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Alex Andain
Arte IA di Alex Andain su PixAI. Creato con Aรผngir.
Mostra parametri
- Immissione richiesta originale
- ะขัะผะตะฝัะบะฐั ะฝะฐะฑะตัะตะถะฝะฐั ะฝะฐ ะฑะตัะตะณั ัะตะบะธ ะขััั, ะฟะพะทะดะฝะธะน ะพัะตะฝะฝะธะน ะฒะตัะตั, ะฟััััะต ะฟะตัะตั ะพะดะฝัะต ะผะพััั ะธ ะปะตััะฝะธัั, ัั ะพะดััะธะต ะฒ ะณัััะพะน ััะผะฐะฝ. ะกัะฐััะต ัะพะฝะฐัะธ ะพัะฑัะฐััะฒะฐัั ัััะบะปัะน ัะฝัะฐัะฝัะน ัะฒะตั ะฝะฐ ะผะพะบััะน ะบะฐะผะตะฝั, ะพััะฐะถะตะฝะธั ะฒะพะดั ะฒัะณะปัะดัั ะบะฐะบ ััะฐะณะผะตะฝัั ะดะฐะฒะฝะพ ะทะฐะฑััะพะณะพ ัะฝะฐ. ะัั ะธัะตะบัััะฐ ะฝะฐะฑะตัะตะถะฝะพะน ะผะตะดะปะตะฝะฝะพ ัะฐััะฒะพััะตััั ะฒ ัะตัะพะน ะดัะผะบะต, ะทะฝะฐะบะพะผัะต ะพัะตััะฐะฝะธั ััะฐะฝะพะฒัััั ััะถะธะผะธ ะธ ะฝะตัะทะฝะฐะฒะฐะตะผัะผะธ. ะัะผะพััะตัะฐ Stage 6 ะธะท Everywhere at the End of Time: ะฟัะตะดะตะปัะฝะฐั ะดะตะทะพัะธะตะฝัะฐัะธั, ัะฐัะฟะฐะด ะฟะฐะผััะธ, ะพัััะตะฝะธะต ะฟัะพัััะฐะฝััะฒะฐ, ะบะพัะพัะพะต ะฟัะพะดะพะปะถะฐะตั ัััะตััะฒะพะฒะฐัั ะฟะพัะปะต ะธััะตะทะฝะพะฒะตะฝะธั ะฒัะตั ะฒะพัะฟะพะผะธะฝะฐะฝะธะน ะพ ะฝัะผ. ะััะฒะตััะฐั ะฐะฝะฐะปะพะณะพะฒะฐั ัะพัะพะณัะฐัะธั, ัะธะปัะฝะพะต ะทะตัะฝะพ ะฟะปัะฝะบะธ, ะฟะพะฒัะตะถะดัะฝะฝะฐั ัะผัะปััะธั, ัะฐะทะผะฐะทะฐะฝะฝัะต ะบะพะฝัััั, ะฟัะธะทัะฐัะฝัะต ะดะฒะพะนะฝัะต ัะบัะฟะพะทะธัะธะธ, ะฒััะฒะตััะธะต ะบะพัะธัะฝะตะฒัะต ะธ ัะตัะพ-ะทะตะปัะฝัะต ะพััะตะฝะบะธ, ะฟะพััะธ ะฟะพะปะฝะพะต ะพััััััะฒะธะต ะฝะฐัััะตะฝะฝะพััะธ, ะณะปัะฑะพะบะธะต ัััะฝัะต ัะตะฝะธ. ะะธะบะฐะบะธั ะปัะดะตะน, ะฝะธะบะฐะบะธั ะฐะฒัะพะผะพะฑะธะปะตะน, ะฝะธะบะฐะบะธั ัะพะฒัะตะผะตะฝะฝัั ััะบะธั ัะบัะฐะฝะพะฒ. ะขะธัะธะฝะฐ, ะฟัััะพัะฐ, ะฟะพัะตัั ะธะดะตะฝัะธัะฝะพััะธ ะผะตััะฐ, ะฑะตัะบะพะฝะตัะฝะพะต ะพัััะตะฝะธะต ะทะฐะฒะตััะตะฝะธั. ะกัััะตะฐะปะธััะธัะฝะฐั ะดะพะบัะผะตะฝัะฐะปัะฝะฐั ัะพัะพะณัะฐัะธั, ะฝะฐะนะดะตะฝะฝะฐั ะฒ ะฐัั ะธะฒะต ะฝะตะธะทะฒะตััะฝะพะณะพ ัะตะปะพะฒะตะบะฐ, ะธะทะพะฑัะฐะถะตะฝะธะต ะฝะฐ ะณัะฐะฝะธ ะฟะพะปะฝะพะณะพ ะธััะตะทะฝะพะฒะตะฝะธั, ััะตะฒะพะถะฝะฐั ะฐัะผะพััะตัะฐ ะฟะพะทะดะฝะตะน ััะฐะดะธะธ ะฐะผะฝะตะทะธะธ, ะผะธะฝะธะผะฐะปะธะทะผ, ะฒะธะทัะฐะปัะฝะฐั ะดะตะณัะฐะดะฐัะธั, haunting liminal space, decayed memory, archival photographic decay.
