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Kylee Violette (Kiy Chan)

Avatar image of Kylee Violette (Kiy Chan)

Kylee Violette (Kiy Chan)

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1girl, solo, adult woman, mature female, light brown hair, very long ponytail, ponytail reaching past her hips, red eyes, sunglasses, dark oversized sunglasses, vampire costume, vampire gown, deep crimson velvet gown, high black lace collar, large breasts, curvy, wide hips, thick thighs, narrow waist, hourglass figure, from below, low angle, three-quarter view, standing on one leg, tiptoes, leaning back, one hand on hip, other hand lifting sunglasses, head tilted down, looking at viewer over sunglasses, smirk, one eyebrow raised, open mouth, fang, long fingernails, windblown hair, ponytail streaming sideways, velvet folds, dutch angle, full body, dim interior, candlelight, warm rim light, deep shadows, gothic atmosphere, dramatic, elegant, The camera looks up at her from knee height in a low-angle three-quarter view that runs slightly off-axis as a gentle dutch angle, so the long line of her body rises diagonally across the frame from lower left to upper right. She is one adult woman with a full, exaggerated hourglass figure — large breasts, wide hips, thick thighs, a cinched narrow waist — carried with the poise of a grown woman, no youthful softness left in the silhouette. Her dress is a vampire costume gown of deep crimson velvet that pours from a fitted bodice down to a floor-sweeping hem, velvet nap catching the light in long soft vertical folds and darkening to near-black in the creases, closed at the throat by a tall black lace collar whose scalloped edge stands up around her jaw. Her light brown hair is gathered high at the crown into a single ponytail of extreme length, the tie hidden, the tail falling in a heavy loose wave past her hips and curling at the tip, and the wind takes it sideways across the frame so it crosses in front of her right shoulder. Dark oversized sunglasses sit across her face, their lenses wide enough to swallow her brow line. Her weight is on her right leg, hip pushed out and the velvet bunching over that hip; her left leg is lifted, toe pointed down and hovering just off the floor, so the gown hangs unevenly and the hem swings. Her right hand rests flat on her waist, fingers spread against the velvet. Her left hand has come up to the top bar of her sunglasses and is tilting them down her nose, one long dark-nailed finger hooked over the frame, so the red of her left eye shows beneath the lowered lens in a bright crescent. Her head is tipped down toward the camera and her chin is tucked; she looks straight into the lens over the rim of the sunglasses with a lopsided smirk, one corner of her mouth pulled higher, a single pointed fang showing at the parting of her lips, one eyebrow arched above the frame. The floor beneath her is dark polished stone; her lifted toe hangs above it and her standing shoe presses into the gloss, and the reflection of the red gown smears downward in the polish, darker and softer than the fabric itself. The background is an unlit gothic hall that falls away into black — the suggestion of a stone arch to the left, nothing more — and the only light is a warm low source off to her right and slightly behind, a candle-warm rim that runs along the raised edge of her ponytail, the lace collar's points, the top curve of her shoulder and the leading fold of the velvet, while the front of her bodice and the underside of her jaw stay in cool shadow. Beyond that rim the darkness is absolute. The palette holds to deep crimson, black, warm candle amber on the highlights and the pale light brown of her hair, nothing else admitted. Quiet, dangerous glamour.
Mostra parametri
Immissione richiesta originale
a light brown hair longest ponytail and red eyes as wearing a vampire costume gown aged up and sunglasses, large chest and curvy
Modalità
pro
Tag qualità
﹝Prompt﹞
Dimensione
1104 x 1824
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
5.92k

