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AI artwork featuring #Blue Archive
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Blue Archive

#Blue Archive
fl

Foxy Limbo

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1boy, solo, black stickman, thin line limbs, round black head, mid-kick, one leg swung forward, other foot planted, arms flung out for balance, leaning back, kicking, trash pile, scattered garbage, corner of a dark room, two walls meeting, old empty metal coffee can, dented can, open empty can, floating item icon above the can, glowing icon, game item pickup icon, 2D minimal line art, flat black lines, white lines on black, simple shapes, high contrast, from side, wide shot, dark room, single light source, looking at can Seen from the side in a wide shot, the room is a bare black field with only the two corner walls drawn in thin white line, meeting at a vertical seam near the right third of the frame. The stickman's round black head is outlined in white so it reads against the black; his thin limbs are drawn in flat white line, one leg swung forward and buried in the trash pile, the other foot planted with the knee slightly bent and the weight riding back on that heel, both arms flung out and back for balance, head tilted down. The trash pile sits wedged in the corner where the two wall lines meet: overlapping crumpled shapes, a tilted bottle, a squashed box, all simple outlines, several pieces knocked loose and hanging in the air along the arc of the kick. Tipped out of the pile and rolling to a stop against the skirting line sits the old empty metal coffee can — an open cylinder drawn in clean outline, one side dented inward, its rim a single unbroken ellipse, nothing inside it. Directly above the can, a small floating video game item icon hangs in the black: a rounded-square frame with a soft white halo, the can repeated inside it as a tiny crisp pictogram, a few short radiating ticks around the frame and a faint upward bob-line beneath it. The icon's glow is the only light in the scene: it bleaches the top rim of the real can and the nearest trash outlines to pure white, and the pool of that light falls off fast, so the far corner and the lower floor lines fade to nothing — beyond the glow the darkness is absolute. Palette is black, white and one cool cyan used only on the item icon's frame. Flat uniform line weight, no shading, no gradients, generous empty black negative space. Quiet, deadpan, a small discovery.
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Immissione richiesta originale
A black stickman kicking a pile of trash in the corner of a dark room, finding an old empty metal coffee can. Floating video game item icon above the can, 2D minimal line art
Modalità
flash
Dimensione
1472 x 832
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.00k

