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AI art "放課後の女子トーク・制服美少女たち"
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放課後の女子トーク・制服美少女たち

Avatar image of ナゾノクサ
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ナゾノクサ

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anime, girls around 15 years old, clothing and way of wearing them are unified, different hair colors, different breast sizes, having fun and spending time together at a hotel on a school trip, anime illustration, great quality, best quality.
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Immissione richiesta originale
anime、15歳ぐらいの女の子たち、 服装や着方は統一されている。 髪の色が違う。 胸の大きさが違う。 修学旅行でホテルで楽しく遊んで過ごしている。,ribonhukunodit2verdesu。tabunugokukedowakaran
Modalità
standard
Dimensione
768 x 1280
Watermark
On

Modello e LoRA utilizzati

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.12k
リボン服 - AI Model cover image

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リボン服
6

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Avatar image of とあV
Highest quality, ultra-high definition, masterpiece, anime style, adult women, faces as beautiful as peerless beauties, idol-like cuteness, an innocent and cute atmosphere, a youthful and fresh impression, not displaying a calm adult maturity, large breasts, natural feminine body lines. [Character Composition] Three adult women, each with distinctly different facial features, unique eyes, hairstyles, hair colors, and hair accessories. Depict all as different people; no duplication of faces or confusion of features. [Girl on the Left] Walking on the left side, long purple-black hair, natural bangs, no special braids, no bangs hanging on only one side, slender eyes, sharp and cool-looking eyes, a dignified gaze, looking straight ahead with a bright smile, wearing a school uniform of the same design, mini skirt, carrying a school bag. [Girl in the Center] Walking in the center, long blonde hair with one side braided, the braid clearly expressed, gyaru-style eyes, glamorous eyes with slightly upturned corners, active and impressive eyes, looking straight ahead with a bright smile, wearing a school uniform of the same design, mini skirt, wearing the uniform in a gyaru-style disheveled manner, carrying a school bag. [Girl on the Right] Walking on the right side, long brown hair, wearing a rabbit hair accessory, a gentle gaze, soft and calm eyes, a kind look, looking straight ahead with a gentle smile, wearing a school uniform of the same design, mini skirt, carrying a school bag. [Prevention of Confusion] The faces of the left, center, and right girls must be completely distinct. Do not reuse the same face; do not make the eye shapes identical; do not swap gazes, hairstyles, hair colors, or accessories. [Uniforms and Clothing] All three are wearing the same school-designated uniform from the same school; completely unified design, same color, same collar shape, same buttons, same skirt design. All three are wearing mini skirts and carrying school bags. Only the center girl is dressed in a disheveled gyaru style; the left and right girls are dressed relatively neatly. [Gaze and Expression] All three are looking straight ahead toward the viewer; all three eyes are unified to look directly at the viewer; no glancing to the sides; not looking at each other. They are facing the viewer while walking, all maintaining bright, natural smiles. [Mouth] Natural mouths, no glossy effects on the lips, no lip gloss-like shine, not wet-looking lips, no excessive highlights; natural, matte, healthy lips. [Distance and Composition] A morning commute route, the three are walking at a very close distance to the viewer, huddling close to each other as friends. They are walking toward the viewer; do not draw the figures small or as a distant view; no wide space between the three and the viewer. [Full Body Composition and Angle] Vertical full-body composition, capturing all three from the top of their heads to their toes completely within the frame; feet are clearly visible; no heads or feet cut off by the frame edges. Position the three to nearly fill the screen, maintaining a close-up perspective while capturing the full body; expressions and entire bodies are clearly visible with minimum margin at the feet. [Walking and Pose] The three are arranged almost side-by-side, walking while leaning against each other; natural walking posture; stride and body movements are naturally synchronized; all three are walking toward the viewer; natural depiction of limb positions and joint structures, avoiding unnatural overlapping of arms or legs. [Background and Fill] A realistic morning commute route, residential area or roads leading to school, sidewalks, roadside trees, utility poles, surrounding buildings, natural streetscapes along the road, other students commuting in the distance; fill the entire screen with a natural cityscape, no unnatural empty spaces or blank areas. [Background Blur] Focus on all three girls; sharp from faces to toes; strong and soft blur on the background only (shallow depth of field); clear focus difference between the characters and the background; buildings, trees, poles, and distant students are naturally blurred while maintaining overall screen information. [Light and Atmosphere] Morning sunlight, refreshing morning air, soft natural light hitting the hair and outlines of the three; a bright and refreshing school commute scene; a natural and intimate atmosphere of three close friends walking to school together.
とあV
#All'aperto#capelli lunghi#Capelli neri

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
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