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AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, adult woman, mature female, light brown hair, very long ponytail, ponytail reaching past her hips, red eyes, sunglasses, dark oversized sunglasses, vampire costume, vampire gown, deep crimson velvet gown, high black lace collar, large breasts, curvy, wide hips, thick thighs, narrow waist, hourglass figure, from below, low angle, three-quarter view, standing on one leg, tiptoes, leaning back, one hand on hip, other hand lifting sunglasses, head tilted down, looking at viewer over sunglasses, smirk, one eyebrow raised, open mouth, fang, long fingernails, windblown hair, ponytail streaming sideways, velvet folds, dutch angle, full body, dim interior, candlelight, warm rim light, deep shadows, gothic atmosphere, dramatic, elegant, The camera looks up at her from knee height in a low-angle three-quarter view that runs slightly off-axis as a gentle dutch angle, so the long line of her body rises diagonally across the frame from lower left to upper right. She is one adult woman with a full, exaggerated hourglass figure — large breasts, wide hips, thick thighs, a cinched narrow waist — carried with the poise of a grown woman, no youthful softness left in the silhouette. Her dress is a vampire costume gown of deep crimson velvet that pours from a fitted bodice down to a floor-sweeping hem, velvet nap catching the light in long soft vertical folds and darkening to near-black in the creases, closed at the throat by a tall black lace collar whose scalloped edge stands up around her jaw. Her light brown hair is gathered high at the crown into a single ponytail of extreme length, the tie hidden, the tail falling in a heavy loose wave past her hips and curling at the tip, and the wind takes it sideways across the frame so it crosses in front of her right shoulder. Dark oversized sunglasses sit across her face, their lenses wide enough to swallow her brow line. Her weight is on her right leg, hip pushed out and the velvet bunching over that hip; her left leg is lifted, toe pointed down and hovering just off the floor, so the gown hangs unevenly and the hem swings. Her right hand rests flat on her waist, fingers spread against the velvet. Her left hand has come up to the top bar of her sunglasses and is tilting them down her nose, one long dark-nailed finger hooked over the frame, so the red of her left eye shows beneath the lowered lens in a bright crescent. Her head is tipped down toward the camera and her chin is tucked; she looks straight into the lens over the rim of the sunglasses with a lopsided smirk, one corner of her mouth pulled higher, a single pointed fang showing at the parting of her lips, one eyebrow arched above the frame. The floor beneath her is dark polished stone; her lifted toe hangs above it and her standing shoe presses into the gloss, and the reflection of the red gown smears downward in the polish, darker and softer than the fabric itself. The background is an unlit gothic hall that falls away into black — the suggestion of a stone arch to the left, nothing more — and the only light is a warm low source off to her right and slightly behind, a candle-warm rim that runs along the raised edge of her ponytail, the lace collar's points, the top curve of her shoulder and the leading fold of the velvet, while the front of her bodice and the underside of her jaw stay in cool shadow. Beyond that rim the darkness is absolute. The palette holds to deep crimson, black, warm candle amber on the highlights and the pale light brown of her hair, nothing else admitted. Quiet, dangerous glamour.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, adult woman, mature female, light brown hair, very long ponytail, ponytail reaching past her hips, red eyes, sunglasses, dark oversized sunglasses, vampire costume, vampire gown, deep crimson velvet gown, high black lace collar, large breasts, curvy, wide hips, thick thighs, narrow waist, hourglass figure, from below, low angle, three-quarter view, standing on one leg, tiptoes, leaning back, one hand on hip, other hand lifting sunglasses, head tilted down, looking at viewer over sunglasses, smirk, one eyebrow raised, open mouth, fang, long fingernails, windblown hair, ponytail streaming sideways, velvet folds, dutch angle, full body, dim interior, candlelight, warm rim light, deep shadows, gothic atmosphere, dramatic, elegant, The camera looks up at her from knee height in a low-angle three-quarter view that runs slightly off-axis as a gentle dutch angle, so the long line of her body rises diagonally across the frame from lower left to upper right. She is one adult woman with a full, exaggerated hourglass figure — large breasts, wide hips, thick thighs, a cinched narrow waist — carried with the poise of a grown woman, no youthful softness left in the silhouette. Her dress is a vampire costume gown of deep crimson velvet that pours from a fitted bodice down to a floor-sweeping hem, velvet nap catching the light in long soft vertical folds and darkening to near-black in the creases, closed at the throat by a tall black lace collar whose scalloped edge stands up around her jaw. Her light brown hair is gathered high at the crown into a single ponytail of extreme length, the tie hidden, the tail falling in a heavy loose wave past her hips and curling at the tip, and the wind takes it sideways across the frame so it crosses in front of her right shoulder. Dark oversized sunglasses sit across her face, their lenses wide enough to swallow her brow line. Her weight is on her right leg, hip pushed out and the velvet bunching over that hip; her left leg is lifted, toe pointed down and hovering just off the floor, so the gown hangs unevenly and the hem swings. Her right hand rests flat on her waist, fingers spread against the velvet. Her left hand has come up to the top bar of her sunglasses and is tilting them down her nose, one long dark-nailed finger hooked over the frame, so the red of her left eye shows beneath the lowered lens in a bright crescent. Her head is tipped down toward the camera and her chin is tucked; she looks straight into the lens over the rim of the sunglasses with a lopsided smirk, one corner of her mouth pulled higher, a single pointed fang showing at the parting of her lips, one eyebrow arched above the frame. The floor beneath her is dark polished stone; her lifted toe hangs above it and her standing shoe presses into the gloss, and the reflection of the red gown smears downward in the polish, darker and softer than the fabric itself. The background is an unlit gothic hall that falls away into black — the suggestion of a stone arch to the left, nothing more — and the only light is a warm low source off to her right and slightly behind, a candle-warm rim that runs along the raised edge of her ponytail, the lace collar's points, the top curve of her shoulder and the leading fold of the velvet, while the front of her bodice and the underside of her jaw stay in cool shadow. Beyond that rim the darkness is absolute. The palette holds to deep crimson, black, warm candle amber on the highlights and the pale light brown of her hair, nothing else admitted. Quiet, dangerous glamour.