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AI art "猫さんは液体だったという事実。" featuring #acqua, #Gatto and #rubinetto
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猫さんは液体だったという事実。

わかりにくいかもしれませんが、蛇口からでている水を、よぉ～く見てみよう。 あれ？　猫さんだ！

#acqua#Gatto#rubinetto
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パンダ5

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cat-shaped liquid, faucet, water flowing from faucet forming a cat, no humans, solo, faucet, metal faucet, water, liquid, dripping water, splashing, water drop, glossy, transparent, aqua palette, from side, close-up, from below, wet metal, hand on tap, no humans, surreal, humor, photorealistic water surfaces, high detail, vertical composition A close-up seen from slightly below and to the side of a chrome faucet mounted on a tiled wall, the tap half-turned so the handle sits at an angle, a film of condensation and a bead of water clinging to the spout's underside. From the spout a thick ribbon of water pours downward, and in the falling it pulls itself into a cat: an elongated, glassy body of transparent water suspended mid-flow, head low and forward, two pointed ears drawn up out of the stream, a curve of back and a soft tail that lags behind the column, front paws trailing as thin liquid threads that have not yet separated from the main body. The whole cat is water and only water, edges glossy and refracting the blue-green tiles behind it, interior full of tiny suspended bubbles and internal ripples, its surface catching the light in bright caustic streaks. A small droplet has already broken free past its chin and hangs in the air below, stretched and nearly round. The faucet is the only light source in the frame: a cold white gleam down its spout and handle, a hard specular point on the metal, and behind the animal the tiled wall falls into soft blue-green shadow with a wet sheen where the splash has wetted it. The water stream defies the fall for one beat — the cat's shape holds while the thin tail-end overshoots and separates, so the physics reads as liquid caught at the exact frame it becomes an animal. Palette is aqua, chrome grey, pale blue-green tile, cold white highlights, nothing else. Clean, crisp, wet, quietly absurd.
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猫さんが液体だったという事実、ご存知でしょうか？　水道の蛇口をひねると、ホラ？　猫さんが出てきたじゃないですか？
Modalità
flash
Dimensione
1888 x 1056
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.42k

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#L'attacco dei giganti#Mikasa Ackerman
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