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rossore, in ginocchio

Contest Entry
PixAI × zeta Original Character Creation Contest 2026
#rossore#in ginocchio#Vestito#Seiza#solo#uniforme scolastica#occhi chiusi#Maniche lunghe#1 ragazza#Figura intera#all'interno#pregare#guanti bianchi#hijab#Pavimento in legno
kk

Killer King

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1boy, solo, femboy, feminine boy, muslim clothes, muslim headscarf, hijab, cleavage cutout, chest curtain, pelvic curtain, praying, hands clasped together, hands together, stockings, white thighhighs, gloves, white gloves, flushed face, blush, tears, crying, crying with eyes open, small visible bulge, ballet flats, pink footwear, from above, from side, dutch angle, three-quarter view, kneeling, seiza, on knees, looking down, bowing head, closed mouth, trembling, modest, soft fabric folds, long sleeves, full-body, interior, ray of light, dust motes, warm window light, pastel palette, tender solemnity Seen from above and slightly to the side in a gentle dutch angle, a single feminine boy kneels on a bare pale wooden floor in three-quarter view, body angled away from the lens, weight settled back onto both heels with his knees together and his toes tucked under — pale pink ballet flats peeking from beneath the hem, their thin straps crossing the instep, soles flattened against the boards. He is caught in the middle of prayer: both hands lifted and pressed palm-to-palm before his sternum, fingertips aligned and pointing slightly upward, the white fabric gloves tight across the knuckles and creasing at the wrists where they meet the long sleeves. His head is bowed so the chin nearly touches the clasped fingertips, eyes shut behind wet lashes with one tear already broken free and sliding down his cheek to the jaw, a second bead caught trembling at the lower lid; his cheeks are flushed a warm rose that spreads to the tips of his ears and down the column of his throat. The hijab is a soft draped headscarf in muted sage, wrapped close around the skull and falling in two long folds over the shoulders and down the chest, its front edge framing the face and the fabric curving with the shape of the head rather than lying flat. Beneath it he wears a modest floor-length robe in the same sage tone over a lighter underlayer, and at the chest the robe opens in a narrow vertical cutout just above the sternum, edged with a slim band of embroidery; a short chest curtain of pale cream fabric hangs from that opening, and a matching pelvic curtain drops from the waist sash in front of the skirt, both panels hanging straight and heavy with gravity, pleating softly where they overlap the thighs. White stockings sheath the legs from mid-thigh down, their sheen catching the light along the front of the shins. A small, discreet bulge shows at the front of the pelvis beneath the fall of the pelvic curtain, lifting the fabric just enough to read as a soft rounded shape. The only light is a single shaft of warm late-afternoon sun coming through an unseen high window at upper left, striking the crown of the headscarf, the tops of his clasped hands and the front of the chest curtain while the rest of the robe and the floor fall into a soft amber shadow; the light stirs faint dust motes in the air beside his shoulder and lays a long blurred shadow of his kneeling body across the boards to the lower right. The room around him is bare and out of focus — a plain plaster wall, a strip of pale molding, the floorboards running in receding lines — kept as empty negative space so the eye returns to the bowed head and joined hands. The palette is restricted to sage green, cream, warm bare wood and the rose of his flushed skin, nothing else admitted. Tender, solemn.
Mostra parametri
Immissione richiesta originale
1 femboy, feminine boy, Muslim, Muslim dress, Muslim outfit, Muslim headscarf, cleavage cutout, chest curtain, pelvic curtain, praying, stockings, gloves, flushed face, small visible bulge, tears, ballet flats,
Modalità
flash
Dimensione
1104 x 1824
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.37k

