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Yuri

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Yuri

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1girl, solo, dark grey hair, black hair, two-tone hair, crimson hair streaks, streaked hair, loose low ponytail, choppy bangs, forehead bangs, face-framing bangs, wide eyes, half-closed eyes, dark eyes, long eyelashes, prominent eyelashes, relaxed expression, observant, black face mask, mouth mask, covering mouth, covering nose, single earring, silver hoop earring, right ear, high collar, black undershirt, layered clothes, olive green shirt, crewneck, loose shirt, holding phone, smartphone, dark smartphone, right hand, left hand on collar, adjusting collar, hand on own collar, upper body, cowboy shot, from below, dutch angle, three-quarter view, looking at viewer, head tilt, tilt head, cowboy shot composition, single subject, waist-up, The camera sits low and close, tilted a few degrees off level, looking up at a girl in a three-quarter turn to her left from a cowboy-shot framing that cuts her at the hip; the low angle lifts the underside of her jaw and lets the high black collar of the undershirt rise into silhouette against a lighter field behind her. Her weight rests on her right leg with the left hip dropped and pushed slightly forward, so her torso tilts a touch toward the lens while her shoulders stay square to the wall she leans near. Her head is inclined a few degrees to her right, chin drawn down, so that the wide, slightly half-lidded dark eyes look out from beneath the choppy face-framing bangs and level straight at the viewer: heavy dark irises with a faint catchlight, prominent lashes lying thick along the upper lid, lower lids slack, no smile visible -- the mask sees to that -- and the whole mask of the face held in the patient, unbothered quiet of someone watching a thing they have already decided about. The black fabric mask sits snug across her nose and mouth, its upper edge drawn tight over the bridge of the nose and its pleats folding in soft horizontal shelves at the cheeks, the fabric's matte weave swallowing the light where the cheekbones push it out. Above it, the dark grey-black hair is gathered loosely into a low ponytail at the nape, the tie slack enough that a few strands slip free and hang against the side of her neck; the choppy bangs fall in uneven blunt points across her forehead, some tips grazing the top edge of the mask's nose bridge, and two distinct ribbons of crimson red run through the dark mass -- one streaking down through the left-hand bangs past her temple, one threaded back into the ponytail where it swings over her shoulder. A thin silver hoop circles the lobe of her right ear, catching the light as a single bright crescent, the ear otherwise bare. Her right hand is raised at chest height, loosely closed around a dark smartphone held upright with its back to the camera, the matte black slab angled so its top edge cuts a hard horizontal line against the olive-green fabric; her fingertips curl over the phone's far side, thumb braced on the near edge, the wrist bent back. Her left hand comes up to her throat, fingers hooked into the collar of the olive-green crewneck top and pulling it a little away from the black high-collared undershirt beneath, so the loosened crewneck's ribbed edge curls and deforms over her knuckles while the black collar stays upright against her neck. The olive top hangs loose across her shoulders in heavy folds, dropping off the left shoulder and bunching at the elbow; the black undershirt shows as a narrow band at the neck and a sliver at the cuffs. The background is a bare, softly textured wall in cool desaturated grey, out of focus behind her, with nothing hung on it and no other figure in the frame; a single narrow window or doorway off-frame left supplies the only light, cool daylight raking in from her left, laying a bright rim along the left side of the ponytail, the left cheekbone above the mask and the left edge of the olive sleeve, while the right side of her face, the right hand and the phone fall into a soft grey shadow, and a faint blurry shadow of her shoulder is cast on the wall behind her to the right. Palette: charcoal, olive green, cool grey ground and two thin crimson accents in the hair, nothing else admitted. Her shadow on the wall is wider and softer than her silhouette where it meets the surface. Quiet, guarded stillness.
