Oct 23, 2026

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AI art "電話ボックス" featuring #Umamusume: Pretty Derby and #Silence Suzuka

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電話ボックス

季節無視してすみません

#Umamusume: Pretty Derby #Silence Suzuka

Pubblicato il Oct 23, 2026

Procyon

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character: silence_suzuka_(umamusume) 1girl, solo, silence suzuka, orange hair, long hair, blunt bangs, white hairband, horse ears, animal ears, aqua eyes, from behind, diagonal rear angle, three-quarter back view, over-shoulder framing, winter, outdoors, snowing, snowfall, telephone booth, inside telephone booth, glass booth, public phone, holding telephone receiver, receiver at ear, hesitant, indecisive, free hand hovering over keypad, fingers curled above the buttons, private clothes, duffle coat, toggles, knee-length flared skirt, black tights, long boots, shoulder bag?, no, standing, weight on one leg, head slightly lowered, looking down at keypad, breath fog, cold, night, cold blue palette, warm booth glow The camera sits outside and to the right of the booth, at three-quarter rear of the single figure inside it: the frame takes in the whole glass box from its snowy metal base to the top of its frame, with the woman seen from diagonally behind so that the back of her head, the slope of her duffle coat and one sliver of her cheek and lashes are all that the lens receives of her face; the phone apparatus and the keypad are at the far inner wall, visible past her right shoulder through the glass. She stands with her weight on her left boot, right knee bent and the right boot resting heel-light, the flared skirt and duffle coat hem hanging straight because the booth blocks the wind; her right hand presses the black receiver to her ear and her left hand is raised a hand's width from the keypad, index finger half-extended and not touching any button, thumb hovering, knuckles still. The whole upper body leans a centimetre forward with the hesitation, her chin tipped down toward the pad, the visible eye aimed straight at the number buttons so intent that she does not register the snow. Her orange hair lies long over the collar of the duffle coat and the blunt bangs are pushed slightly by the receiver on that side; her two horse ears stand up from the hair, the white hairband crossing behind them. Outside, snow falls thickly across the whole depth of the frame, streaking at an angle in a light wind, and the booth's glass carries a scatter of flakes that have stuck to its outer face while the inside stays dry. The only light is the booth's own small ceiling strip: it throws a warm yellowish pool over her shoulders, the receiver, her hovering hand and the keypad, and the shop of light makes the pane between camera and subject faintly reflective so a ghost of her back floats in the glass at the left of the frame; beyond the pool the winter street is absolute cold blue darkness, a few snowflakes catching the spill and nothing else lit. Snow is banked up against the booth's base and has settled only on its horizontal top frame and the outer rim of the door handle. The palette is the booth's warm amber against the deep blue-black of the street and the white of snowfall, with her orange hair the one warm note above the coat's muted charcoal; filmic soft-edged shading, the cold air visible only as her faint breath clouding at the edge of the receiver. Quiet, suspended hesitation.

電話ボックス

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