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AI artwork
kk
1boy, solo, femboy, feminine boy, muslim clothes, muslim headscarf, hijab, cleavage cutout, chest curtain, pelvic curtain, praying, hands clasped together, hands together, stockings, white thighhighs, gloves, white gloves, flushed face, blush, tears, crying, crying with eyes open, small visible bulge, ballet flats, pink footwear, from above, from side, dutch angle, three-quarter view, kneeling, seiza, on knees, looking down, bowing head, closed mouth, trembling, modest, soft fabric folds, long sleeves, full-body, interior, ray of light, dust motes, warm window light, pastel palette, tender solemnity Seen from above and slightly to the side in a gentle dutch angle, a single feminine boy kneels on a bare pale wooden floor in three-quarter view, body angled away from the lens, weight settled back onto both heels with his knees together and his toes tucked under — pale pink ballet flats peeking from beneath the hem, their thin straps crossing the instep, soles flattened against the boards. He is caught in the middle of prayer: both hands lifted and pressed palm-to-palm before his sternum, fingertips aligned and pointing slightly upward, the white fabric gloves tight across the knuckles and creasing at the wrists where they meet the long sleeves. His head is bowed so the chin nearly touches the clasped fingertips, eyes shut behind wet lashes with one tear already broken free and sliding down his cheek to the jaw, a second bead caught trembling at the lower lid; his cheeks are flushed a warm rose that spreads to the tips of his ears and down the column of his throat. The hijab is a soft draped headscarf in muted sage, wrapped close around the skull and falling in two long folds over the shoulders and down the chest, its front edge framing the face and the fabric curving with the shape of the head rather than lying flat. Beneath it he wears a modest floor-length robe in the same sage tone over a lighter underlayer, and at the chest the robe opens in a narrow vertical cutout just above the sternum, edged with a slim band of embroidery; a short chest curtain of pale cream fabric hangs from that opening, and a matching pelvic curtain drops from the waist sash in front of the skirt, both panels hanging straight and heavy with gravity, pleating softly where they overlap the thighs. White stockings sheath the legs from mid-thigh down, their sheen catching the light along the front of the shins. A small, discreet bulge shows at the front of the pelvis beneath the fall of the pelvic curtain, lifting the fabric just enough to read as a soft rounded shape. The only light is a single shaft of warm late-afternoon sun coming through an unseen high window at upper left, striking the crown of the headscarf, the tops of his clasped hands and the front of the chest curtain while the rest of the robe and the floor fall into a soft amber shadow; the light stirs faint dust motes in the air beside his shoulder and lays a long blurred shadow of his kneeling body across the boards to the lower right. The room around him is bare and out of focus — a plain plaster wall, a strip of pale molding, the floorboards running in receding lines — kept as empty negative space so the eye returns to the bowed head and joined hands. The palette is restricted to sage green, cream, warm bare wood and the rose of his flushed skin, nothing else admitted. Tender, solemn.
Killer King
#femboy#rossore#in ginocchio
AI artwork
kk
1boy, solo, femboy, feminine boy, muslim clothes, muslim headscarf, hijab, cleavage cutout, chest curtain, pelvic curtain, praying, hands clasped together, hands together, stockings, white thighhighs, gloves, white gloves, flushed face, blush, tears, crying, crying with eyes open, small visible bulge, ballet flats, pink footwear, from above, from side, dutch angle, three-quarter view, kneeling, seiza, on knees, looking down, bowing head, closed mouth, trembling, modest, soft fabric folds, long sleeves, full-body, interior, ray of light, dust motes, warm window light, pastel palette, tender solemnity Seen from above and slightly to the side in a gentle dutch angle, a single feminine boy kneels on a bare pale wooden floor in three-quarter view, body angled away from the lens, weight settled back onto both heels with his knees together and his toes tucked under — pale pink ballet flats peeking from beneath the hem, their thin straps crossing the instep, soles flattened against the boards. He is caught in the middle of prayer: both hands lifted and pressed palm-to-palm before his sternum, fingertips aligned and pointing slightly upward, the white fabric gloves tight across the knuckles and creasing at the wrists where they meet the long sleeves. His head is bowed so the chin nearly touches the clasped fingertips, eyes shut behind wet lashes with one tear already broken free and sliding down his cheek