Mostra parametri
Immissione richiesta originale
Hair style: She has dark grey or black hair tied back into a loose, low ponytail, styled with choppy, face-framing bangs that fall over her forehead. Hair color accents: Distinct streaks of crimson red run through her hair, contrasting against the dark base color. Expression & Eyes: She has wide, slightly half-lidded eyes with dark irises, framed by prominent eyelashes, giving her a relaxed or observant expression. Accessories: A black fabric face mask covers her nose and mouth, complemented by a thin, silver hoop earring in her right ear. Clothing: She wears a layered outfit featuring a high-collared black undershirt paired with a loose, olive-green crewneck top. Pose: She is holding a dark smartphone in her right hand while her left hand casually adjusts the collar of her shirt.
Modalità
flash
Stile
Retro Glam Anime
Dimensione
1104 x 1824
Stile: Retro Glam Anime
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.44k

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AI artwork
Avatar image of Yuri
1girl, solo, dark grey hair, black hair, two-tone hair, crimson hair streaks, streaked hair, loose low ponytail, choppy bangs, forehead bangs, face-framing bangs, wide eyes, half-closed eyes, dark eyes, long eyelashes, prominent eyelashes, relaxed expression, observant, black face mask, mouth mask, covering mouth, covering nose, single earring, silver hoop earring, right ear, high collar, black undershirt, layered clothes, olive green shirt, crewneck, loose shirt, holding phone, smartphone, dark smartphone, right hand, left hand on collar, adjusting collar, hand on own collar, upper body, cowboy shot, from below, dutch angle, three-quarter view, looking at viewer, head tilt, tilt head, cowboy shot composition, single subject, waist-up, The camera sits low and close, tilted a few degrees off level, looking up at a girl in a three-quarter turn to her left from a cowboy-shot framing that cuts her at the hip; the low angle lifts the underside of her jaw and lets the high black collar of the undershirt rise into silhouette against a lighter field behind her. Her weight rests on her right leg with the left hip dropped and pushed slightly forward, so her torso tilts a touch toward the lens while her shoulders stay square to the wall she leans near. Her head is inclined a few degrees to her right, chin drawn down, so that the wide, slightly half-lidded dark eyes look out from beneath the choppy face-framing bangs and level straight at the viewer: heavy dark irises with a faint catchlight, prominent lashes lying thick along the upper lid, lower lids slack, no smile visible -- the mask sees to that -- and the whole mask of the face held in the patient, unbothered quiet of someone watching a thing they have already decided about. The black fabric mask sits snug across her nose and mouth, its upper edge drawn tight over the bridge of the nose and its pleats folding in soft horizontal shelves at the cheeks, the fabric's matte weave swallowing the light where the cheekbones push it out. Above it, the dark grey-black hair is gathered loosely into a low ponytail at the nape, the tie slack enough that a few strands slip free and hang against the side of her neck; the choppy bangs fall in uneven blunt points across her forehead, some tips grazing the top edge of the mask's nose bridge, and two distinct ribbons of crimson red run through the dark mass -- one streaking down through the left-hand bangs past her temple, one threaded back into the ponytail where it swings over her shoulder. A thin silver hoop circles the lobe of her right ear, catching the light as a single bright crescent, the ear otherwise bare. Her right hand is raised at chest height, loosely closed around a dark smartphone held upright with its back to the camera, the matte black slab angled so its top edge cuts a hard horizontal line against the olive-green fabric; her fingertips curl over the phone's far side, thumb braced on the near edge, the wrist bent back. Her left hand comes up to her throat, fingers hooked into the collar of the olive-green crewneck top and pulling it a little away from the black high-collared undershirt beneath, so the loosened crewneck's ribbed edge curls and deforms over her knuckles while the black collar stays upright against her neck. The olive top hangs loose across her shoulders in heavy folds, dropping off the left shoulder and bunching at the elbow; the black undershirt shows as a narrow band at the neck and a sliver at the cuffs. The background is a bare, softly textured wall in cool desaturated grey, out of focus behind her, with nothing hung on it and no other figure in the frame; a single narrow window or doorway off-frame left supplies the only light, cool daylight raking in from her left, laying a bright rim along the left side of the ponytail, the left cheekbone above the mask and the left edge of the olive sleeve, while the right side of her face, the right hand and the phone fall into a soft grey shadow, and a faint blurry shadow of her shoulder is cast on the wall behind her to the right. Palette: charcoal, olive green, cool grey ground and two thin crimson accents in the hair, nothing else admitted. Her shadow on the wall is wider and softer than her silhouette where it meets the surface. Quiet, guarded stillness.
