has dropped into a deep squat, weight sunk into the bent left leg with its heel flat on the asphalt, the right leg kicked out straight and low so the sole of the paw hovers a hand's breadth above the road; both forearms are crossed flat over its chest and its chin is pulled down into the collar. Its huge hind paw has dragged two dark skid marks along the grit of the road. The tanuki, brown-furred and round-bodied with its dark eye mask and short banded tail, is planted on one hip in a squat of its own, the opposite stubby leg flung out in answer, its arms crossed the same way, belly rolls compressed against its thighs. It rocks back a half-inch on the supporting heel at the exact moment its paw leaves the ground. The tiger's eyes are cut sideways at the tanuki, mouth open in an easy toothy grin; the tanuki cranes its chin up and hollers back at the tiger, one eye squeezed almost shut, the tips of its ears flopping with the motion. Neither looks at the camera. Grey overcast daylight comes down even and slightly blue from above, so the two squatting shapes pool a soft shadow directly under them on the asphalt while the undersides of their muzzles and bellies hold the darkest values. The street is Nagoya: mid-rise concrete blocks and shuttered shopfronts on both sides, a pylon of a station tower block cutting into the far distance, and on a midground billboard over their heads the sign curls with the lettering reading "名古屋" in white on red, its edge interrupted where the tiger's shoulder overlaps it. Telephone poles and their crisscross wires run the full slanted length of the frame; the crossing's white paint is worn to grey in a thin band. Palette is asphalt grey, urban concrete, the tiger's orange and the tanuki's earth brown as the only warm notes, with the sign's red as the single saturated accent. Detail budget goes on the two bodies -- the exact tuck of the bent leg, the flattened sole pads, the arms locked tight across the chest -- and simplifies the deep city into big grey shapes behind. Boisterous, sunny.
榊原久就

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