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AI art "Oh, you don't need to carry that many!"
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Oh, you don't need to carry that many!

It wasn't the librarian's idea to pick up that many books at once.

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Calling All Glasses Characters 👓
#Cardigan#Occhiali#Gonna#Vestito#capelli lunghi#capelli castani#elastico per capelli con palline#maglione#Biblioteca#Bocca aperta#Occhiali fondo di bottiglia#Libro#Doppie trecce#maglione a coste#Figura intera#vista laterale#libreria#Pila di libri#coda di cavallo a treccia
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2girls, librarian, assistant, library interior, vintage 1980s anime style, cel animation, from side, cowboy shot, full body, mature female, motherly expression, cheerful smile, open mouth, brown hair, exceptionally long ponytail draped over one shoulder, ponytail falling over breast, two pairs of yellow hair bobbles, small round glasses, yellow ribbed sweater, powder blue cardigan, light brown skirt, fitted skirt at hips, ruffled frilly hem, massive breasts, narrow waist, very wide hips, thick thighs, white socks, brown flats, carrying a small stack of books, holding books in both arms, second girl, assistant, skinny, brown hair, very long twin braids, unkempt braids, swirly coke-bottle glasses, short sleeved green dress, mismatched white socks, one sock longer than the other, brown shoes, straining, carrying a very tall stack of books, leaning back for balance, sweatdrop, background bookshelves, books, wooden shelves, warm interior light, profile, looking at another The image is drawn as a side-on cowboy shot across a library aisle, camera at the librarian's chest height so her silhouette and the whole skirt read at once, and the two women are staged one in front of the other along the depth of the aisle rather than side by side: the librarian stands in the near third of the frame, angled three-quarters toward the viewer's right, and her assistant stands a pace behind and to the right of her, both of them caught mid-stride coming up the carpet runner toward the circulation desk. The librarian's weight rides on her right foot, her left knee bent slightly forward in the swing of a step, and because the step is happening her chest lifts and settles a half-beat behind her feet -- the yellow ribbed sweater pulls taut over the swell of her massive breasts with the motion, and the powder blue cardigan hangs open down both sides and swings its front panels back a fraction from her waist. The narrow waist is cinched where the sweater tucks into the light brown skirt; from there the skirt hugs the widest point of her hips and thick thighs and then breaks at mid-thigh into a flounce of ruffles and frills that lifts with the movement of her legs. Both forearms are up and level, forearms crossed under a small stack of three hardback books held flat against her stomach, the top book pinched between her fingertips and thumb, her shoulders drawn slightly back to keep the load steady. Her brown hair is gathered into an exceptionally long ponytail, tied twice along its length with two pairs of yellow hair bobbles so the ponytail has a paired set of ties above the shoulder and another set below it, and the whole length is drawn forward over her right shoulder, lying across the powder blue cardigan's lapel and down over the upper slope of her breast, the loose tail of it hanging in front of her ribs and swaying with the step. Her head turns in three-quarter profile toward the viewer's right; the mature, motherly expression lives in the soft low eyelids, the relaxed brow and the cheerful open-lipped smile that crinkles the corners of her eyes, and the small round glasses catch a thin white arc of window light across each lens. Her eyes are cast forward and down over the top of the book stack, at her assistant. The assistant is further back in the same aisle, slightly smaller in frame with distance, shoulders hunched forward and spine bowed back against the load she is carrying: a stack of books nearly as tall as her torso, stacked from belly to above her chin, the topmost volumes tilting outward and one slim book on the side already working loose from the rest. Both of her scrawny arms are clamped around the stack's lower half, her elbows dug into her ribs, her knees slightly bent and her left foot slid back to brace the weight -- and her mismatched white socks show it, the right sock pulled up high over her shin while the left has collapsed in folds around her ankle, plain brown shoes flat on the carpet. Under the short-sleeved green dress her arms stay stick-thin and her neck is craned up to see past the top of the books. Her brown hair is done in twin braids so long they hang past her hips, and the braids are slightly unkempt -- wisps pulled loose from each plait and a fuzz of stray strands around the crown -- with one braid strays forward over her shoulder and the other trailing behind her back. The swirly coke-bottle glasses sit crooked where the top book presses the bridge of her nose, hugely magnifying her eyes into two wide anxious spirals behind the lenses, and her awkward expression is a tight strained grimace, teeth set, one cheek puffing with a shallow breath as she staggers one half-step. Her gaze is fixed up over the tower of books at the librarian's back, silently begging her to slow down. The background is a medium-deep library interior: dark wood shelving running in parallel rows behind them, spines of catalogued books receding to the left in a soft blur, one tall window out of frame on the right that throws late-afternoon light in a low warm diagonal across the aisle. That light strikes the side of the librarian's face and glasses, blazes on the top edges of her book stack, and rakes the assistant's green dress; the shadow side of both women falls to the left, with the librarian's cardigan and long ponytail casting a soft-edged shadow across her own hip and a compressed shadow under the flounce of her skirt. Colour discipline: the scene is a muted eighties cel palette of warm browns and ochre in the shelving, powder blue in the cardigan, yellow in the sweater and hair bobbles, the light brown of the skirt, green on the assistant's dress, and off-white paper in the book pages -- an autumn interior, quiet and warm. Rendered in vintage 1980s anime style: hand-inked cel linework with soft uneven weights, flat fill colours with a single hard shadow tone per surface, airbrushed blush on both women's cheeks, slight paint misregistration at the cel edges, a faint grain and warmth to the whole frame, and no rim lighting or modern gradients. Mood: cheerful and gently comic.
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An image in a vintage 80's anime style of a very beautiful librarian, she is wearing a cozy looking yellow ribbed sweater with a powder blue cardigan and a light brown skirt that hugs her curves at the top and is ruffly and frilly at the bottom, her brown hair is tied in an exceptionally long ponytail tied twice with two pairs of yellow hair bobbles that is draped over her shoulder and falls down over her breast, her face has a mature and motherly expression with a small pair of round glasses, her figure is truly impressive, with massive breasts that bounce a bit as she moves, and very wide hips and thick thighs contrasting a visibly narrow waist, with simple white socks and brown flats, she is smiling cheerfully while carrying a small stack of books, behind her is her assistant who is a skinny awkward brown haired girl with very long slightly unkempt twin braids and a simple short sleeved green dress and swirly coke-bottle glasses and simple white socks with one being noticeably longer than the other and simple brown shoes and is straining to carry her own stack of books which is way too tall
Modalità
flash
Dimensione
1408 x 1408
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Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#L'attacco dei giganti#Mikasa Ackerman
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