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AI artwork featuring #Touhou Project, #Hong Meiling and #The Beauty of the Qipao
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Hong Meiling, Touhou Project

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The Beauty of the Qipao#The Beauty of the Qipao
#Touhou Project#Hong Meiling
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character: hong_meiling 1girl, solo, hong meiling, long hair, red hair, twin braids, braid, blue eyes, green eyes, china dress, chinese clothes, dragon embroidery, embroidery, sleeping, sleeping while standing, eyes closed, standing, standing on one leg, weight on one leg, arms crossed, hands tucked in sleeves, head tilted, head drooping, relaxed, from side, profile, cowboy shot, dutch angle, hat, green hat, hat ornament, star hat ornament, bow, indoors, gate, wooden gate, red pillars, daylight, soft shadow, warm palette seen from the side in profile, a tall young woman with long red hair done in twin braids sleeps upright against a temple gate's red-painted pillar, and the whole picture is built around how completely her weight has abandoned her. She stands on her left leg only; the right knee is bent and the right foot rests on tiptoe with the toe touching the ground once, ready to catch her, while her left hip is pushed out and her pelvis has slipped sideways so that her shoulder, upper back and the back of her head all press flat to the pillar, which does the standing for her. Her arms are folded across her chest and both hands are slid inside the wide opposite sleeve of her dress, the fabric hanging slack in a long point below the elbows. Her chin has dropped toward her collarbone, her face turned a little down and away from the lens, eyelids fully shut with the lashes resting on her cheeks, mouth slightly open on a slow breath, one brow slack and the other barely drawn, so the expression reads as deep, unguarded sleep rather than faintness. The braids hang forward over her shoulders and one braid's tip has swung out and hangs free of her body, still, because the air is still. She wears the china dress: a close-fitting high mandarin collar, knot buttons at the throat and along the diagonal front opening, short sleeves, and a long side slit; the silk is a deep saturated red, and a dragon is embroidered across the front of the bodice and around the hip in gold and green thread, its coils raised off the cloth so the light catches each stitch, the head climbing toward her right shoulder and one claw crossing the panel seam. The little green hat sits level on her head, and its star ornament tilts slightly because her head has tilted. Her ears are bare, her throat is bare under the closed collar, her wrists carry nothing. The single physical tell is the sleeve: the skirt's side slit has fallen open along her thigh and the silk hangs in a straight plumb line under her hip, while the same light silk of her empty sleeve dips and hangs dead vertical, both of them hanging perfectly still -- the only two things in the frame that are not leaning. Setting and light: a covered temple walkway, red pillars marching away behind her in receding perspective, a dark tiled eave shading the top of the frame, and beyond the gate a sunlit courtyard flaring pale. Daylight arrives low from the right, off the courtyard, striking the right side of her face, the gold dragon thread and the rim of her hat, laying a soft-edged shadow of her braid and shoulder onto the pillar beside her; the shaded side of her dress falls to deep maroon, and a faint warm bounce comes up off the stone floor into the underside of her chin. Palette: red silk and red lacquer pillars, gold and green embroidery, warm grey stone, and one flare of cream daylight, nothing else admitted. Framing is a dutch-tilted cowboy shot from her left profile with the camera slightly below her eye line, the pillar's edge running vertically through the composition and her sleeping body cutting across it at an angle. Quiet, suspended.
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Immissione richiesta originale
紅美鈴、チャイナドレス、龍の刺繍、立ち寝
Modalità
flash
Dimensione
1104 x 1824
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.76k

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AI artwork
シ
character: hong_meiling 1girl, solo, hong meiling, long hair, red hair, twin braids, braid, blue eyes, green eyes, china dress, chinese clothes, dragon embroidery, embroidery, sleeping, sleeping while standing, eyes closed, standing, standing on one leg, weight on one leg, arms crossed, hands tucked in sleeves, head tilted, head drooping, relaxed, from side, profile, cowboy shot, dutch angle, hat, green hat, hat ornament, star hat ornament, bow, indoors, gate, wooden gate, red pillars, daylight, soft shadow, warm palette seen from the side in profile, a tall young woman with long red hair done in twin braids sleeps upright against a temple gate's red-painted pillar, and the whole picture is built around how completely her weight has abandoned her. She stands on her left leg only; the right knee is bent and the right foot rests on tiptoe with the toe touching the ground once, ready to catch her, while her left hip is pushed out and her pelvis has slipped sideways so that her shoulder, upper back and the back of her head all press flat to the pillar, which does the standing for her. Her arms are folded across her chest and both hands are slid inside the wide opposite sleeve of her dress, the fabric hanging slack in a long point below the elbows. Her chin has dropped toward her collarbone, her face turned a little down and away from the lens, eyelids fully shut with the lashes resting on her cheeks, mouth slightly open on a slow breath, one brow slack and the other barely drawn, so the expression reads as deep, unguarded sleep rather than faintness. The braids hang forward over her shoulders and one braid's tip has swung out and hangs free of her body, still, because the air is still. She wears the china dress: a close-fitting high mandarin collar, knot buttons at the throat and along the diagonal front opening, short sleeves, and a long side slit; the silk is a deep saturated red, and a dragon is embroidered across the front of the bodice and around the hip in gold and green thread, its coils raised off the cloth so the light catches each stitch, the head climbing toward her right shoulder and one claw crossing the panel seam. The little green hat sits level on her head, and its star ornament tilts slightly because her head has tilted. Her ears are bare, her throat is bare under the closed collar, her wrists carry nothing. The single physical tell is the sleeve: the skirt's side slit has fallen open along her thigh and the silk hangs in a straight plumb line under her hip, while the same light silk of her empty sleeve dips and hangs dead vertical, both of them hanging perfectly still -- the only two things in the frame that are not leaning. Setting and light: a covered temple walkway, red pillars marching away behind her in receding perspective, a dark tiled eave shading the top of the frame, and beyond the gate a sunlit courtyard flaring pale. Daylight arrives low from the right, off the courtyard, striking the right side of her face, the gold dragon thread and the rim of her hat, laying a soft-edged shadow of her braid and shoulder onto the pillar beside her; the shaded side of her dress falls to deep maroon, and a faint warm bounce comes up off the stone floor into the underside of her chin. Palette: red silk and red lacquer pillars, gold and green embroidery, warm grey stone, and one flare of cream daylight, nothing else admitted. Framing is a dutch-tilted cowboy shot from her left profile with the camera slightly below her eye line, the pillar's edge running vertically through the composition and her sleeping body cutting across it at an angle. Quiet, suspended.