- Dimensione
- 720 x 1280
- Passaggi di campionamento
- 12
- Metodo di campionamento
- Euler a
- Scala CFG
- 2.5
- Negativo
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose,
Modello e LoRA utilizzati
Immagini simili
Mostra di piรน
Tyumen embankment on the bank of the Tura River, late autumn evening, empty pedestrian bridges and staircases disappearing into thick fog. Old streetlamps cast dim amber light on wet stone, water reflections look like fragments of a long-forgotten dream. The embankment architecture slowly dissolves into gray haze, familiar outlines become alien and unrecognizable. Atmosphere of Stage 6 from Everywhere at the End of Time: extreme disorientation, decay of memory, the feeling of a space that continues to exist after all memories of it have vanished. Faded analog photograph, heavy film grain, damaged emulsion, smeared contours, ghostly double exposures, faded brown and gray-green tones, almost complete lack of saturation, deep black shadows. No people, no cars, no modern bright screens. Silence, emptiness, loss of the place's identity, an endless feeling of completion. Surrealist documentary photography, found in the archive of an unknown person, an image on the verge of complete disappearance, unsettling atmosphere of late-stage amnesia, minimalism, visual degradation, haunting liminal space, decayed memory, archival photographic decay, no humans, scenery, fog, night, autumn, river, bridge, street lamp, wet stone, monochrome, muted colors, film grain, double exposure, liminal space
Alex Andain
Tyumen embankment on the bank of the Tura River, late autumn evening, empty pedestrian bridges and staircases disappearing into thick fog. Old streetlamps cast dim amber light on wet stone, water reflections look like fragments of a long-forgotten dream. The embankment architecture slowly dissolves into gray haze, familiar outlines become alien and unrecognizable. Atmosphere of Stage 6 from Everywhere at the End of Time: extreme disorientation, decay of memory, the feeling of a space that continues to exist after all memories of it have vanished. Faded analog photograph, heavy film grain, damaged emulsion, smeared contours, ghostly double exposures, faded brown and gray-green tones, almost complete lack of saturation, deep black shadows. No people, no cars, no modern bright screens. Silence, emptiness, loss of the place's identity, an endless feeling of completion. Surrealist documentary photography, found in the archive of an unknown person, an image on the verge of complete disappearance, unsettling atmosphere of late-stage amnesia, minimalism, visual degradation, haunting liminal space, decayed memory, archival photographic decay, no humans, scenery, fog, night, autumn, river, bridge, street lamp, wet stone, monochrome, muted colors, film grain, double exposure, liminal space
Alex Andain
Tyumen embankment on the bank of the Tura River, late autumn evening, empty pedestrian bridges and staircases disappearing into thick fog. Old streetlamps cast dim amber light on wet stone, water reflections look like fragments of a long-forgotten dream. The embankment architecture slowly dissolves into gray haze, familiar outlines become alien and unrecognizable. Atmosphere of Stage 6 from Everywhere at the End of Time: extreme disorientation, decay of memory, the feeling of a space that continues to exist after all memories of it have vanished. Faded analog photograph, heavy film grain, damaged emulsion, smeared contours, ghostly double exposures, faded brown and gray-green tones, almost complete lack of saturation, deep black shadows. No people, no cars, no modern bright screens. Silence, emptiness, loss of the place's identity, an endless feeling of completion. Surrealist documentary photography, found in the archive of an unknown person, an image on the verge of complete disappearance, unsettling atmosphere of late-stage amnesia, minimalism, visual degradation, haunting liminal space, decayed memory, archival photographic decay, no humans, scenery, fog, night, autumn, river, bridge, street lamp, wet stone, monochrome, muted colors, film grain, double exposure, liminal space
Alex Andain
river embankment, late autumn evening, empty pedestrian bridges and staircases disappearing into thick fog, old streetlamps casting dim amber light on wet stone, water reflections like fragments of a long-forgotten dream, riverside architecture slowly dissolving into grey haze, familiar outlines becoming alien and unrecognizable, atmosphere of Stage 6 from Everywhere at the End of Time, extreme disorientation, memory decay, sense of space continuing to exist after all memories of it have vanished, faded analog photograph, heavy film grain, damaged emulsion, blurred contours, ghostly double exposures, faded brown and grey-green tones, almost total desaturation, deep black shadows, no people, no cars, no modern bright screens, silence, emptiness, loss of place identity, endless sense of ending, surreal documentary photography, found in an unknown person's archive, image on the verge of complete disappearance, unsettling atmosphere of late-stage amnesia, minimalism, visual degradation, haunting liminal space, decayed memory, archival photographic decay, Fright Night 1985 style
Alex Andain
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