Yuri
AI artwork
Avatar image of Yuri
1girl, solo, dark grey hair, black hair, two-tone hair, crimson hair streaks, streaked hair, loose low ponytail, choppy bangs, forehead bangs, face-framing bangs, wide eyes, half-closed eyes, dark eyes, long eyelashes, prominent eyelashes, relaxed expression, observant, black face mask, mouth mask, covering mouth, covering nose, single earring, silver hoop earring, right ear, high collar, black undershirt, layered clothes, olive green shirt, crewneck, loose shirt, holding phone, smartphone, dark smartphone, right hand, left hand on collar, adjusting collar, hand on own collar, upper body, cowboy shot, from below, dutch angle, three-quarter view, looking at viewer, head tilt, tilt head, cowboy shot composition, single subject, waist-up, The camera sits low and close, tilted a few degrees off level, looking up at a girl in a three-quarter turn to her left from a cowboy-shot framing that cuts her at the hip; the low angle lifts the underside of her jaw and lets the high black collar of the undershirt rise into silhouette against a lighter field behind her. Her weight rests on her right leg with the left hip dropped and pushed slightly forward, so her torso tilts a touch toward the lens while her shoulders stay square to the wall she leans near. Her head is inclined a few degrees to her right, chin drawn down, so that the wide, slightly half-lidded dark eyes look out from beneath the choppy face-framing bangs and level straight at the viewer: heavy dark irises with a faint catchlight, prominent lashes lying thick along the upper lid, lower lids slack, no smile visible -- the mask sees to that -- and the whole mask of the face held in the patient, unbothered quiet of someone watching a thing they have already decided about. The black fabric mask sits snug across her nose and mouth, its upper edge drawn tight over the bridge of the nose and its pleats folding in soft horizontal shelves at the cheeks, the fabric's matte weave swallowing the light where the cheekbones push it out. Above it, the dark grey-black hair is gathered loosely into a low ponytail at the nape, the tie slack enough that a few strands slip free and hang against the side of her neck; the choppy bangs fall in uneven blunt points across her forehead, some tips grazing the top edge of the mask's nose bridge, and two distinct ribbons of crimson red run through the dark mass -- one streaking down through the left-hand bangs past her temple, one threaded back into the ponytail where it swings over her shoulder. A thin silver hoop circles the lobe of her right ear, catching the light as a single bright crescent, the ear otherwise bare. Her right hand is raised at chest height, loosely closed around a dark smartphone held upright with its back to the camera, the matte black slab angled so its top edge cuts a hard horizontal line against the olive-green fabric; her fingertips curl over the phone's far side, thumb braced on the near edge, the wrist bent back. Her left hand comes up to her throat, fingers hooked into the collar of the olive-green crewneck top and pulling it a little away from the black high-collared undershirt beneath, so the loosened crewneck's ribbed edge curls and deforms over her knuckles while the black collar stays upright against her neck. The olive top hangs loose across her shoulders in heavy folds, dropping off the left shoulder and bunching at the elbow; the black undershirt shows as a narrow band at the neck and a sliver at the cuffs. The background is a bare, softly textured wall in cool desaturated grey, out of focus behind her, with nothing hung on it and no other figure in the frame; a single narrow window or doorway off-frame left supplies the only light, cool daylight raking in from her left, laying a bright rim along the left side of the ponytail, the left cheekbone above the mask and the left edge of the olive sleeve, while the right side of her face, the right hand and the phone fall into a soft grey shadow, and a faint blurry shadow of her shoulder is cast on the wall behind her to the right. Palette: charcoal, olive green, cool grey ground and two thin crimson accents in the hair, nothing else admitted. Her shadow on the wall is wider and softer than her silhouette where it meets the surface. Quiet, guarded stillness.