ショボ
#Touhou Project#Hong Meiling#The Beauty of the Qipao
AI artwork
シ
character: hong_meiling 1girl, solo, hong meiling, long hair, red hair, twin braids, braid, blue eyes, green eyes, china dress, chinese clothes, dragon embroidery, embroidery, sleeping, sleeping while standing, eyes closed, standing, standing on one leg, weight on one leg, arms crossed, hands tucked in sleeves, head tilted, head drooping, relaxed, from side, profile, cowboy shot, dutch angle, hat, green hat, hat ornament, star hat ornament, bow, indoors, gate, wooden gate, red pillars, daylight, soft shadow, warm palette seen from the side in profile, a tall young woman with long red hair done in twin braids sleeps upright against a temple gate's red-painted pillar, and the whole picture is built around how completely her weight has abandoned her. She stands on her left leg only; the right knee is bent and the right foot rests on tiptoe with the toe touching the ground once, ready to catch her, while her left hip is pushed out and her pelvis has slipped sideways so that her shoulder, upper back and the back of her head all press flat to the pillar, which does the standing for her. Her arms are folded across her chest and both hands are slid inside the wide opposite sleeve of her dress, the fabric hanging slack in a long point below the elbows. Her chin has dropped toward her collarbone, her face turned a little down and away from the lens, eyelids fully shut with the lashes resting on her cheeks, mouth slightly open on a slow breath, one brow slack and the other barely drawn, so the expression reads as deep, unguarded sleep rather than faintness. The braids hang forward over her shoulders and one braid's tip has swung out and hangs free of her body, still, because the air is still. She wears the china dress: a close-fitting high mandarin collar, knot buttons at the throat and along the diagonal front opening, short sleeves, and a long side slit; the silk is a deep saturated red, and a dragon is embroidered across the front of the bodice and around the hip in gold and green thread, its coils raised off the cloth so the light catches each stitch, the head climbing toward her right shoulder and one claw crossing the panel seam. The little green hat sits level on her head, and its star ornament tilts slightly because her head has tilted. Her ears are bare, her throat is bare under the closed collar, her wrists carry nothing. The single physical tell is the sleeve: the skirt's side slit has fallen open along her thigh and the silk hangs in a straight plumb line under her hip, while the same light silk of her empty sleeve dips and hangs dead vertical, both of them hanging perfectly still -- the only two things in the frame that are not leaning. Setting and light: a covered temple walkway, red pillars marching away behind her in receding perspective, a dark tiled eave shading the top of the frame, and beyond the gate a sunlit courtyard flaring pale. Daylight arrives low from the right, off the courtyard, striking the right side of her face, the gold dragon thread and the rim of her hat, laying a soft-edged shadow of her braid and shoulder onto the pillar beside her; the shaded side of her dress falls to deep maroon, and a faint warm bounce comes up off the stone floor into the underside of her chin. Palette: red silk and red lacquer pillars, gold and green embroidery, warm grey stone, and one flare of cream daylight, nothing else admitted. Framing is a dutch-tilted cowboy shot from her left profile with the camera slightly below her eye line, the pillar's edge running vertically through the composition and her sleeping body cutting across it at an angle. Quiet, suspended.
