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AI artwork featuring #coda di cavallo, #focus sui piedi, #capelli rosa, #occhi azzurri, #collant bianchi, #1 ragazza, #Girls' Frontline and #ST AR-15
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ST AR-15, Girls' Frontline

#coda di cavallo#focus sui piedi#capelli rosa#occhi azzurri#collant bianchi#1 ragazza#Girls' Frontline#ST AR-15
l7

lionecho7

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character: st_ar-15_(girls'_frontline), asteria_(girls'_frontline_2), copyright: girls'_frontline 1girl, solo, light pink hair, long hair, blue-teal streaked hair, multicolored hair, sidelocks, hair between eyes, high ponytail, hair ornament, blue eyes, c-cup, white dress, trench coat, open coat, white pleated miniskirt, black pantyhose on one leg, white pantyhose on the other leg, asymmetrical legwear, crossed legs, one foot sole facing the viewer, barefoot, bare feet, no shoes, black open-toe gloves, hands clasped under chin, L-shaped sitting pose, sitting on sofa, looking down at viewer, disdainful expression, half-closed eyes, from below, close-up on foot, foreshortening, The camera is on the floor, tilted up from below at a steep angle, so the foreground is a huge foreshortened foot: the sole of her lower right foot turned flat toward the lens, toes curling slightly upward, arch pale and cool-toned, the ball of the foot catching the lamp's light while the heel fades into shadow. That foot is bare, the sole naked skin, nothing on it; her upper left foot, crossed over the right thigh, is equally bare, hanging free with the toes relaxed and the ankle loose. Black pantyhose sheathes the right leg from the hip through the shin to the ankle, its fabric flattening to a dull matte where the knee bends; white pantyhose sheathes the left leg and reads bright against the dark coat, both legs crossing at the thigh so the two legwear tones overlap in an X above the sofa cushion. She sits in an L: hips deep in the sofa, spine upright, thighs horizontal, calves dropping away — the corner of the seat back and the seat cushion framing her bent knees, one cushion compressed under her right hip and the fabric creased around it. Both hands are clasped and stacked palm-under-palm directly below her chin, elbows resting on her crossed top thigh, the black open-toe gloves ending mid-wrist with bare fingertips gripping each other and each finger's opening showing the skin beneath. Above the collar, her white dress sits close across a C-cup chest, the fabric pulled taut between the breasts; over it the trench coat hangs open, its lapels falling to either side of the dress and its hem spreading behind her hip across the sofa back. Light pink hair, long, with a high ponytail falling over one shoulder and blue-teal streaks laying through the front locks and side locks; a strand of it drops between her eyes and swings forward over her cheek with the tilt of her head. Her head is tipped down toward the lens, chin dropped onto the backs of her gloves, eyes half-lidded, the upper lid lowered and the lips pressed into a flat line with one corner pulled down; a sidelong contempt aimed straight down the camera axis. A single warm lamp sits low behind her left shoulder, so the light rims her hair and the coat's outer edge, leaves a bright edge along the raised sole and the top of the crossed ankle, and sinks the space behind the sofa into near black. Palette: whites and pale pinks in the clothing and hair, black only in the pantyhose, the gloves and the deep shadow, one blue-teal note in the hair, the apartment's warm amber lamp glow washing all of it. The sofa's fabric catches the faint dark print of her seated weight, and the far end of the room drops away into unlit dimness. Cold, arrogant, unbothered.
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参考少女前线中的ar15，阿斯缇亚，上身穿着白色连衣裙，外套风衣，c罩杯，下身穿百褶短裙，以白色为主，一只脚穿黑色丝袜，另一只脚穿白色丝袜，头发主体为淡粉色，有青蓝色挑染，一条腿搭在另一条腿上，把其中一只脚心朝向镜头，人坐在沙发上，人物呈L型坐姿，不穿鞋，鄙视的眼神，两只手交叉放在下巴下面，手部穿着黑色露趾手套
Modalità
pro
Dimensione
768 x 1280
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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l7
character: ump45_(girls'_frontline), copyright: girls'_frontline 1girl, solo, long hair, brown hair, dark brown hair, hair between eyes, yellow eyes, black dress, jacket, black jacket, open clothes, short sleeves, a-cup, small breasts, pleated skirt, black and yellow theme, one black stocking, one white stocking, mismatched legwear, crossed legs, one foot sole facing camera, barefoot, no shoes, bare toes, black peep-toe gloves, both hands crossed under chin, sitting on sofa, leaning forward, reclining, L-shaped pose, provocative gaze, seductive gaze, half-closed eyes, raised eyebrow, lopsided smirk, looking at viewer, head tilt, from below, foreshortening, indoor, dim room, warm lamplight The camera sits low, below knee height, looking up at her along the length of her own raised leg, so her crossed legs and the sole of her foot dominate the foreground and her face hangs above them in the upper third of the frame. She occupies a dark upholstered sofa set against a bare wall, the sofa's arm behind her left shoulder, one cushion compressed under her hip where she has settled her weight; she is alone in the frame. Her torso leans back into the corner of the sofa and her spine is carried in the loose L of a woman who has decided to stay put: hips low and forward at the seat edge, upper body reclined, shoulders rolled back against the cushion, chin propped atop her two gloved hands. Both forearms are folded one over the other just below her mouth, wrists crossed, so the backs of her fingers press together under her jaw and her elbows rest lightly on her drawn-up knee; the black open-toed gloves end at the wrist, each fingertip exposed at the open tips, and the fabric creases at the knuckle of each thumb. Her right leg crosses high over the left, the right ankle resting on the left knee, and from this low angle the raised right foot turns its sole flat toward the lens, the white stocking pale and slightly taut across the ball of the foot, heel and arch angled away, toes relaxed and separated, nothing on her feet. The left leg drops down to the seat with the black stocking catching the light along the shin and vanishing into shadow beneath the crossed knee. Her pleated skirt, black with a yellow band at the hem, fans out over her thighs in half-opened pleats that flatten where her hip presses the cushion and lift in a single fold where her crossed thigh pulls it; the yellow is repeated thinly at the jacket's lining edge and nothing else in the room admits that colour. The black dress is a snug sleeveless bodice under the open jacket, whose sleeves are shoved to the elbow, and across her chest the fabric runs flat and unbroken, small and narrow, the dress cut close. Her long brown-black hair falls forward off the back cushion in two heavy sections, one sliding along her right shoulder onto the jacket's collar, the other hanging loose beside her cheek so a strand crosses the corner of her mouth. Her chin is tipped down while her eyes look straight up out of that lowered head at the viewer, lids half shut, one brow lifted higher than the other, the corner of her mouth pulled into a slow uneven smirk, a single tooth catching the light; the tilt is a dare, not an invitation, and her gaze lands square on the lens. A single warm table lamp stands off frame to her right and low, its light raking up the inner face of the raised white sole and the underside of her chin, catching the yellow hem and the shin of the black stocking, while everything behind her shoulders and under the sofa falls into a flat brown darkness; the only other light is a faint cool spill from a doorway far behind, which touches the wall and nothing else. Because the lamp is low, the shadow of her crossed ankle is thrown large and soft onto the sofa back behind her knee, and the white stocking reads brighter than the lamp itself where the light skims it. Palette held to black, yellow and warm brown skin, with the single white note at the sole of her foot. Quietly insolent, unmistakably in control.
lionecho7
#capelli castani#collant bianchi#Vestito nero

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