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AI art "kyonko," featuring #Sound! Euphonium
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kyonko,

#Sound! Euphonium
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character: tachibana_kyouko_(suzumiya_haruhi), kyonko, copyright: suzumiya_haruhi_no_yuuutsu 1girl, solo, long brown hair, high ponytail, brown eyes, sleepy eyes, half-closed eyes, yawning, half closed mouth, drooling, drool on cheek, lying on bed, on back, arms splayed, looking away, looking to the side, from above, funny sleeping posture, short sleeves, oversized white shirt, plain white shirt, gray sweatpants, bare feet, dark room, bed, pillow, blanket, blanket over one leg, night, dim light, clean lineart, flat coloring, character focus, close crop From directly overhead the camera looks down on a single girl sprawled asleep across a bed in a dark room: the bed fills the frame edge to edge and she is the only subject in it. She lies on her back, tilted a little diagonally across the mattress, in a funny sleeping posture -- one leg bent up and flopped sideways over the other, that knee fallen outward, one arm thrown wide off the edge of the pillow with the palm up and fingers loosely curled, the other arm folded across her own stomach. Her long brown hair is pulled up into a high ponytail at the crown of her head; the tail fans out sideways on the pillow in a loose scatter and a few stray strands stick to her cheek and forehead. The oversized short-sleeved white shirt is far too big, its shoulder seams slipping toward her upper arms, the fabric bunched and wrinkled under one shoulder, its hem riding up and folding back so a sliver of her waist shows on the mattress; below it the gray sweatpants are loose and baggy, one cuff pulled up to mid-calf, her bare feet hanging over a corner of the mattress. Her face is slack and sleepy: eyes half closed, lids heavy and low, the outer corners soft, gaze turned away to the side toward the dark wall and not at the camera; her mouth hangs half open in the middle of a long yawn, jaw loose, tongue barely visible, and a thin thread of drool slides from the corner of her lips down onto the pillow, its wet gleam catching the light. A crumpled blanket lies half kicked off, covering one shin only, the pillow compressed into a deep dent under her head. The only light source is a small dim night lamp at one edge of the room just outside the frame; it falls from one side in a low warm amber pool across her cheek, the white shirt's folds and the pillow, leaving the far half of the bed and the room beyond in near-total darkness, with only a faint edge glint along the rim of her ponytail. Palette is restricted to the white shirt, the cool gray sweatpants, warm brown of hair and skin, and the deep blue-black of the room, nothing else admitted. Clean crisp lineart with flat cel coloring and no gradient shading, shadow shapes at hard edges. A single drool strand drops in a short gravity-driven thread and darkens the pillow fabric exactly where it lands. Quiet, drowsy, gently funny.
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Immissione richiesta originale
( 1girl, solo, Kyonko from The Melancholy of Haruhi Suzumiya, official anime style, Kyoto Animation style, girl with long brown hair in high ponytail, , sleepy eyes, yawning, half closed mouth,), dark room, lying on bed, looking away, from above, funny sleeping posture, (short sleeves white oversized shirts, gray sweat pants, drooling slightly, ) clean lineart, flat coloring, official art style, , character focused,
Modalità
pro
Tag qualità
﹝Prompt﹞
Dimensione
1104 x 1824
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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