ショボ
#Touhou Project#Hong Meiling#The Beauty of the Qipao
AI artwork
シ
character: hong_meiling 1girl, solo, hong meiling, long hair, red hair, twin braids, braid, blue eyes, green eyes, china dress, chinese clothes, dragon embroidery, embroidery, sleeping, sleeping while standing, eyes closed, standing, standing on one leg, weight on one leg, arms crossed, hands tucked in sleeves, head tilted, head drooping, relaxed, from side, profile, cowboy shot, dutch angle, hat, green hat, hat ornament, star hat ornament, bow, indoors, gate, wooden gate, red pillars, daylight, soft shadow, warm palette seen from the side in profile, a tall young woman with long red hair done in twin braids sleeps upright against a temple gate's red-painted pillar, and the whole picture is built around how completely her weight has abandoned her. She stands on her left leg only; the right knee is bent and the right foot rests on tiptoe with the toe touching the ground once, ready to catch her, while her left hip is pushed out and her pelvis has slipped sideways so that her shoulder, upper back and the back of her head all press flat to the pillar, which does the standing for her. Her arms are folded across her chest and both hands are slid inside the wide opposite sleeve of her dress, the fabric hanging slack in a long point below the elbows. Her chin has dropped toward her collarbone, her face turned a little down and away from the lens, eyelids fully shut with the lashes resting on her cheeks, mouth slightly open on a slow breath, one brow slack and the other barely drawn, so the expression reads as deep, unguarded sleep rather than faintness. The braids hang forward over her shoulders and one braid's tip has swung out and hangs free of her body, still, because the air is still. She wears the china dress: a close-fitting high mandarin collar, knot buttons at the throat and along the diagonal front opening, short sleeves, and a long side slit; the silk is a deep saturated red, and a dragon is embroidered across the front of the bodice and around the hip in gold and green thread, its coils raised off the cloth so the light catches each stitch, the head climbing toward her right shoulder and one claw crossing the panel seam. The little green hat sits level on her head, and its star ornament tilts slightly because her head has tilted. Her ears are bare, her throat is bare under the closed collar, her wrists carry nothing. The single physical tell is the sleeve: the skirt's side slit has fallen open along her thigh and the silk hangs in a straight plumb line under her hip, while the same light silk of her empty sleeve dips and hangs dead vertical, both of them hanging perfectly still -- the only two things in the frame that are not leaning. Setting and light: a covered temple walkway, red pillars marching away behind her in receding perspective, a dark tiled eave shading the top of the frame, and beyond the gate a sunlit courtyard flaring pale. Daylight arrives low from the right, off the courtyard, striking the right side of her face, the gold dragon thread and the rim of her hat, laying a soft-edged shadow of her braid and shoulder onto the pillar beside her; the shaded side of her dress falls to deep maroon, and a faint warm bounce comes up off the stone floor into the underside of her chin. Palette: red silk and red lacquer pillars, gold and green embroidery, warm grey stone, and one flare of cream daylight, nothing else admitted. Framing is a dutch-tilted cowboy shot from her left profile with the camera slightly below her eye line, the pillar's edge running vertically through the composition and her sleeping body cutting across it at an angle. Quiet, suspended.
ショボ
#Touhou Project#Hong Meiling#The Beauty of the Qipao
AI artwork
シ
character: hong_meiling 1girl, solo, hong meiling lookalike, long red hair, twin braids, hair bow, blue-green eyes, green star-decorated hat, chinese dress, cheongsam, bird embroidery on dress, embroidery of a crane on the chest panel, standing, sleeping while standing, eyes closed, head tilted down, arms folded into sleeves, leaning back against wall, from side, profile, cowboy shot, dutch angle, night, moonlight, courtyard wall, faint mist, cool blue palette with red and jade green accents, light smile, relaxed Seen from the side in a slight dutch tilt, a single young woman sleeps upright against a pale plastered courtyard wall, her weight settled onto her right hip and her right shoulder pressed flat to the masonry so the wall carries her; her left foot is planted a half-step forward, toe turned out, heel just lifting off the flagstones. Her long red hair is gathered into twin braids that hang down over her chest and one swings slightly forward past her collarbone, the small bow at the top of each braid catching the light; her green hat with its star ornament sits low, its brim shadowing her closed eyes. Her head has drifted down and to the left, chin nearly touching her shoulder, lips parted a little in a slack sleeping breath, one brow faintly drawn — the small frown of someone holding a dream at arm's length. Both arms are folded away inside the wide sleeves of her cheongsam, the fabric pulled taut across her back where it meets the wall; the dress is deep red with a jade-green piping at the collar and side slit, and across the chest panel a bird is embroidered in pale gold and blue thread — a crane in flight, wings spread, its stitches rising from the silk so the moonlight grazes each thread and the feathers seem to lift off the cloth. The cheongsam's hem falls straight to mid-calf, one fold creased where her thigh presses forward. The only light is a low moon from the upper left: it strikes the top of her hat, the outer edge of her left braid, the leading shoulder and the embroidery, and leaves her face and the wall behind her in soft blue shadow, with her cast shadow pooled tight at her feet and stretched faintly along the base of the wall. Thin mist drifts at ankle height and the flagstones are dark with damp, one shallow puddle near her left toe holding a dim, broken reflection of the moon. The palette stays cool — moonlit blue-grey plaster and stone, her red hair and red dress the warm anchor, jade green in the piping and the hat, pale gold only in the crane's thread. Her braids stir a little in a slow night breeze; nothing else moves. Quiet, drowsy.
ショボ
#Touhou Project#Hong Meiling#The Beauty of the Qipao

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