to the jaw, a second bead caught trembling at the lower lid; his cheeks are flushed a warm rose that spreads to the tips of his ears and down the column of his throat. The hijab is a soft draped headscarf in muted sage, wrapped close around the skull and falling in two long folds over the shoulders and down the chest, its front edge framing the face and the fabric curving with the shape of the head rather than lying flat. Beneath it he wears a modest floor-length robe in the same sage tone over a lighter underlayer, and at the chest the robe opens in a narrow vertical cutout just above the sternum, edged with a slim band of embroidery; a short chest curtain of pale cream fabric hangs from that opening, and a matching pelvic curtain drops from the waist sash in front of the skirt, both panels hanging straight and heavy with gravity, pleating softly where they overlap the thighs. White stockings sheath the legs from mid-thigh down, their sheen catching the light along the front of the shins. A small, discreet bulge shows at the front of the pelvis beneath the fall of the pelvic curtain, lifting the fabric just enough to read as a soft rounded shape. The only light is a single shaft of warm late-afternoon sun coming through an unseen high window at upper left, striking the crown of the headscarf, the tops of his clasped hands and the front of the chest curtain while the rest of the robe and the floor fall into a soft amber shadow; the light stirs faint dust motes in the air beside his shoulder and lays a long blurred shadow of his kneeling body across the boards to the lower right. The room around him is bare and out of focus — a plain plaster wall, a strip of pale molding, the floorboards running in receding lines — kept as empty negative space so the eye returns to the bowed head and joined hands. The palette is restricted to sage green, cream, warm bare wood and the rose of his flushed skin, nothing else admitted. Tender, solemn.
Killer King
#rossore#Abbigliamento tradizionale giapponese#in ginocchio
AI artwork
kk
1boy, solo, femboy, feminine boy, androgynous, delicate facial features, muslim dress, white hijab, headscarf, cleavage cutout, chest curtain, kneeling, praying, cupped hands, hands in prayer, supplication, closed eyes, long eyelashes, blush, prayer rug, interior, arched window, sunlight, three-quarter view, medium shot In a three-quarter view from slightly above, a slender feminine boy kneels in supplication on a detailed geometric prayer mat. He wears an ivory-white Muslim dress of flowing fabric tailored with a distinct chest curtain drape that frames a central cleavage cutout across the upper chest. A matching white headscarf wraps snugly around his head, pinned closely under the chin to conceal his hair while accentuating his soft jawline, delicate nose, and lightly flushed cheeks. Both knees and shins press firmly into the pile of the carpet, his posture upright with a subtle devotional lean forward. His forearms rise in front of his torso, palms held open and cupped together at chest height with finger pads touching. His eyes remain serenely closed beneath long dark lashes, eyebrows relaxed, his lips barely parted in quiet contemplation. Golden afternoon sunlight angles downward from a tall arched lattice window on the left, casting sharp geometric shadow patterns across the floorboards while highlighting the soft texture of the white cloth and the contours of his throat. Beneath his knees, the deep crimson and navy weave of the rug is compressed under his weight, while the vertical folds of the chest curtain fall straight along his torso. The palette balances clean alabaster whites and warm porcelain skin tones against rich jewel tones in the carpet and amber ambient dust motes. Peaceful reverence.
Killer King
#in ginocchio#seduto#Seiza
AI artwork
kk
In a medium shot from a front view, a feminine boy is depicted in a serene, prayerful pose within a softly lit room. He has a flushed face with glistening tears in his eyes and a modest, closed-mouth expression. He is dressed in a modified Muslim outfit consisting of a light-colored hijab framing his face and a matching long-sleeved garment featuring a cleavage cutout and draped chest and pelvic curtains that flow elegantly. He wears delicate gloves on his hands, which are pressed together in prayer, and black thigh-highs paired with simple ballet flats. A small, subtle bulge is visible through the fabric of the dress. The background is a minimalist interior with soft, diffused light casting gentle shadows, creating a peaceful and spiritual atmosphere. The visual style is a high-quality anime illustration with a clean color palette and a soft focus on the surrounding environment.
Killer King
#Calze parigine#Fuoco maschile#rossore

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#L'attacco dei giganti#Mikasa Ackerman
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