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AI art "撤退するブルマ少女" featuring #bloomers, #Divisa da ginnastica and #1 ragazza
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撤退するブルマ少女

#bloomers#Divisa da ginnastica#1 ragazza
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yuki m

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A side-angle digital anime illustration of the character from image1, framed from just outside a great arched doorway, looking along the threshold. She has short black hair, a flat red headband, and crimson eyes, and wears her outfit from the reference: a white short-sleeved blouse with thin navy trim, navy gym buruma shorts, navy knee supporters, white socks, and small red sports shoes. A sheathed longsword hangs at her hip. She is caught mid-stride as she retreats, one foot already stepping onto the pale stone staircase outside, the other still inside the doorway. Her torso is twisted back, looking over her shoulder into the great hall with her hand resting on the sword's pommel. Her expression shows reluctance and unresolved mystery, with a furrowed brow, a slightly bitten lower lip, and narrowed, lingering eyes as if certain something must be hidden there. Behind her, the huge stone door is slowly swinging shut, its edges dissolving back into drifting blue-white light particles. Past the narrowing gap, rows of tall pillars recede into the soft gloom of the vast, silent, empty hall. Outside, the worn stone steps are brighter, with warm ambient light catching her hair and cheek. The style is changed to a bright fantasy-adventure anime aesthetic with clean cel shading, crisp linework, a wistful suspenseful mood, and warm outer lighting that contrasts with the cool dim interior, while the door's blue-white glow rim-lights her turned profile.
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Immissione richiesta originale
image1 is Alisa — keep her face and look faithful to the reference: short black hair, flat red headband, crimson eyes. She wears ONLY her own outfit: white short-sleeved blouse with thin navy trim, navy gym buruma shorts, navy knee supporters, white socks, small red sports shoes.her stepping into the final floor's empty great-hall — continue the story: having found absolutely nothing, she is now reluctantly leaving. Side-angle shot framed from just outside the great arched doorway, looking along the threshold. Alisa is retreating from the final floor: one foot already across the doorline toward the pale stone staircase side, the other still inside, her body caught mid-stride as she pauses — torso twisted back, looking over her shoulder into the dim great-hall one last time, reluctant to truly leave. Her longsword is sheathed at her hip, her hand resting on the pommel. Her expression is a mix of reluctance and unresolved mystery: brow furrowed, lower lip slightly bitten, crimson eyes narrowed and lingering on the vast empty hall behind her, as if certain something must be hidden there — "…there really was nothing?" Behind her the huge arched door is slowly swinging shut again, its stone edges already beginning to dissolve back into drifting blue-white light particles, half-formed once more, sealing the empty hall. Past the narrowing gap: rows of tall pillars receding into soft gloom, the vast silent emptiness she searched. Outside, the floor-6 side is brighter — worn pale stone steps and soft ambient light catching her hair and cheek. Bright fantasy-adventure anime style, clean cel shading, crisp linework, wistful suspenseful mood, warm outer light against cool dim interior, the door's blue-white glow rim-lighting her turned profile.
Modalità
flash
Dimensione
1232 x 1632
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Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.40k

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#L'attacco dei giganti#Mikasa Ackerman
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