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, adult woman, mature female, light brown hair, very long ponytail, ponytail reaching past the hips, red eyes, sunglasses, dark sunglasses, vampire costume, gothic gown, red velvet gown, black lace trim, high collar, large breasts, curvy, wide hips, thick thighs, narrow waist, hourglass figure, from below, low angle, full body, standing, one hand on hip, other hand lifting sunglasses, looking at viewer over lowered sunglasses, raised eyebrow, lopsided smirk, head tilt, gothic interior, candlelight, deep shadows, dutch angle composition, The camera looks up at her from a low angle, tilted slightly off-level, so her full figure dominates the tall gothic hall behind her and the space opens above her head. She stands with her weight sunk into her left hip, right knee bent and slightly forward, left leg straight and bearing her; her left hand rests flat on the curve of her hip, fingers spread over the velvet, while her right hand has caught the temple of her dark sunglasses and pulled them a little down and away from her eyes, so the red irises show above the black rims, fixed on the viewer with one eyebrow arched high and the corner of her mouth pulled into a one-sided smirk. Her very long light brown ponytail is drawn high at the back of her head and falls in a heavy, glossy rope past her waist, its tip curling forward beside her right thigh where the movement of her lifted arm has swung it; a few loose strands lie against her cheek and neck. She wears a vampire costume gown of heavy deep red velvet that catches the candlelight along its folds: a high black lace collar stands up around her throat, black lace edges the long fitted sleeves and the neckline that frames her very large chest, and the bodice nips in hard at her narrow waist before the skirt breaks outward over her wide hips and thick thighs, falling in weighted folds to the floor where the hem pools and drags a little behind her left heel. The cut is deliberate and close, so the velvet is stretched taut across her bust and pulled into long diagonal creases down toward her waist, and the skirt swings out at the hip because her weight is on the other leg. The hall behind her is a candlelit gothic interior: a tall pointed window with dark glass and stone tracery on the left, clustered candles in iron stands on the right, and beyond them the room falls into blackness. The candles are the only light source; they sit low and to her right, so the light climbs the right side of her face and throat, rims the red of her eyes, and leaves the left half of her face and the left folds of the gown in deep shadow, while her cast shadow climbs the stone behind her at an angle thrown by the tilted frame. The palette is red velvet, black lace and the warm amber of candle flames against cold grey stone, nothing else admitted. Every fold of velvet is rendered with visible weight and shadow, the lace with fine repeating holes, the hair with a single hard highlight running down the length of the ponytail. Quietly commanding, gothic glamour.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, light brown hair, very long hair, floor-length ponytail, red eyes, dark sunglasses, vampire costume, crimson velvet gown, black lace trim, high collar, off-shoulder neckline, very large breasts, curvy, wide hips, thick thighs, mature adult woman, aged up, cowboy shot, from below, three-quarter view, looking down at viewer, head tilt, one hand on hip, other hand lifting gown hem, standing on stone step, night, cold moonlight, warm lantern glow, deep crimson and black palette, elegant, aloof The camera sits low and close, looking up at a mature adult woman in a three-quarter view from below, so that her height and the sweep of the gown dominate the frame; the shot is a cowboy shot cutting just below the knees, and the single step of a worn stone staircase under her feet gives her the only purchase in the picture. Her light brown hair is gathered into one enormous ponytail that starts high at the crown, thickens through a wrapped band, and falls in a single heavy column past her hip almost to the back of her knees, its tail drifting slightly to the left with her weight shift. Dark sunglasses ride on her face, the lenses faintly reflecting the lantern below; the eyes behind them are red, and they look down past the tilted frame of the glasses straight at the viewer, chin lowered so the tilt of her head reads as appraisal rather than greeting. She wears a floor-length vampire costume gown in deep crimson velvet: a high standing lace collar frames her throat, the bodice is boned and close over a very large chest that pushes the neckline's black lace edging tight, and the skirt flares from a narrow waist into a wide bell that widens hips and disguises nothing of her curvy, mature figure. Her right hand rests flat on her hip, fingers spread over the velvet; her left hand pinches a fold of the hem and lifts it a hand's width, baring the toe of one black shoe on the step, and that lifted fold hangs in a stiff velvet curl instead of draping, because the fabric is heavy and holds the crease. The step's front edge catches the lantern's warm light from low and to frame right, so the stone is bright underneath and the gown's velvet swallows that light into a dark pool above it, the only specular highlights running along the lace trim, the ponytail's crown and the lenses; cold blue moonlight from behind and above rims her ponytail and shoulders from the far side, and her long shadow climbs the wall behind her, shortened by the low lantern angle. Beyond the step the background drops into unlit stone and ironwork with no other figure in it, lettering on the far wall reduced to illegible worn shapes. Palette limited to crimson velvet, black lace and stone grey, with the warm lantern amber quarantined to the step and the blue moonlight confined to the rim of her hair. Elegant, aloof.
Kylee Violette (Kiy Chan)

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#L'attacco dei giganti#Mikasa Ackerman
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