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AI art "👁️🦋オマージュのJD、親友二人が鍋物の店でお食事"
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👁️🦋オマージュのJD、親友二人が鍋物の店でお食事

#capelli lunghi#Capelli neri#capelli castani#hime cut#frangia dritta#occhi marroni#occhi neri#Capelli ondulati#neo sotto l'occhio
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score_9_up, score_8_up, score_7_up, (masterpiece:1.3), (best quality:1.3), high-quality illustration, (cel anime style:1.4), [キャラクターA]　左側、茶髪、ゆるふわウェーブヘア、長髪、8:2分け、8側のサイドに流した前髪、額、細い眉、長い睫毛、二重瞼、やや垂れ目気味のアーモンドアイ、cel anime Eyes, ストレートノーズ、小鼻:0.9, 薄いピンク色の唇、oval face, oblong face, 落ち着いた笑顔、菜箸の先の白菜を見つめている、優しい視線、柔らかな表情、細く女性らしい首、巨乳、張りのある乳房、グレーのカーディガン、薄ピンクのドレスシャツ、シルバーのネックレス、膝上丈のライトブラウンのスカート、ブラウンのローファー、upper body shot, 上半身にフォーカス BREAK [キャラクターB]　右側、黒髪ロングヘア、パッツンヘア、絹のようなストレートヘア、細い眉、長い睫毛、二重瞼、ややつり目気味のアーモンドアイ、cel anime Eyes, 黒い眼、((左目の下に小さな泣き黒子))、ストレートノーズ、小鼻:0.9, 薄いピンク色の唇、oval face, oblong face, 落ち着いた笑顔、テーブルの鍋を見つめている、優しい視線、柔らかな表情、細く女性らしい首、巨乳、張りのある乳房、桜色のカーディガン、ネイビーブルーのドレスシャツ、グレーの膝上丈のスクールスカート、ブラウンのローファー、upper body shot, 上半身にフォーカス BREAK 鍋料理の店内、テーブル席、テーブル中央に埋め込まれたコンロ、コンロの上の土鍋、もつ鍋、テーブルの左側の席にキャラクターA、右側の席にキャラクターBが座っている。キャラクターAが菜箸で取り皿に鍋から白菜をいれている、キャラクターBはニラと出汁をとお玉で掬って取り皿に入れている,sharp colored line art,cel shading,painterly gradients,glossy highlights,luminous skin,expressive eyes,fine hair,detailed fabric,subtle reflections,detailed atmospheric interior,clean architectural lines,cinematic lighting,high contrast,beautiful colors,best quality, masterpiece, detailed, aesthetic
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score_9_up, score_8_up, score_7_up, (masterpiece:1.3), (best quality:1.3), high-quality illustration, (cel anime style:1.4), [キャラクターA]　左側、茶髪、ゆるふわウェーブヘア、長髪、8:2分け、8側のサイドに流した前髪、額、細い眉、長い睫毛、二重瞼、やや垂れ目気味のアーモンドアイ、cel anime Eyes, ストレートノーズ、小鼻:0.9, 薄いピンク色の唇、oval face, oblong face, 落ち着いた笑顔、菜箸の先の白菜を見つめている、優しい視線、柔らかな表情、細く女性らしい首、巨乳、張りのある乳房、グレーのカーディガン、薄ピンクのドレスシャツ、シルバーのネックレス、膝上丈のライトブラウンのスカート、ブラウンのローファー、upper body shot, 上半身にフォーカス BREAK [キャラクターB]　右側、黒髪ロングヘア、パッツンヘア、絹のようなストレートヘア、細い眉、長い睫毛、二重瞼、ややつり目気味のアーモンドアイ、cel anime Eyes, 黒い眼、((左目の下に小さな泣き黒子))、ストレートノーズ、小鼻:0.9, 薄いピンク色の唇、oval face, oblong face, 落ち着いた笑顔、テーブルの鍋を見つめている、優しい視線、柔らかな表情、細く女性らしい首、巨乳、張りのある乳房、桜色のカーディガン、ネイビーブルーのドレスシャツ、グレーの膝上丈のスクールスカート、ブラウンのローファー、upper body shot, 上半身にフォーカス BREAK 鍋料理の店内、テーブル席、テーブル中央に埋め込まれたコンロ、コンロの上の土鍋、もつ鍋、テーブルの左側の席にキャラクターA、右側の席にキャラクターBが座っている。キャラクターAが菜箸で取り皿に鍋から白菜をいれている、キャラクターBはニラと出汁をとお玉で掬って取り皿に入れている,sharp colored line art,cel shading,painterly gradients,glossy highlights,luminous skin,expressive eyes,fine hair,detailed fabric,subtle reflections,detailed atmospheric interior,clean architectural lines,cinematic lighting,high contrast,beautiful colors,best quality, masterpiece, detailed, aesthetic
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﹝Prompt﹞
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1632 x 1232
Metodo di campionamento
Euler
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lowres, worst quality, low quality, bad anatomy, explicit, photograph, realism, snapshot
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#L'attacco dei giganti#Mikasa Ackerman
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