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AI artwork
fl
1boy, solo, black stickman, thin line limbs, round black head, mid-kick, one leg swung forward, other foot planted, arms flung out for balance, leaning back, kicking, trash pile, scattered garbage, corner of a dark room, two walls meeting, old empty metal coffee can, dented can, open empty can, floating item icon above the can, glowing icon, game item pickup icon, 2D minimal line art, flat black lines, white lines on black, simple shapes, high contrast, from side, wide shot, dark room, single light source, looking at can Seen from the side in a wide shot, the room is a bare black field with only the two corner walls drawn in thin white line, meeting at a vertical seam near the right third of the frame. The stickman's round black head is outlined in white so it reads against the black; his thin limbs are drawn in flat white line, one leg swung forward and buried in the trash pile, the other foot planted with the knee slightly bent and the weight riding back on that heel, both arms flung out and back for balance, head tilted down. The trash pile sits wedged in the corner where the two wall lines meet: overlapping crumpled shapes, a tilted bottle, a squashed box, all simple outlines, several pieces knocked loose and hanging in the air along the arc of the kick. Tipped out of the pile and rolling to a stop against the skirting line sits the old empty metal coffee can — an open cylinder drawn in clean outline, one side dented inward, its rim a single unbroken ellipse, nothing inside it. Directly above the can, a small floating video game item icon hangs in the black: a rounded-square frame with a soft white halo, the can repeated inside it as a tiny crisp pictogram, a few short radiating ticks around the frame and a faint upward bob-line beneath it. The icon's glow is the only light in the scene: it bleaches the top rim of the real can and the nearest trash outlines to pure white, and the pool of that light falls off fast, so the far corner and the lower floor lines fade to nothing — beyond the glow the darkness is absolute. Palette is black, white and one cool cyan used only on the item icon's frame. Flat uniform line weight, no shading, no gradients, generous empty black negative space. Quiet, deadpan, a small discovery.
Foxy Limbo
AI artwork
fl
1boy, solo, black stickman, thin line limbs, round black head, mid-kick, one leg swung forward, other foot planted, arms flung out for balance, leaning back, kicking, trash pile, scattered garbage, corner of a dark room, two walls meeting, old empty metal coffee can, dented can, open empty can, floating item icon above the can, glowing icon, game item pickup icon, 2D minimal line art, flat black lines, white lines on black, simple shapes, high contrast, from side, wide shot, dark room, single light source, looking at can Seen from the side in a wide shot, the room is a bare black field with only the two corner walls drawn in thin white line, meeting at a vertical seam near the right third of the frame. The stickman's round black head is outlined in white so it reads against the black; his thin limbs are drawn in flat white line, one leg swung forward and buried in the trash pile, the other foot planted with the knee slightly bent and the weight riding back on that heel, both arms flung out and back for balance, head tilted down. The trash pile sits wedged in the corner where the two wall lines meet: overlapping crumpled shapes, a tilted bottle, a squashed box, all simple outlines, several pieces knocked loose and hanging in the air along the arc of the kick. Tipped out of the pile and rolling to a stop against the skirting line sits the old empty metal coffee can — an open cylinder drawn in clean outline, one side dented inward, its rim a single unbroken ellipse, nothing inside it. Directly above the can, a small floating video game item icon hangs in the black: a rounded-square frame with a soft white halo, the can repeated inside it as a tiny crisp pictogram, a few short radiating ticks around the frame and a faint upward bob-line beneath it. The icon's glow is the only light in the scene: it bleaches the top rim of the real can and the nearest trash outlines to pure white, and the pool of that light falls off fast, so the far corner and the lower floor lines fade to nothing — beyond the glow the darkness is absolute. Palette is black, white and one cool cyan used only on the item icon's frame. Flat uniform line weight, no shading, no gradients, generous empty black negative space. Quiet, deadpan, a small discovery.
Foxy Limbo
AI artwork
fl
1boy, solo, black stickman, thin line limbs, round black head, mid-kick, one leg swung forward, other foot planted, arms flung out for balance, leaning back, kicking, trash pile, scattered garbage, corner of a dark room, two walls meeting, old empty metal coffee can, dented can, open empty can, floating item icon above the can, glowing icon, game item pickup icon, 2D minimal line art, flat black lines, white lines on black, simple shapes, high contrast, from side, wide shot, dark room, single light source, looking at can Seen from the side in a wide shot, the room is a bare black field with only the two corner walls drawn in thin white line, meeting at a vertical seam near the right third of the frame. The stickman's round black head is outlined in white so it reads against the black; his thin limbs are drawn in flat white line, one leg swung forward and buried in the trash pile, the other foot planted with the knee slightly bent and the weight riding back on that heel, both arms flung out and back for balance, head tilted down. The trash pile sits wedged in the corner where the two wall lines meet: overlapping crumpled shapes, a tilted bottle, a squashed box, all simple outlines, several pieces knocked loose and hanging in the air along the arc of the kick. Tipped out of the pile and rolling to a stop against the skirting line sits the old empty metal coffee can — an open cylinder drawn in clean outline, one side dented inward, its rim a single unbroken ellipse, nothing inside it. Directly above the can, a small floating video game item icon hangs in the black: a rounded-square frame with a soft white halo, the can repeated inside it as a tiny crisp pictogram, a few short radiating ticks around the frame and a faint upward bob-line beneath it. The icon's glow is the only light in the scene: it bleaches the top rim of the real can and the nearest trash outlines to pure white, and the pool of that light falls off fast, so the far corner and the lower floor lines fade to nothing — beyond the glow the darkness is absolute. Palette is black, white and one cool cyan used only on the item icon's frame. Flat uniform line weight, no shading, no gradients, generous empty black negative space. Quiet, deadpan, a small discovery.
Foxy Limbo
AI artwork
fl
1boy, solo, stickman, black stick figure, simple round head, thin straight limbs, no facial features except a mouth, holding icicle, translucent icicle, pointed icicle, both hands gripping icicle, mouth wide open, about to bite, biting imminent, leaning forward, red exclamation mark above head, floating warning icon, red brackets, [!], minimalist comic style, dark background, near-black background, high contrast, centered composition, from side, profile, close-up A single black stickman stands centered in profile facing right against a near-black background, rendered in a clean minimalist comic style with unmodulated flat black linework and no shading, no texture, no gradients. His round head is a flat black circle; his limbs are uniform thin black strokes. Both thin black hands grip the base of one translucent pale-blue icicle that juts forward and up at a shallow angle toward his face; the icicle's tip floats a hand's width from his open mouth. His head is tilted back slightly, jaw dropped into a wide open oval, lips parted and ready to close; his torso leans forward from the hips and his knees bend slightly, weight on the front foot, back heel lifting. The icicle is drawn with thin white rim lines and a faint cold-blue core, its edges crisp, a single droplet forming at its base where warmth from his fingers has already begun to melt it -- the one physical detail that reads as cold made visible. Directly above his head floats a red warning icon: bold red brackets enclosing a thick red exclamation mark, reading "[!]", hovering with a hard flat shadowless edge, the only saturated color in the frame apart from the icicle's pale blue. The light is even and sourceless comic flatness; no cast shadows, no ambient glow; the black figure and black field separate only by a slight value difference at the silhouette rim. Palette limited to black, near-black, red and one pale ice blue, nothing else. Playful, deadpan.
Foxy Limbo

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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