Oct 23, 2026

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AI art "渋谷凛" featuring #The Idolmaster, #The Idolmaster Cinderella Girls and #Rin Shibuya

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渋谷凛

#The Idolmaster #The Idolmaster Cinderella Girls #Rin Shibuya

Pubblicato il Oct 25, 2026

英

英知で英傑な号令

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character: shibuya_rin, copyright: idolmaster_cinderella_girls 1girl, solo, long hair, brown hair, black hair, green eyes, underwear only, plain bra and panties, just woken up, sleepy, half-closed eyes, on a bed, lying on her side, upper body propped on one elbow, cheek resting on her hand, head tilt, looking at viewer, soft lazy gaze, bare shoulders, bare arms, bare legs, blanket draped loosely over one hip and thigh, white sheets, rumpled pillow, creased bedding, morning light, from above, close-up, official anime style cel illustration, cel shading, flat anime coloring, clean hard-edged shadow shapes, crisp lineart Seen from above, the camera looks steeply down at one young woman lying on a bed in the first minutes of morning: she is on her right side, her torso twisted up out of the rumpled white sheet, weight carried on her right forearm and one bent elbow, the right side of her face pressed lazily into her open palm so her cheek and jaw are slightly compressed and the corner of her mouth drags with it. Her long dark brown, near-black hair is loose and unbrushed, spilling across the pillow behind her head in flat cel-shaped locks, one strand falling forward across her bare shoulder and lying still against her collarbone. Her green eyes are half-lidded and heavy, drifting up at the lens with the unfocused calm of someone who has not yet decided to be awake; one lash line is lowered lower than the other. She wears only a plain bra and matching panties, drawn as simple everyday underwear with no lace ornament and nothing at her ears — both earlobes bare, her ears completely unadorned, no jewellery anywhere on her body; the loose white sheet is pulled across just below her waist, draping one hip and part of the near thigh, while her bare arms, shoulders, back curve and both bare legs remain in view, the far leg bent at the knee above the cover. Her left hand lies slack palm-up on the mattress beside her pillow, fingers half-curled, not gripping anything. The bedding tells the story of the body that just left it: a deep hollow in the pillow where her head was, radiating creases across the sheet, the mattress compressed under her hip and forearm, and her hair fanned into the dent as a second, softer print of her head. Morning daylight enters from the window at the upper left of the frame, cool and pale, raking across her shoulder, the bridge of her nose and the near knee while the far side of her body and the fold of the sheet beneath her fall into one clean-edged shadow shape; a second, softer bounce of light comes off the white pillow up into the underside of her chin. The palette is restrained to the room's whites and warm off-whites, her skin's flat muted peach, and the dark hair and green eyes as the only strong chromatic notes. Cel illustration discipline throughout: uniform flat fills, single hard shadow tone per colour, no gradients or visible brushwork. Quiet, drowsy warmth.

渋谷凛

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