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AI art "Sadako Yamamura on the bathroom 2"
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Sadako Yamamura on the bathroom 2

#Seno#in piedi#Vestito#formosa#Scollatura#neo#Capelli lunghissimi#Sadako Yamamura#capelli lunghi#solo#Capelli neri#paffuto#Sorriso#pelle pallida#cosce#Abiti attillati#Ring#Capelli sugli occhi#spalle nude#Vestito bianco#ombelico coperto#1 ragazza#all'interno#Capelli assurdamente lunghi#Pelle colorata#frangia lunga
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Commenti

Solo, yamamura sadako, grey skin, colored skin, hair over eyes, very long hair, 1girl, Sadako Yamamura, hair over eyes, standing, bathroom, large breasts, thick thighs, tight clothing, bare shoulders, cleavage, bare shoulders, seductive, tonka_kryga art style, yamamura sadako, grey skin, colored skin, hair over eyes, very long hair, thick, Bluefrok, swimsuit, bathtub, semi-transparent clothing, glistening body
Mostra parametri
Tag qualità
﹝Prompt﹞, masterpiece, best quality
Dimensione
768 x 1280
Passaggi di campionamento
28
Metodo di campionamento
Euler a
Scala CFG
7
Negativo
worst quality, low quality, normal quality, bad hands, bad feet, bad anatomy, bad proportions, cropped, missing fingers, jpeg artifacts, signature, watermark, username, artist name, dress
Correzione del viso

Modello e LoRA utilizzati

NoobAI-XL (NAI-XL) - AI Model cover image

SDXL

NoobAI-XL (NAI-XL)
9.13k
yamamura sadako | Goofy Ai - AI Model cover image

LoRA utente

yamamura sadako | Goofy Ai
176
Bluefrok Style - AI Model cover image

LoRA utente

Bluefrok Style
2
tonka_kryga art style - AI Model cover image

LoRA utente

tonka_kryga art style
16

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character: yamamura_sadako, copyright: the_ring 1girl, solo, yamamura_sadako (the_ring), very_long_black_hair, hair_over_eyes, hair_over_face, hair_covering_one_eye, black_eyes, pale_grey_skin, colored_skin, large_breasts, thick_thighs, skindentation, visible_collarbone, sharp_teeth, open_mouth, looking_at_viewer, sitting, white_dress, long_sleeves, off_shoulder, thighhighs, bare_shoulders, bare_ears, unadorned_wrists, bare_hands, indoors, from_below, full_body, dutch_angle, tense_atmosphere, Low three-quarter camera tilted slightly off level, looking up at her: the tall woman sits on a bare wooden floor in a stripped, dim room, one knee drawn up and the other leg folded to the side, her weight sunk onto her left hip so the white dress pulls taut across her chest and rucks into slack loops of wet cloth at the waist, the fabric biting shallow indentations into her hip and thigh where she leans. Very long black hair falls in a heavy sheet from her crown, parted so a thick black curtain slides straight down over one eye and past the cheekbone; the other black eye stays fully on the viewer, lid low, pupil fixed. Her mouth hangs open, upper lip lifted, sharp teeth bared in a thin shine along the gum line. The white dress has slipped off both shoulders: bare shoulders and a bare collarbone catch the light, and long sleeves start below the upper arm and hang loose past her wrists to her knuckles. Pale grey skin, slightly cool and matte, the tone deepening to charcoal in the creases of the elbow and under the jaw; the skindentation at her hip shows where the bunched white dress presses in. Both ears bare, both wrists bare, no jewellery anywhere on her. Thighhighs in dark charcoal hug her thick thighs, the elastic band cutting a visible edge against the grey skin above the knee. The only light comes from a single bare window behind and to the left of frame, cold and colorless: it rims the wet white fabric, lays a hard silver stripe along her collarbone and the tips of her teeth, and drops the floor and the far corners into near-total blackness so the room reads as a vacated box. The floorboards beneath her are dry, save for a darker patch of damp where the wet hem pools. Still, unblinking, unhurried — quiet dread.
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