Yuri
AI artwork
Avatar image of Yuri
1girl, solo, dark grey hair, black hair, two-tone hair, crimson hair streaks, streaked hair, loose low ponytail, choppy bangs, forehead bangs, face-framing bangs, wide eyes, half-closed eyes, dark eyes, long eyelashes, prominent eyelashes, relaxed expression, observant, black face mask, mouth mask, covering mouth, covering nose, single earring, silver hoop earring, right ear, high collar, black undershirt, layered clothes, olive green shirt, crewneck, loose shirt, holding phone, smartphone, dark smartphone, right hand, left hand on collar, adjusting collar, hand on own collar, upper body, cowboy shot, from below, dutch angle, three-quarter view, looking at viewer, head tilt, tilt head, cowboy shot composition, single subject, waist-up, The camera sits low and close, tilted a few degrees off level, looking up at a girl in a three-quarter turn to her left from a cowboy-shot framing that cuts her at the hip; the low angle lifts the underside of her jaw and lets the high black collar of the undershirt rise into silhouette against a lighter field behind her. Her weight rests on her right leg with the left hip dropped and pushed slightly forward, so her torso tilts a touch toward the lens while her shoulders stay square to the wall she leans near. Her head is inclined a few degrees to her right, chin drawn down, so that the wide, slightly half-lidded dark eyes look out from beneath the choppy face-framing bangs and level straight at the viewer: heavy dark irises with a faint catchlight, prominent lashes lying thick along the upper lid, lower lids slack, no smile visible -- the mask sees to that -- and the whole mask of the face held in the patient, unbothered quiet of someone watching a thing they have already decided about. The black fabric mask sits snug across her nose and mouth, its upper edge drawn tight over the bridge of the nose and its pleats folding in soft horizontal shelves at the cheeks, the fabric's matte weave swallowing the light where the cheekbones push it out. Above it, the dark grey-black hair is gathered loosely into a low ponytail at the nape, the tie slack enough that a few strands slip free and hang against the side of her neck; the choppy bangs fall in uneven blunt points across her forehead, some tips grazing the top edge of the mask's nose bridge, and two distinct ribbons of crimson red run through the dark mass -- one streaking down through the left-hand bangs past her temple, one threaded back into the ponytail where it swings over her shoulder. A thin silver hoop circles the lobe of her right ear, catching the light as a single bright crescent, the ear otherwise bare. Her right hand is raised at chest height, loosely closed around a dark smartphone held upright with its back to the camera, the matte black slab angled so its top edge cuts a hard horizontal line against the olive-green fabric; her fingertips curl over the phone's far side, thumb braced on the near edge, the wrist bent back. Her left hand comes up to her throat, fingers hooked into the collar of the olive-green crewneck top and pulling it a little away from the black high-collared undershirt beneath, so the loosened crewneck's ribbed edge curls and deforms over her knuckles while the black collar stays upright against her neck. The olive top hangs loose across her shoulders in heavy folds, dropping off the left shoulder and bunching at the elbow; the black undershirt shows as a narrow band at the neck and a sliver at the cuffs. The background is a bare, softly textured wall in cool desaturated grey, out of focus behind her, with nothing hung on it and no other figure in the frame; a single narrow window or doorway off-frame left supplies the only light, cool daylight raking in from her left, laying a bright rim along the left side of the ponytail, the left cheekbone above the mask and the left edge of the olive sleeve, while the right side of her face, the right hand and the phone fall into a soft grey shadow, and a faint blurry shadow of her shoulder is cast on the wall behind her to the right. Palette: charcoal, olive green, cool grey ground and two thin crimson accents in the hair, nothing else admitted. Her shadow on the wall is wider and softer than her silhouette where it meets the surface. Quiet, guarded stillness.
Yuri

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character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
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Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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